58 MB

This is a eight-voice synthesizer plugin with the full ‘Piscogramma MFX’ inside. Designed as a generator of contemplative sounds, but who knows what else your creativity can get out of it?

# Waveshaping and FM single oscillator.
# Noise generator.
# Analogue style ADSR envelope for amplitude and timbre control.
# Vibrato control.
# All the controls of ‘Piscogramma MFX’.
# Reverb diffuser.
# Advanced preset manager, with batch edit.
# Resizable GUI.
# Extended tooltips for all controls.
# Non adjustable features:
pitchbend range 2 ST, ModWheel to vibrato,
3dB variation random stereo voicing, chords auto gain.

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Psicogramma-Key-freeware-synth  ( 58 MB )

16 MB

Transform Images into Sound with Differrent Sonic Possibilities

Introducing Dynamic Image Wavetable Synthesizer, a plugin that turns any image into a playable wavetable instrument. By simply dragging and dropping an image onto the plugin’s interface, you can generate wavetables dynamically, opening up a world of experimental and evolving sounds.

Key Features

1. Dynamic Wavetable Generation from Images

– Horizontal Scan Mode: Converts each horizontal line of the image into a wavetable, allowing for sharp edge waves
– Circular Scan Mode: Reads pixels in a circular path, creating seamless, smooth continuous type waveforms

2. Advanced Image Manipulation (Affine Transformations)

– Zoom, Rotate, Translate, and Skew the image in real-time to morph the wavetable structure.
– Pixel Interpolation Modes (Nearest Neighbor, Bilinear) for different levels of waveform fidelity.

3. Multi-Engine Synthesis for Fat, Evolving Sounds

– 4 Additional Oscillator Types (Sine, Saw, Square, Noise) for layering and thickening the sound.

4. Deep Modulation & Automation

– 4 LFOs with multiple waveforms (Sine, Triangle, Square, Random, Step) and tempo sync.
– 4 Envelopes (ADSR) for precise control over dynamics and modulation.
– Dedicated Amp & Filter ADSR for shaping volume and filter cut-off independently.
– Right-clicking the mouse goes directly to the corresponding control line of the modulation screen.
-Shift + mouse drag on tune slider makes -+12 tone discretes update

5. MIDI Control & Expression
– 4 MIDI Mod Sources: Velocity, Aftertouch (Pressure), Mod Wheel, and Random.
– Oversampling Options for aliasing-free high frequencies.

Why This Plugin?
generate wavetables from photos, abstract art, or even screenshots.
Perfect for Experimental Music, Cinematic Scoring, and Glitchy Textures.
Fully Automatable & Performative: Ideal for live sets and evolving compositions.

System Requirements
Windows 10/11 (64-bit)
MAC

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Tug-Img-Synth  ( 16 MB )

146 MB

Nasca is an standalone tool application for Windows that employs Wavetable / Granular / Sample-based synthesis in two separate and programmable layers each with extensive FX, Modulation Matrix, Chord Sequencer and two Arpeggiators modules which provide the user with maximum control over sound creation.

With the built-in 16steps Chord Sequencer and two Arpeggiators, long evolving ambient and atmospheric sounds can be created. Also, the Sequencer and Arpeggiators allows for more rhythmic based compositions or patches as well. It is possible to create an entire composition just by creating many layers.

Nasca is Free/Donate. The Free version has some limitations. No installation is necessary, and it works without problems in Windows XP and Windows 10 (32/64-bit). (Nasca is 32-bit.).

Nasca is JCS module / Joystick Controlled Synthesizer. Use a Joystick Gamepad (xBox type) to control some of the Nasca parameters in real time, as a controller. This function will allow you to control chords, launch layers A and B separately, adjust the volume and mixing of layers, as well as modulate some parameters in the Mod Matrix.

https://2mgt.st8.ru/Nasca.html

2MGT_Nasca  ( 146 MB )

28 MB

Synthesizer, Sampler, Granulizer written in Rust with Nih-Plug and egui
Actuate is a subtractive synthesizer, Additive Synthesizer, sampler, and granulizer made in Rust with Nih-Plug and Egui.
Actuate follows a philosophy of “limited but creative options” for making sounds.

Features:

Two SVF Filters, a VCF inspired filter, Tilt inspired filters, and two other analog-inspired filters that can be parallel, serial, or bypassed with ADSR Envelopes.
Two pitch modulations with ADSR.
FM Options with an envelope.
12 Oscillator shapes:
The standard: Sine, Triangle, Saw, Ramp, Square, Pulse, Noise.
WSaw – Saw with noise variance to create crispyness.
SSaw – Saw with small variance to create shimmer.
RSaw – Rounded saw wave.
RASaw – Rounded saw wave with random variances.
RSquare – Rounded square wave.
Additive Oscillators with up to 16 harmonics.
FM Supported between Oscillators/samples/granulizer.
3 Different stereo algorithms.
5 Main Filter Algorithms
SVF – 7 Filter resonance approximations for different sweeps in SVF filters
Default – Allegedly the “ideal” response when tying Q to angular sin response.
Moog – Allegedly a Moog Ladder Q approximation further modified.
TB – Allegedly an approximation of a TB-303 LP further modified.
Arp – Allegedly an approximation of an Arp 2600 further modified.
Res – I made this up – kind of a hyper resonance while still being gentle.
Bump – I made this up – a gentle bump resonance different from the others.
Powf – I made this up – Curves based on Powf math function as it scales.
Tilt Filter.
VCF Filter.
Analog inspired filter idea (Ardura’s V4).
Analog inspired filter idea (Ardura’s A4I).
11 Different FX for post processing.
3 LFO controllers.
2 Pitch Envelopes that can be multilinked to different oscs.
4 Modulators that can be linked to multiple things.
Sampler with pitch shifting or resample stretching.
Sampler supports single cycle waveforms for wavetable-like functions.
Sampler unison and random seek.
Granulizer with ADSR and crossfading between grains.
Any generator can go to any filter.
Samples can be saved into presets.
Stereo width and ultra wide controls.

https://github.com/ardura/Actuate

Actuate_v131  ( 28 MB )

62 MB

Warmer, more expressive.

Lith is a virtual analog synthesizer. Wavetable uses what sampled the true analog oscillator.
It contains slight harmony and noise, so it sounds warm.

Variety of sounds that can not be imagined from a small screen.

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Lith_ver2.0.4  ( 62 MB )

146 MB

Pneuma Pro is a polyphonic synthesizer for EDM and all genres of music that features:

• 4 Multi-Type and Multi-Voice Oscillators with Sync and FM.
• Noise Oscillator.
• Sub Oscillator.
• 2 Sample Oscillators.
• 3 Filters.
• 2 AHDSR Filter Envelopes.
• AHDSR Amplitude Envelope.
• 4 AHDSR Modulation Envelopes.
• 4 LFOs.
• Misc. Modulation.
• Step Sequencer.
• Chords Generator.
• Arpeggiator.
• Distortion.
• Parametric EQ.
• Chorus.
• Phaser.
• Delay.
• Reverb.
• Compressor.
• Main Saturation, Bass Boost, Stereo, Vibrato and Glide.
• Oscilloscope and Frequency Spectrum Monitor.
• 910 Factory Presets.

Change Log:

v1.1.2 – 2024-02-22:

Instrument Oscillators CPU usage optimization.
Fixed bug loading Instruments.
Fixed unwanted Instrument legato notes in Mono mode.
Fixed Panning knob problem in GP MIDI File Player.
Updated Factory Presets to reflect changes.
Added 40 new Factory Presets.
Updated Manual.

https://www.kvraudio.com/product/pneuma-pro-by-ronan-fed

PneumaPro-v1.1.2  ( 146 MB )

16 MB

ExtraBold: three-oscillator hybrid beast

Key features:
*3 oscillators, 4 filter modes, 3 effect unit slots with 5 effect categories.
*Modulation: 2 envelopes, 4 LFOs.
*Focused and streamlined user interface with custom skinning support and scaling ranging from 100% to 300%.
*Highly tuned performance, including native support for Apple Silicon “M1” processors.
*64 builtin patches in the factory ROM.
*No copy protection or DRM.

Plugin formats:
*The CLAP plugin format, including support for polyphonic non-destructive modulation, preset discovery, parameter indication and several more extensions. Tested in Bitwig, REAPER and others.
*Audio Unit. (macOS only)
*The native FL Studio plugin format, including support for slide/glide notes. Requires FL Studio 9 or newer. (Windows only)
*Standalone (requires compatible audio and MIDI hardware)

https://nakst.gitlab.io/extrabold/

ExtraBoldSynth_1.2.0  ( 16 MB )

5 MB

Uncover Quantum Soundscapes: Experience the Sonic Potential of the Schrödinger Equation.

Play with Quantum Mechanics

Take advantage of the simulation’s motion characteristics to create large and evolving sounds. Play big chords or focus on the melody – has you covered.

Sculpt the sound you want

QSynthi brings the power of quantum physics to your sound design process. By translating a quantum simulation into dynamic and evolving sounds, it opens up a new world of possibilities for music production. This innovative instrument provides real-time, adaptive tones, enabling a unique exploration of the sonic possibilities inherent in the fascinating world of quantum phenomena.

Simulate real life phenomena

lets you animate real-life phenomena through sound, offering a unique and interactive way to understand complex systems. Explore, tweak and play – it’s quantum physics, but with a melodic twist.

How to install:

Windows
Put the “QSynthi.vst3” file into the following directory: [Your Drive]:\Program Files\Common Files\VST3

MacOS
Put the “QSynthi.component” folder into the following directory: [Your Drive]/Library/Audio/Plug-Ins/Components

https://qsynthi.com/

QSynthi_v0.8  ( 5 MB )

Free | Win | 1.85 MB

Linda Audio releases Digimorph VST – experimental digital synthesizer. It does not emulate any real hardware, instead it brings original combination of substractive and additive synthesis with powerful modulation matrix. On top of that there are quality master fx (chorus, delay, reverb and two saturations) and arpeggiator. Digimorph is capable of wide range of sounds from ethereal evolving pads to gritty chiptune leads, raw digital basses or synth arpeggios, beatiful organs or some fm-like sounds. There are 200 presets included, covering all of these areas. Digimorph is great for modern electronic music, soundtracks, chiptunes, or anywhere where you need to add some original and interesting digital sounds.

The core of Digimorph is additive non-band limited oscillator which can contain mix of 16 harmonics. Its shape can be sinus, triangle, pulse, saw and multi-pulse. This can be run in monophonic, polyphonic (max 16 voices) or live-arp mode. In live-arp mode presed notes are automatically generating arpeggio sequence.

Additive section (violet) allows to set gains of harmonics. Other parameters are Phase shift – adjusts phase offset added to harmonics, Harmonics slope – adjusts how fast harmonics decay or rise in time and Harmonics lfo – introduces modulation to harmonics gains.

Each oscillator has several classic parameters (yellow) such as amp, pitch, fine tune, pan, glide and spread (random spread of notes in panorama).

There are some more sound-character parameters (orange section). Pulse width adjusts pulse width for pulse, saw and multi-pulse shapes and can be applied in two different modes – classic and harmonic. Wave shaper introduces wave-folding by sine wave. And Ring mod adds ring modulation by sine or saw wave with adjustable speed (this can be free or locked to harmonics).

In gray section there are sound degradation parameters – Bit div is sample rate divider, Bit feed introduces feedback of samples reduced by Bit div and Pitch noise adds random pitch modulation with variable speed.

After each oscillator there is one multi-mode, state-variable resonant filter (red section) which can be continuously switched between low-pass, band-pass and hi-pass with adjustable frequency and resonance.

Each oscilator can be modulated by two ADSR envelopes (one for amp envelope and second for anything else) and two LFOs. It can be also modulated by note velocity, modwheel (can be switched to listen also to aftertouch controll) and arpeggiator. LFO’s amp and speed can also be modulated by ADSR 2 and by modwheel. All available modulations can be set directly by sliders in the center of the Digimorph gui

Arpeggiator is a tempo synchronized step sequencer of maximum 16 steps. You can adjust sequence length, loop start and tempo. For each step you can adjust oscilator pitch, shape and modulation source. Modulation source can be interpolated.

In Live-arp mode you can select from several sequence shapes. If Arp-on switch is engaged, shape and mod arpeggiator modulations are applied.

At the end of the sound generator chain there are several master fx (blue section). Available is Chorus, Ping-pong delay, Reverb and two distortion modules (DIST1 adds more subtle harmonic distortion while DIST2 applies tube saturation).

Digimorph also provides undo, redo, A/B and 200 presets.
If you like and use Digimorph, please support its future development as well as development of my other plugins. You can donate via paypal.

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Digimorph  ( 1 MB )

Free | Win Mac Linux | 40 MB

An expressive, quasi-Ptolemaic semi-modular synthesizer.

Features
“Orbital Modulation” (OM) synthesis
Randomizable modulation matrix
Built-in effects chains

Overview
Four bodies revolve with uniform circular motion, each around one of the others or, in the case of the first body, a fixed central point. Each body around which no other body revolves serves as an oscillator, producing sound. The interpretation of these terminal bodies as oscillators depends on their positions as viewed from a point that is either at the fixed center of revolution or nearby, at a point called the “equant,” more in honor of Ptolemy than in strict adherence to his system (hence “quasi-Ptolemaic”). In the engine’s fully modulated state (i.e., with the “Demodulate” knob turned all the way down), only the angle formed by a reference line and the line connecting the equant to the terminal body matters to the sound, just as, in Ptolemy’s system, the distances of the heavenly bodies are unknown. This system of sound generation closely resembles frequency modulation (FM) synthesis. The relative speeds of revolution of the various bodies have their analogues in the frequencies of so-called “carrier” and “modulator” (or “operator”) waves in traditional FM synthesis. Accordingly, the interface allows both (“coarse”) whole-number and (“fine”) fractional variation of these relative frequencies, producing a wide array of timbres, from the pure and simple to the densely inharmonic. Many mutually modulatable parameters are configurable by the user, and a robust system of randomization facilitates sonic exploration and discovery.

Gratitude
I’ll speak later about some of the sources of inspiration for this project, but don’t want to go any further without acknowledging that none of this would have been possible for someone like me—a humanist with an idea, not a software engineer—without the wealth of open-source tools, instruction, and advice provided freely by the community of professionals and enthusiasts. I’m especially grateful for the existence of the JUCE framework and for the many helpful extensions to it provided by Gin (which did a LOT of heavy lifting) and the visualization tools in Melatonin Blur. Early prototypes were built in VCV RACK, which was a relatively easy way to get started with audio programming and boasts a vibrant community. As a novice who needs a lot spelled out, I got quite a lot out of Will Pirkle’s teacherly books. Finally, mostly by lurking and poring over old posts, but sometimes by posing ill-formed questions and follow-ups of my own, I learned a lot on the Discord server for The Audio Programmer, mostly that other people who do this kind of thing regularly know a lot more than I am ever likely to.

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Audible_Planets1.0.8  ( 40 MB )