14.2 MB

HYLL Pressure is a soft clipper audio plugin for harmonic pressure, soft ceiling and parallel density.

Use it to shape peaks, add warmth, increase density and push vocals, drums, bass, 808s, synths, loops, buses and mixes forward — from subtle control to creative damage.

HYLL Pressure is not just about making audio louder. It can make a sound feel denser, more controlled and more forward even when the output is matched to the bypassed level.

Main features
– Soft clipping
– Harmonic pressure
– Soft ceiling control
– Parallel density
– Input / output level shaping
– Mix-bus friendly control
– Creative saturation damage
– Factory presets
– A/B compare workflow

What it is for
HYLL Pressure can be used on drums, bass, 808s, synths, loops, vocals, buses and full mixes when you want more density, peak control, saturation or forward movement.

Use it gently for controlled loudness and peak shaping, or push it harder when you want the sound to become more crushed, colored and aggressive.

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HYLL.Pressure.1.0.1  ( 14 MB )

23.1 MB

Burning Stones is a fictional high-gain desert amp plugin built for sag, speaker weight, rough cabinet character and guitar tones that react under your fingers.

Push the input and the amp starts to compress, bend and collapse. Keep the power controlled for heavier sag, or open it up for more final-stage push. Choose between five built-in cab voices, from cleaner cabinet texture to heavy doom room weight.

Burning Stones is made for guitar tones that feel physical, dusty, heavy and alive.

Main features
– High-gain desert amp character
– Reactive sag and power-stage feel
– Five built-in cabinet voices
– Input, Gain, Power and Output gain structure
– Bass, Mid and Treble tone section
– Amp Response / Feel control
– Factory presets
– User presets
– A/B/C temporary snapshot slots

Cabinet voices
Burning Stones includes five built-in cab types. No external IRs are required.
– Main 57+121
– Bright 57
– Doom Room
– Doom Bloom
– Doom Edge

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Burning.Stones.1.0.1  ( 23 MB )

27.5 MB

Oscilloscope with built-in recorder.

Features:
– Sync, Free, and Scroll modes
– Smooth zoom and pan navigation
– Inter-instance sidechain routing and visualization
– Multi-instance signal overlay and summing
– Visual frequency filtering for low-end control
– Spectral waveform
– Headroom display with clipping indicator
– Sync to start mode (solution for Ableton Live PDC issues)
– Color themes and scalable GUI
– “Hold” function for waveform comparison
– Record audio and drag & drop it straight into your DAW
– Normalize, trim, and snap recorded audio to grid
– Advanced configuration via overrides.json
– Reaper embedded integration

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Scyllascope.1.3.0  ( 28 MB )

35 MB

Built for precision, fast to use
From a quick high-pass to a surgical de-ess, EQ Pro keeps the curve, the maths and the sound in perfect lock-step.
EQ Pro What you draw is exactly what you hear.
A transparent, surgical equalizer with up to 24 dynamic bands, Mid/Side and Left/Right per band, selectable phase, and a real-time analyzer. No analog colouring, no guesswork.

Everything in one EQ
Built for precision, fast to use
From a quick high-pass to a surgical de-ess, EQ Pro keeps the curve, the maths and the sound in perfect lock-step.

Interactive curve
Double-click to add a band, drag for frequency and gain, scroll for Q or slope. The handle never jumps, even when bands overlap.

A compressor per band
Each bell or shelf is a full compressor on its own frequency and Q: threshold, ratio, knee, attack, release. Tame a resonance only when it rings.

Mid/Side & L/R
Route each band to Stereo, Mid, Side, Left or Right. The curve splits into colour-coded lanes so you see every placement.

Three phase modes
Zero Latency and Natural Phase for tracking and mixing, Linear Phase for mastering where phase smear must stay at zero.

Real-time analyzer
A smooth, log-frequency spectrum behind the curve, pre and post, so you find the problem before you reach for it.

Tone-only dynamics
Auto Gain folds in each dynamic band’s live move, deterministically, so the dynamic EQ changes the spectrum without changing the loudness. Never a second compressor.

External sidechain
Drive any dynamic band from an external source, per band, for ducking and frequency-conscious control.

Oversampling
Optional 2x or 4x for clean behaviour near Nyquist on steep, high-frequency moves, with a low-latency design.

Gain Scale
One dial scales the whole EQ from flat to double. The curve and every readout follow, while your per-band values stay intact.

A curve that never lies
The drawn response and the processed audio share the exact same filter maths. Move a handle and the sound moves with it, to the decibel.

Up to 24 freely typed bands
Bells, shelves, low/high cuts, notch and a true Tilt
Symmetric constant-Q: a cut mirrors the boost exactly
Drag values or type them in, kHz and all
A compressor in every band
Control that only acts when needed
Static EQ dulls the whole track. A dynamic band only engages over its threshold, and it listens to exactly the frequency and Q you drew, so it fixes the problem and leaves the rest of the performance alone. Reveal FULL and it is a complete compressor on that band.

Threshold, ratio (to brickwall), knee, attack, release per band
A per-band meter: level, threshold marker and live gain reduction
Gain is the range; absolute threshold, decoupled
Internal or external sidechain, per band
Stay at the right level
Spectrum changes, loudness doesn’t
Auto Gain matches the output for an honest bypass, and it folds in what the dynamic bands are doing, deterministically, so a dynamic move changes the tone without changing the loudness. You judge tone, not level.

Auto Gain follows the dynamics, with no detector of its own
Gain Scale: 0 to 200 %, the curve follows in real time
Input and output trim with stereo metering
True bypass for an instant A/B
Specifications
The details
Bands
Up to 24, individually automatable
Filter types
Bell, Low/High Shelf, Low/High Cut, Notch, Tilt
Cut slopes
6 to 96 dB/oct
Dynamics
Full compressor per band: threshold, ratio, knee, attack, release, ext sidechain
Routing
Stereo, Mid, Side, Left, Right per band
Phase
Zero Latency, Natural, Linear
Oversampling
Off, 2x, 4x (low latency)
Analyzer
Pre / Post, log frequency, smoothed
Gain tools
Gain Scale, deterministic Auto Gain (follows the dynamics)
Formats
macOS (VST3, AU), Windows (VST3)

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Jeesonic.EQ.Pro.0.1.0  ( 35 MB )

37 MB

Tesseract Echo is a free, deeply tweakable Multi-Tap Magnetic Tape Delay and FDN Reverb.

Engineered for zero artifacts and maximum character, Tesseract Echo relies on Hermite 4-point interpolation, constant-power panning, and dual-stage diffusion to deliver pristine, wide, and deep spatial effects.

Under the hood:

4-Head Tape Engine: Independent level and pan controls per head, with fractional spacing algorithms.

Non-Linear Tape Filter: 1 pole Highpass and Lowpass filters, and an analog-style Drive stage inside the feedback loop with automatic makeup gain.

Advanced Modulation: Push into audio-rate modulation or use the “Tape” (Wow & Flutter) and “Stepped Random” LFO shapes for mechanical degradation.

Karplus-Strong Engine: Tune the delay time to incoming MIDI notes to synthesize physical strings and tuned resonances.

FDN Reverb & Ducker: A pristine Feedback Delay Network reverb with selectable routing, plus a built-in sidechain compressor to duck the wet signal against the dry input.

Download the plugin for free in multiple formats for Windows, macOS, and Linux.

⚠️ A quick note on donations (Thank you!)
This plugin is strictly 100% free! If you’d like to support my work and fuel the development of future plugins, I am incredibly grateful.
However, if you type a donation amount here at checkout, the platform takes a heavy cut in “shop commissions”.

To avoid these extra fees, please download the plugin for free (just type ‘0’), and consider dropping a tip directly into the Tip Jar / Goal on my main Ko-fi homepage instead! That way, your generous support goes entirely toward the DSP journey.

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Tesseract.Echo.1.1  ( 38 MB )

6.73 MB

Advanced Dynamic Unmasking Processor. Surgically clean your mix with DNA Track Purifier. It uses smart psychoacoustic ducking to eliminate frequency masking, instantly remove mud, and add headroom.

Unlike traditional static equalizers or broadband sidechain compressors, DNA Track Purifier utilizes a high-definition State-Variable Time-Preserving (TPT) filter network processing.

The plugin monitors your external sidechain input, maps its spectral intensity across surgical full-spectrum bands, and applies target suppression directly to the main input (dry) track.

By using a proprietary subtraction system instead of traditional bell-filter curves, the dynamic cuts are incredibly tight, keeping the surrounding frequency material intact and completely free of phase cancellation or unnatural artifacts.

PRO version adds lookahead, attack/release controls, and PAN/M/S operation modes

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DNA.Track.Purifier.1.0.0  ( 7 MB )

37 MB

YS – Roomer Delay_ An audio plugin for mixing. The plugin creates a delay effect. Three parallel delays can add a long echo effect or simulate a small room using short delays. Functionality: 1_Manual delay adjustment and linked to the project tempo. 2_High- and low-cut filters. 3_Panning of each channel. 4_Reverb added to the delay. 5_Three modes: 1: Mono (repeats are located according to the panorama as in the source) 2: Haas (a delay (1-100 ms) is added to one of the channels creating a pseudo-stereo effect) 3: Ping-Pong (alternating delay of the left and right channels) 6_ Channel phase inversion. 7_Switch to Mid-Side mode (For stereo sources or in Haas and Ping-Pong mode) 8_ LR-RL switching the direction of Ping-Pong and delay for the Haas effect. The plugin has three versions, two with different designs and sizes and one version with one delay module.

The plugin is made using Synthedit. (A universal VST3 plugin can run on both macOS and Windows. SynthEdit now releases universal VST3 plugins. This means you can offer the same download to both macOS and Windows users. It will “just work.” SynthEdit’s universal VST3 plugins support both Intel-based Macs and Apple Silicon (ARM)-based computers, such as the M1, M2, and later models.)

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YS_-_Rommer-Delay__v.1.0.2  ( 37 MB )

10.5 MB

Vinland Drive is a vintage tape emulator designed to bring the behaviour, tone, and movement of a tape machine into modern sessions. Its processing is built around a dynamic tape-inspired signal path that adds saturation, soft compression, record/playback coloration, gentle low-end rounding, and softened high-frequency texture while keeping the source musical.

Under the hood, Vinland Drive is not just a static saturation stage. It uses level-dependent harmonic response, hysteresis-stile saturation behaviour, subtle drift and modulation, stereo decorrelation, envelope-following noise texture, and oversampled nonlinear processing to recreate the feeling of a machine that reacts to the signal rather than simply coloring it. The result can range from gentle analog thickening to a more pushed, worn, and characterful tape tone, with added depth and perceived width.

FEATURES
– Dual drive structure with Input and Heat gain stages
– Automatic gain compensation for smoother drive staging
– Output level control
– Oversampling
– Bypass control
– Tape-inspired saturation and soft compression
– Level-dependent harmonic generation
– Frequency-aware harmonic shaping with high-frequency harmonic control
– Hysteresis-style tape response
– Record/playback-style tone coloration
– Softened high-frequency texture
– Internal machine variation, bias drift, and head drift
– Wow, flutter, drift, and transport-style modulation
– Stereo crosstalk and decorrelation for added depth and perceived width
– Envelope-following hiss and noise ducking
– Subtle tape wear, smear, dropout, and age-style artifacts

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Vinland.Drive.1.0.0  ( 10 MB )

124 MB

GRIM3 is a free Aurora DSP overdrive made for players who need a tight, aggressive front-end push before an amp or amp sim. It combines a familiar boosted drive feel with deeper tone shaping for modern high-gain guitars, bass layers, and focused riff production.

Tight pre-gain low-end control
Low and High EQ shaping
Blend control for dry/wet drive balance
Bite control for midrange focus

About
Built for chugging, GRIM3 can work as a transparent clean boost, a tone warmer, or a saturated overdrive that tightens the input stage before your amp. The control set lets you cut boom, add bite, balance dry attack with driven weight, and push the output into the exact amount of impact your mix needs.

Tight
Trims low end before gain.
Blend
Mixes dry signal with drive.
Bite
Moves the midrange focus.
Level
Sets the final output push.

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Grim3.0.9.0  ( 133 MB )

47.7 MB

Stereo Channel Strip. Violet Crown is a stereo channel strip built around the EQ and compression character that defined the sound of major-label bus processing. Three independent EQ bands – each with separate boost and cut controls – feed a custom RMS compressor with program-sensitive auto-release. The VU meters are real, the ballistics are analog, and the whole thing is free. No demo mode. No time limit. No license key. Drop it on a bus and play something.

Features:
– Combines a three-band EQ with a custom RMS compressor.
– EQ bands have separate boost and cut controls with frequency selectors.
– Low band: two independent shelves (20 Hz to 100 Hz).
– Mid band: two peak filters (200 Hz to 5 kHz) with shared Q.
– High band: two independent shelves (800 Hz to 16 kHz).
– Input trim (-8 dB to +8 dB) and EQ/compressor routing toggle.
– Compressor with RMS detection, auto-release, and per-channel processing.

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Violet.Crown.1.0.0  ( 48 MB )