4.92 MB

Springer is an algorithmic stereo spring reverb inspired by physical spring tanks but is a very crude model, built from dual interacting spring lines with dispersion, damping, feedback, and modulation. It’s designed to go from dub-style springyness to phasing laser sounds.

Please note that with all 7 coils and 256 dispersion stages active, this plugin can be quite CPU-intensive (around 15% of CPU usage on my mid-tier machine). I recommend using 2 coils and about 200 stages as the amount of coils beyond 2 most often does not make a huge difference.

Here is a quick overview of the plugins controls:

Version 1.2 adds up to 7 coils and expanded delay controls for all of them.

Version 1.1 adds a Pitch Slider to make the coils “thicker” and the sound deeper. Both versions are included in the download.

Dispersion Stages: How many smear blocks are in the spring. More = thicker, more high-frequency goodness.

Width / Time: How long the spring is. Bigger number = longer delay and tail.

Resonance: How much the spring feeds back. More = more ringing and possible self-oscillation (be careful for values >1).

Coupling: How much spring 1 and spring 2 feed into each other. More = weirder stereo behavior.

Damping: High-frequency loss in the spring. More = darker and less splashy.

Wet Only: Outputs only the spring, no dry signal.

Random Allpass: Randomizes the internal allpass values. Changes the spring character.

Mod Rate: How fast the spring delay moves. Slow = gentle wobble, fast = pitch wobble.

Mod Depth: How far the spring delay moves. More = more unstable sound.

Wet Gain: How loud the reverb is.

Delay 1 / 2: Density delays for spring 1 and spring 2. Changes how busy and smeared the spring sounds.

Install the windows vst (the provided .vst3 folder) in C / Programs / Common Files / VST3.

The source code was mostly made with AIs, so its open source. Use it however you like!

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Springer Spring Reverb VST  ( 19 MB )

32 MB

Dive into DelaySon, a meticulously crafted plugin that captures the soulful warmth and organic character of vintage tape delay units. Its carefully designed emulation delivers an authentic analog sound, inspired by the timeless charm of classic echo machines.

Its intuitive interface and versatile controls make it simple to achieve stunning results, from subtle tape warmth to intricate rhythmic echoes, with unmatched precision and musicality.

Delay Reimagined – Tape Inspired. Effortlessly Musical.

DelaySon features an intuitive interface that provides deep control over your delay processing.
DelaySon is the go-to tool for professional-grade delay effects that are easy to dial in with a modern edge.

Practical Applications

VINTAGE SLAPBACK DELAY

(VOCALS & GUITARS)

Set Time to ~120ms (or sync to 1/16 note)
Adjust Feedback to 15-25% for subtle repeats
Increase Color slightly to introduce analogue warmth
Use Tone to roll off high frequencies for a classic tape feel
RHYTHMIC DELAY FOR

SYNTHS & DRUMS

Sync Delay Time to 1/8 or dotted 1/8
Set Modulation depth to 25-50% for dynamic movement
Push Feedback above 50% for cascading echoes
EXPERIMENTAL & SOUND

DESIGN

Increase Feedback to near-infinity for self-oscillation
Add high modulation depth for warping, psychedelic effects
Use automation on delay time for pitch-shifting echoes

Preset Menu
Create your own presets with your favourite DelaySon configurations and save them for easy recallabillity.

Specs
Supported Operating systems

Mac OSX 10.10 or newer
Windows 10 or newer
Supported platforms

Audio Unit, VST 2.4, VST 3, AAX. All platforms support 64-bit operations.

Technical specifications

Sample Rate Support: up to 192 kHz
Channels: Mono and Stereo

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DelaySon-100  ( 32 MB )

32 MB

Twice The Reverb

Plateau 2 is a powerful plate reverb featuring two reverb instances called tanks which can interact with sends between tanks to create rich highly customizable and spatious reverb effects. Learn more about the features it has to offer by watching the trailer or reading:

A standalone version of the open source VCV Rack module Plateau by Valley Audio.
“Plateau is a plate reverb module based on the famous, Dattorro (1997) design, and is designed to make a dry, lifeless patch sound lush, deep and spacious. However, unlike other reverberators, Plateau attempts to go beyond, providing a wide variety of control combinations and options.”
Available as 64-Bit Windows VST3 and mac VST3+AU

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Plateau2  ( 32 MB )

244 MB

Compact reverb plugin powered by the same proprietary reverb engine as its bigger brother, EXOVERB. Choose from 8 expertly crafted acoustic scenes for a truly authentic sound in modern audio production.

Features:
Compact EXOVERB stereo reverb plugin with 8 selected acoustic scenes
Powered by EXOVERB’s reverb engine with synthesized multi-IRs
Intuitive triangle pad and total control adjusting the acoustic scene

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Exoverb MICRO v1.3  ( 233 MB )

20 MB

NastyDLA mkIII – a classic chorus echo device with tape-delay simulation

Improved Sound, Precision & Performance!

Experience the next evolution of NastyDLA mkIII, now with a refined input stage that incorporates an audio transformer circuit for a harmonically rich and detailed sound.

In addition, the interplay of compression and tape saturation has been further balanced to deliver improved dynamics with reduced distortion for a smoother, more consistent sound. The delay section has been fine-tuned for refined stereo imaging and more flexible, expressive modulation.

Under the hood, state-of-the-art oversampling with ADAA and the introduction of Zero Delay Filtering (ZDF) ensure pristine audio quality. Numerous optimizations and bug fixes improve stability and compatibility and make this version the most mature to date.

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NastyDLAmkIII  ( 21 MB )

61/130 MB

BiRR2D and BiRR3D are room simulators that accurately emulate the sound produced by a monophonic and omnidirectionnal source perceived by a listener in a rectangular (2D) or parallelepipedic (3D) room.

User can control (x, y, z) dimensions of the room, and position of source and listener in the room. The orientation of the listener can also be adjusted. Wall properties are adjusted with two or three parameters:

Wall absorbtion : a coefficient between 0 an 1, representing a reflection coefficient. The acoustic wave amplitude is multiplied by this coefficient at each wall rebound. Higher values produce a shorter reverb.

Wall high frequency absobtion : this parameter controls the high frequency absorbtion wall rebounds. Higher values produce darker reverb sound.

Wall diffusion : this parameter controls the wall diffusion properties (parameter only available in the ambisonic version, otherwise fixed to 1e-3, but this is subject to change)

The input is mono or stereo, depending on the chosen version (mono in or stereo in). The output sound is a stereo reverberberated sound with one of the following configurations:

Two cardioid microphones in XY configuration

One cardioid and one eight-pattern microphones, in MS configuration

One omni and one eight-pattern microphone, in MS configuration

Binaural receptor based on the HRTF provided by MIT medialab (https://sound.media.mit.edu/resources/KEMAR.html), and equalized to sound as neutral as possible compared to the dry original sound.

Ambisonic output (for the ambisonic version)

The 2D version simulates a 2D rectangular flat domain. Consequently, the produced binaural sound doesn’t consider height information for sources and listener. The 3D version simmulates a parallelepipedic room, height position of the sources and listener. The latter hence involves more cpu computations for the impulse responses calculations.

Direct path and reflections paths
when a parameter is changed, two stereo impluse responses are calculted and sent to convolution processors:

The direct path impluse response.

The impulse response due to multiple reflections on walls.

The effect level of direct path and reflections can be adjusted separately. These can be sought as dry and wet parameters of the reverb, although the produced sound is physically acurate when both parameters are equal.

Stereo width
In the XY configuration, this parameter specifies the angle between the two cardioid microphones. At its minimum the angle is zero and the produced sound is mono. At its maximum value, the angle equals 180 degrees, the microphones being perpendicular to the head axis. In the standard XY configuration, the angle equals 90 degrees, which occurs when the width parameter equals 0.5.

In the MS configurations the stereo with quantifies the amplitude of the figure eight microphone signal (between 0 and 1).

The stereo width parameter has no effect in the binaural configuration.

There is no such parameter in the ambisonic version

Parameters updating
At each parameter update (except reverb levels and head orientation in the ambisonic version), the impulse response is calculated. As each acoustic path has to be calculated, the computation time can be high, in particular if the damping is small.

A number of threads equal to the number of CPUs – 1 is employed for the impulse response calculation, which allows reasonable computation times (At most a few seconds for largest reverberation times on recent CPUs).

Important note: the fact that some calculation time is necessary after each parameter change prevents parameter automation, as they cannot be updated in real time. Consequently, this plugin cannot be used to move sounds in the virtual space.

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BiRR 0.0.5-WiN  ( 61 MB )

BiRR 0.0.5-Linux  ( 130 MB )

20 MB

Next level plate reverberation

epicPLATE delivers a modern recreation of classic plate reverberation. It covers the fast and consistent reverb build up as well as that distinct tonality the plate reverb is known for and still so much beloved today. Its unique reverb diffusion makes it a perfect companion for all kinds of delay effects and a perfect fit not only for vocals and drums.

The mkII version introduces a slick new user experience, VST3 support as well as higher quality processing.

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epicPLATEmkII-v2.0.1  ( 19 MB )

14 MB

Skew is a non-linear reverse delay effect plugin for Mac, Windows and Linux. It constantly records the incoming audio into a buffer and plays it back in reversed chunks, rhythmically synchronizing them to the host transport. Furthermore, this algorithm warps the delay playback speed via a selection of non-linear curves, bending the pitch in interesting ways.

The delay has a unique design with three playheads – one for the feedback, two more for the playback – allowing the pitch bend effects to remain the same between feedback repeat cycles. With its meticulous calibration and wide parameter range, Skew can create multiple rhythmically-precise effects such as pure reversing, tape rewind, pitch slides, detuning, vibrato, scratching, and more.

SOUND ENGINE
Reversing delay with unique triple-playhead design with overdubbing feedback
12 different non-linear curves for warping the audio playback speed
Host transport location sync and tempo-based delay time adjustment with ultra-wide range: from 1/32 note to 16 bars
Lag filters on all continuous parameters for smooth, click-free adjustment
Supports mono › mono, mono › stereo, and stereo › stereo channel configurations

SUPPORTED FORMATS
Mac: AU/VST3/AAX for macOS 10.13 or newer (64-bit Apple Silicon and Intel)
Windows: VST3/AAX for Windows 8.1 or newer (64-bit Intel and AMD)
Linux: VST3 for Linux 2020 or newer (64-bit Intel and AMD)

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Skew.2.0.0_WIN  ( 5 MB )

Skew.2.0.0_MAC  ( 9 MB )

Skew.2.0.0_LINUX  ( 4 MB )

36 MB

Dynamic Modulated Delay Set the routing and mode of modulation (Chorus/Flanger) through the purple control in the middle. Click on the small red circle inside the modulation (left) or delay (right) controls, to automate them by volume input (pink), or click again, to automate them by the LFO (yellow). Clicking again will set the control back to non-automated (red).

The central pink controls will set how quickly the assigned parameter goes up or down, in relation to the input volume. The central yellow controls will set where the LFO moves the assigned control up to, and how fast it moves (if the ‘LFO TO’ is less than the red position, it will have nowhere to move up to).

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Dynaverse  ( 36 MB )

41 MB

Illuminate the Void. Texture the Unknown.

SOL is a stellar textural effects engine created in collaboration with Chris Bryant (S1gns Of L1fe). It fuses a powerful Granular Engine with an expansive CLOUDS reverb to create movement, depth, and spacious tonal color.

Shape shimmering atmospheres with radiant detail, or dissolve them into wide cosmic shadows. SOL does not emulate rooms. It transforms space itself.

FREE. Full Professional Version. No sign up. No restrictions. Created for everyone.

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Sol_1.0_WIN  ( 12 MB )

Sol_1.0_MAC  ( 44 MB )