It has 10 polyphony with an OSC that has 3 internal ‘Modulator->OSC’ pairs with detune, quantization and phasemodulation.
There is a per voice dual LFO that modulates the filter. The filter itself is a ‘moog’ type filter which internally dynamically scales its range for each note played, an envelope modulates this as well.
All this is put through a ‘spacialiser’ that helps place the sound in the mix. Finally, there is an ‘opaque’ mix through which ‘waveform ducks’ incoming audio, usefull for making a bass waveform not clip the audio signal.
Aside from that, it has extras like the ‘Vintagizer’, Colour scheme choice, Vibrato, and OSC key sync.

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TED-BasicSynth_32  ( 2.2 MB )

TED-BasicSynth_64  ( 3.4 MB )

Digital Nylon gives the impression of a nylon guitar sound.
An envelope delayed vibrato comes in if Aftertouch or ModWheel are used. You can change the Tone of the instrument.
It has an inbuilt delay. There is a Help button to label the controls. The sample rate you use affects the Tone of the instrument, I recommend 48000hz.
I also recommend playing with soft velocities in mind as a lot of the realism comes from the velocity dynamic, constantly playing velocities of 127 will cause the model to overload.

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TED-DigitalNylon32  ( 1.8 MB )

TED-DigitalNylon64  ( 3 MB )

FLT-DLY is a filter and a delay combined into one.
But this is no ordinary filter. This filter is a Resonant Bandpass coupled with a 2-Pole Highpass and a 2-Pole Lowpass with the ability to mix between the two. Effectively, it gives you a Peak, Highpass and Lowpass Filter that can be blended between each other. The Delay also adds a slight modulated variation in the stereo field.

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TED-FLT-DLY_32  ( 1.2 MB )

TED-FLT-DLY_64  ( 2.8 MB )

LittleArpy is a monophonic arp/sequencer.
It takes one note as input and shifts it’s pitch according to a sequence, it DOES NOT collect notes from a chord being played and arpeggiate them.
I made this after trying to recreate the “shimmering waterfalls” sound from Ozric Tentacles which can be heard easily on their song Crackerblocks. Unfortunately, it’s difficult to achieve so I made LittleArpy instead.
The shimmering waterfalls sound can be approximated by making a minor or major sounding sequence and running it at fast speeds (1/64-Dot) through delay and a reverb with mostly only the wet signal on, then moving the Bandpass Filter around.

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TED-LittleArpy_32  ( 1.4 MB )

TED-LittleArpy_64  ( 3.1 MB )

PHZ-FLNG-CHRS is 3 common modulation FX combined into one (Phaser->Flanger->Chorus).
The Phaser and Flanger both have the ability to be used statically (with a fixed pitch). The Chorus is special because it uses a special type of pitch shifting as opposed to modulating a delay line.

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TED-PHZ-FLNG-CHRS_32  ( 1.3 MB )

TED-PHZ-FLNG-CHRS_64 ( 1.3 MB )