size 0.9 MB  / 35 MB

TheSplit is a multimode audio splitter.

It splits a signal into two complementary outputs via four modes; Use each mode as its own effect or combine with other effects to mix the split outputs separately:

1.) C&S: “Center & Sides” mode uses a mid-side algorithm to split audio in the spatial domain.
2.) L&H: “Low & High”  mode uses a crossover to split audio in the frequency domain.
3.) A&S: “Attack & Sustain” mode uses a transient splitter to split audio in the time domain.
4.) L&S: “Loud & Soft” mode uses a gate to split audio in the amplitude domain.

This plugin includes optimized built-in anti-aliasing and indicates modulate-able knobs with solid lines.

• 64-bit Windows or Mac system (M1 Apple Silicon supported).
• VST3/AU compatible host.
• Sampling rates: 44.1 to 96kHz.
• Machine must support SSE3 (Macs must also support Metal).

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thesplit-win  ( 0.9 MB )

thesplit-mac  ( 35 MB )

size 8 MB  / 20 MB

Dub-SPL4 is a simple 4 bands audio splitter, specially designed for live performances. Just put it on you master bus and start dubbing around !

It splits the incoming audio into 4 bands : Sub, Low, Medium & High frequencies. It also includes LP & HP filters with dedicated controls to adapt their resonance.

ATKTransientSplitter is a mono transient splitter, cutting an input signal into its transient and sustain parts.
The plugin follows the implementation of the transient shaper with a twist explained on Audio Toolkit blog. The parameters are:

• RMS is the size of the power windows.
• Attack is the attack time constant for the slow attack/release filter.
• Attack fraction (or ratio) is the percentage of the attack time constant that will be used for the fast attack/release filter. Used to work on the transient at the beginning of a sound.
• Release is the release time constraint for the fast attack/release filter (as the release time has to be higher).
• Release fraction (or ratio) is the percentage of the release time constant that will be used for the slow attack/release filter (as it has a faster release time constant). Used to work on the transient at the end of sound.
• Threshold.
• Slope is the ratio, 1 keeping the sustain at a constant RMS above the threshold, higher means that the sustain will be reduced by this factor (swell-like behavior).
• Softness is an indicator of the harshness of the knee of the underlying swell.

ATKTransientSplitter  ( 0.95 MB )

ATKTransientSplitter-x64  ( 1.04 MB )

ATKTransientSplitter.component  ( 0.47 MB )

ATKTransientSplitter_MacVST  ( 0.94 MB )