20 MB

thats a recreation of the PS1 Sampler and the Reverb.

LIMITATION: Both plugins must be used at a 44.1 KHz sample rate, as per the original PS1 hardware. Any other sample rates will result in incorrect results.

https://github.com/BodbDearg/PlayStation1Vsts

PS1VST3_130  ( 20 MB )

41 MB

The place your sound deserves
Spatialize your sound, define presence and add that distinctive touch
A classic reverb that allows you to choose between 4 possible spaces to position your sound and give it a characterization that you can customize, choosing between 4 different materials.

Synthetic mode:
Synthetic mode adds one more reverb option
Combination between the famous Schroeder algorithm and convolution

Binaural:
A new pan through the binaural module that is incorporated with a 360° azimuth slider for a better spatiality.

System Requirements:
○ 4GB RAM required, 8GB recommended.
○ 2.5 Ghz CPU (Intel, AMD or Apple Silicon).
○ 80 MB free to install.
○supported for all major DAWs in 64 bits.
○ isn’t supported in 32 bit platforms.

macOS 10.10+
Available in AU / VST3 / VST / AAX

Windows 7+ 64 bit
Available in VST3 / VST / AAX

https://earcandytech.com/esmeralda

Esmeraldav1.2  ( 41 MB )

30 MB

Endless is a free reverb plugin that specializes in creating huge, ethereal sound spaces that seemingly extend to infinity.

It is your weapon of choice for film music, ambient or larger-than-life sounds. In addition to reverb size controls, Endless also features shimmer and detuning capabilities if you want to make things a little more weird.

Home

Endless-v1_0_3  ( 30 MB )

13 MB

TugMultiEffect is a versatile audio plugin designed to enhance the sound of audio recordings. it features 11 different effects, which are represented by boxes on the main window of the plugin. These effects include tools such as delay, chorus, reverb, distortion, and more.

One of the standout features of Tug MultiEffect is its ability to route and connect these effects in various ways. This means that users can experiment with different combinations of effects and create unique soundscapes that suit their needs. The routing system is flexible and easy to use, allowing users to drag and drop connections between the different effects boxes:

Reverb.
Delay.
Chorus.
Decimator.
Distortion.
Phaser.
Pitchshifter.
Combfilter.
Vibrato.
Tremolo.
Filtre (Moog type/ self resonance).
with many parameters.

Home

TugMultiEffect  ( 13 MB )

VST3 AU WiN MAC | 24 MB

Starlight Night Sky Reverb. Designed to produce the wonder of staring up at the night sky, it has the ability to include twinkling octaves on the reverb trail. With loads of Space on tap, this reverb sounds lush and ambient, with or without shimmer dialed in via the Lumens knob.

Starlight is perfect for pads or lead lines, and the Tone knob decides exactly how bright the night sky will shine.

Space: Size of reverb
Lumens: Amount of shimmer
Tone: Brightness of trail
Mix: Amount of effect

Home

Starlight-v2.0.1  ( 24 MB )

VST VST3 AU WiN MAC | 269 MB

Ethereal Verb is A (bus) style convolution reverb, with separate low pass and high pass filters for both dry and wet signals, and a wet input knob to automate and “throw” reverb in a pleasing way. Perfect for ethereal vocals, synths, pianos, guitar, and beautiful cinematic ambient soundscapes.

– 11 custom made reverb impulse responses, created from my own effects chains of mostly free reverbs and nature recordings.

Home

Ethereal_Verb_v1  ( 269 MB )

FREE | Win Mac VST3 AU | 9 MB

Convolution audio plugin (e.g. for usage as convolution reverb)
KlangFalter is a convolution audio plugin, e.g. for usage as convolution reverb.
I started its development a couple of time ago because I couldn’t find a convolution reverb plugin which suited my needs – and because I was curious about audio DSP programming. 😉

Features:

Zero-latency
Easy user interface
Support for true stereo impulse responses
Simple 2-band EQ (low cut/shelf and high cut/shelf)
Easy modifiable envelope for the impulse response
Basically no limit on impulse response length – as long as your computer can handle it…
Intuitive and flexible loading of impulse response files

• Click on the “Settings” button to adjust the folder which contains your impulse response files.
• Click on “Show Browser” and select some impulse response files.
• KlangFalter tries to find matching impulse response files automatically by searching for matching file names (e.g. left/right and true stereo).
• You can load impulse response files for specific channel connections by clicking on the file name beneath the wave form display of the according tab.
• You can clear the impulse response of a specific channel connection by clicking on the “X” button of the according tab.

KlangFalter doesn’t come with any impulse respones, but you can find many free and good impulse response collections on the web. Any file format supported by JUCE should work (currently at least .wav, .mp3, .aiff, .ogg and a couple more).

• Wet/Dry: Adjustment of the wet and dry signal.
• Autogain: “Normalizes” the loaded impulse responses in order to achieve a consistent level.
• Stereo Width: Adjusts the – guess what – stereo width.
• Click on the label on top of the right level display to switch the according level measurement between “out” and “wet” mode.

• Gap: Additional gap at the begin of the impulse response (“pre-delay”).
• Begin: Begin of the impulse response.
• End: End of the impulse response
• Stretch: Stretches the impulse response.
• Attack Length & Shape: Modifies the front (attack) of the impulse response.
• Decay Shape: Modifies the decay of the impulse response
• Reverse: Reverts the impulse response for spacy effects.
• Click on the timeline at the bottom of the waveform display to switch time measurement between time and beats-per-minute (useful e.g. for timing reverbs to the music).

• Click on the header of the low resp. high EQ to switch between cut and shelf filter.
• Freq: Adjusts the frequency of the according EQ.
• Gain: EQ gain (only available if working as shelf filter).

https://github.com/jd-13/KlangFalter

klangfalter-1.0.0  ( 9 MB )

VST3 AU WIN MAC | 28 MB

Analog warmth, limitless creativity

Introducing OCEAN PLATE – the epitome of warmth, depth, and sonic excellence in the realm of digital audio processing. Crafted meticulously from a stunning analog device renowned for its unparalleled sonic character, Ocean Plate reverb plugin takes your audio to breathtaking depths, enveloping it in lush, immersive ambiance reminiscent of vast, shimmering oceans ! With its rich, warm sound, Ocean Plate is not just a tool ; it’s an experience. Whether you’re producing music, mixing tracks or designing soundscapes, this plugin infuses your creations with an unmistakable analog charm that sets them apart.

But Ocean Plate isn’t just about reverb ; it’s a complete sonic sculptor. Featuring a meticulously designed EQ section, you have total control over shaping your sound to perfection. Whether you’re dialing in subtle enhancements or completely transforming the character of your audio, Ocean Plate empowers you to achieve your sonic vision effortlessly.

Ocean Plate brings the unmatched quality of analog reverbs within reach of every producer, musician, and sound designer.

SPEC :

WINDOWS – VST3
MAC OS – AU.COMPONENT for Garage band, Reaper & Logic Pro
MAC OS – VST3 for any others DAW

ocean-plate

Ocean_Plate  ( 28 MB )

size 151 MB

YS Vox is Audio plugin for adding effects to voice and instruments. Update of the stereo version of “YS-VOX” This version – Two Mono has independent settings for channels, and can also work in Mid-Side mode. In the “in-1m” mode (mono input – the sum of the left and right channels), all settings parameters are doubled (6 bands for each channel in the “in-2m” mode and 12 EQ bands for processing a mono signal in the “in-1m” mode).

If you use the settings of only one channel in mono mode, the processing will occur in parallel with the unprocessed second channel (this only applies to equalization, saturation and dynamics). The delay, reverb and presence effects also work in stereo mode for each channel) You can also load different impulses for the left and right channels.

This option is more suitable for more experienced users, less experienced ones should start with the updated stereo version of the plugin. Please NOTE that the impulse loader module does not work in MacOs versions, it only works in Windows.

https://www.facebook.com/Yriisem

YS-Vox_v_1.25  ( 151 MB )

size 149 MB

35 VST3 Synthesizers & Effects

Plugins:

Synthesizers:

ClangSynthh
CollidingCombSynth
CubicPadSynth
EnvelopedSine
FDNCymbal
GenericDrum
IterativeSinCluster
MaybeSnare
MembraneSynth
LightPadSynth
SyncSawSynth
TrapezoidSynth
UltraSynth
WaveCymbal

Effects:

AccumulativeRingMod
BasicLimiter
CombDistortion
EsPhaser
FDN64Reverb
FeedbackPhaser
L4Reverb
LatticeReverb
LongPhaser
MiniCliffEQ
NarrowingDelay
OrdinaryPhaser
ParallelComb
ParallelDetune
PitchShiftDelay
RingModSpacer
SevenDelay
UltrasonicRingMod

GenericDrum:
GenericDrum is a generic drum synthesizer using delays. This one can make convincing snare and bass drum sounds. Cymbal sounds can be made, but it’s not as good as lower pitched drum sounds.

FeedbackPhaser:
FeedbackPhaser is a phaser but the modulation source is feedback signal rather than an LFO. It sounds more like a distortion rather than a phaser most of times.

AccumulativeRingMod:
AccumulativeRingMod is a ring modulator that uses accumulated amplitude of input signal as the phase. When applied to simple waveforms like a sine wave, it sounds similar to FM.

RingModSpacer:
RingModSpacer is a sidechain limiter that adds severe distortion. First, full-wave rectification is applied to sidechain input. Then rectified signal modulates amplitude of main input. The sum of modulated main signal and raw sidechain signal won’t clip, when both peak amplitudes are under 0 dB. That’s the theory. The hard part is to figure out when to use this effect.

ParallelDetune:
ParallelDetune is a detuning effect with 8 pitch shifters connected in parallel. It can be used to spread stereo image similar to chorus effect.

OrdinaryPhaser:
OrdinaryPhaser is an ordinary phaser with a delay on feedback path. Note events can be used to control all-pass cutoff frequencies and delay time.

NarrowingDelay:
NarrowingDelay is a delay with serially connected pitch shifter and frequency shifter on feedback path. The spectrum of input signal can be narrowed or expanded for each feedback. It is more suitable for sound without stable pitch. Note event can be used to control frequency shift amount.

LongPhaser:
LongPhaser is a phaser using Schroeder all-pass filters which is able to set some long delay time. The sound is like somewhere between delay and phaser. It feels a bit underwhelming, however modulation with LFO and note events may be used to compensate the lack of character.

CombDistortion:
CombDistortion is a distortion using self-modulating comb filter. Raw output sounds harsh, and it is better to use with external cabinet impulse response. Note event can be used to control delay time of comb filter.

MaybeSnare:
MaybeSnare is a synthesizer that resembles sound of snare drum. This is basically 2 MembraneSynth coupled by cross feedback. Snare wire is not included. However, the noise of modulation adds rattling texture similar to snare wire.

MembraneSynth:
MembraneSynth is a synthesizer that resembles sound of percussions with membrane, like bass drum or tom tom. The texture comes from self-modulating feedback delay network (FDN). Some strange noise can also be made by utilizing oscillation caused by self-modulation.

UltraSynth:
UltraSynth is an ordinary synthesizer except 64-fold oversampling that is the same one used in UltrasonicRingMod. Because of the high oversampling ratio, modulation sound is okay. However CPU load is high.

Other plugins :

UltrasonicRingMod:
UltrasonicRingMod is a ring modulator with 64-fold oversampling. Maximum modulator frequency is 1 MHz. That said, just modulating with ultrasonic frequency doesn’t produce anything audible. Therefore, phase modulation and hard clipping are added to make some noise in audible frequency.

ClangSynth:
ClangSynth is a synthesizer suitable for percussion sounds. Each voice equips an 8 * 8 feedback delay network (FDN) as a resonator. Oscillator is static wavetable with controls specialized to make pulse train. For better cymbal sound, ClangCymbal is also available.

PitchShiftDelay:
PitchShiftDelay is a time domain pitch shifter based on usual delay. The quirk of pitch shifter is somewhat reduced by 16x oversampling. Also the internal buffer length can be changed in real time. PitchShiftDelay doesn’t equipped with formant correction. So applying to voice may sounds strange, like Helium is inhaled.

ParallelComb:
ParallelComb is a comb filter which has 4 different delay time and 1 shared buffer. A limiter is inserted on feedback path to make the output somewhat clean. Weird distorsion can be added by modulating delay time using feedback signal amplitude.

FDN64Reverb:
FDN64Reverb is a reverb equipped with a feedback delay network (FDN). However, the size of feedback matrix is 64.

https://ryukau.github.io/VSTPlugins/

Uhhyou_Plugins0.61.0  ( 149 MB )