size 17 MB

Punk Boost is aa plugin that pretends to emulate the behaviour of a bass preamp pedal effect.
This is a simple vst3/au booster plugin made with JUCE that I built to introduce myself in the JUCE framework. The functionality is somewhat inspired by the Harmonic Booster by Darkglass, but I implemented my own processing without trying out the original pedal.

Features

• Pre equalization controls:
  • Bass: ±12dB at 80Hz.
  • Mids: ±12dB at selected frequency.
  • Highs: ±12dB at 5kHz.
• Boost: ±12dB of gain that feed a parallel exciter processor.
  • As of now, the exciter is simply a saturation processor made with compressors and waveshapers that are blended with the clean signal to generate some harmonics.
  • I may change this behaviour if I find any kind of exciter processor that (IMO) sounds better.
• Character, a post-boost equalizer controlled with a single knob inspired in the VPF control on Markbass amplifiers.
  • At minimum, the eq curve is flat.
  • At maximum, the eq curve boosts lows and highs and dips the mids (around 500Hz). It kinda acts like a cab IR.

• Complex non-linearities for audio signal processing

https://github.com/gmoican/PunkBoost

Punk.Boost-0.1.0  ( 17 MB )

size 19 MB

Not your grandpa’s guitar amp
The STR-X was built to be a simple, powerful, digitally-oriented guitar amp, one which isn’t based off any pre-existing analog models. If you’re looking for “vintage tube warmth” or “British bite”, look elsewhere. It’s not your grandpa’s guitar amp.

Features:

Hi Gain: New in v1.2! This switches between the standard, high-gain channel of STR-X, and a more clean, rhythm-guitar oriented tone. Don’t worry, it isn’t too clean! Works great for punchier rock tones or a more mild, bluesy overdrive.

Mode: The Mode control in the center of the amp changes the crossover point that feeds the pre-amp distortion (after the “X” pedal-style distortion).

Normal will give you a solid low-end, with retained clarity in the mids and highs even when cranked.

Thick drops the crossover point lower, resulting in greater intermodulation of the distorted signal, and a fuzzy tone ready for a sludge or doom sound.

Finally, Open separates all of the low-end from the mids and highs for a tight and bright tone, perfect for fast palm-muted playing or any situation where the low-end of the other two modes might be excessive.

X: This mysterious knob works like a one-knob distortion pedal (inspired by the Ibanez Tube Screamer), with filters that focus the tone on the mid-range the further it’s driven—good for an extra bump before the amp, dialing in a lead tone that cuts through everything else, or for tightening the bass on Thick mode while still remaining truly Thick.

Gain: This is the pre-amp drive section, ranging from not-quite-clean to a heavy wall of distortion. At high gain, the texture varies significantly, depending on the Mode used. This stage generates asymmetric distortion and both even and odd harmonics.

Master: This knob provides the output gain of the amp, with added distortion as well. Although not claiming to emulate any particular type of tube, it does generate the symmetric, odd-harmonic distortion you’d expect from pentode tubes. With low pre-amp gain, you can use this knob to dial in fairly clean tones down low, and bright crunch up high.

System Requirements:

Recommended Minimum of 4 GB of RAM & Dual-Core CPU

Windows 7+ VST VST(3) | CLAP
MacOS 10.9+ (Intel/Apple Silicon) VST(3) | AU | CLAP
Linux (Ubuntu 18.04+ [x86_64]) VST(3) | LV2 | CLAP

str-x

STRX121  ( 19 MB )

FREE | Win Mac | 6.7 MB

PunkMuff  is a JUCE audio plugin that emulates the behaviour of the Big Muff pedal effect through a ML model. This is a simple vst3/au distortion plugin made with JUCE that I built to introduce myself in the JUCE framework. I used Machine Learning to train a model based on the Big Muff Pi pedal, then added the MODE parameter to emulate the frequency response of other iterations of this pedal.
Special thanks to Keith Bloemer for his work and documentation on Neural Networks for Real-Time Audio.

Features
Sustain: Sets the gain before the clipping processing.
Tone & Mode: Adjust the frequency response after the clipping. The MODE emulates the EQ curves of the following pedals:
Mode 1: Big Muff Pi.
Mode 2: Elk Sustainer.
Mode 3: Custom modification.
Level: Adjust the output gain.

https://github.com/gmoican/PunkMuff

Punk.Muff-1.0.0  ( 6 MB )

size 18 MB

A JUCE audio plugin that pretends to emulate the behaviour of a multiband distortion pedal effect.This is a simple vst3/au multiband distortion plugin made with JUCE that I built to introduce myself in the JUCE framework. The functionality is somewhat inspired by the Microtubes X by Darkglass, but I implemented my own processing without trying out the original pedal.

Features
Low frequencies processing:
Low pass: Selects the cutoff frequency (between 50-500Hz) at which a low-pass filter is applied.
The Level control increases the input gain of a compressor that is only applied to this band.
High frequencies processing: ±12dB of gain that feed a parallel exciter processor.
High pass: Selects the cutoff frequency (between 100-1000Hz) at which a high-pass filter is applied.
The Level control increases the input gain of a distortion that is only applied to this band.
Mix: Blends the low and high frequencies bands.
Mids: ±12dB at 500Hz applied after the previous processing.
Level: Output gain.

https://github.com/gmoican/PunkXros

Punkxros0.1.0  ( 18 MB )

size 0.9 MB

Fuzzploid is the fuzz pedal for the 21st century.

The Fuzzploid algorithm is a new design, neither borrowing from existing 3rd party software code nor modelling any particular hardware circuitry.
It was developed with the resulting sound in mind, by trial and error, and finally, success.

Its character is brash, brutal, in-your-face.
Fuzzploid can do clean, but it definitely excels in dirty.

Like Fuzzploid, that upcoming product will feature classic overdrive, distortion and fuzz, but will have some additional features.

I developed Fuzzploid as a birthday present for guitarist and faithful plugin test pilot Dom McSweeney.
Because Dom likes fuzz with his morning coffee more than almost anything.

Although Fuzzploid was most definitely not modelled after any existing hardware fuzz pedal in particular (because that’s simply not how we (rock &) roll here at Shameless Plugs headquarters), we most definitely expect it to be the first fuzz plugin that future hardware units will be modelled after.

• Input gain control, allowing for a gain ranging from 0.0dB all the way up to a whopping +60.0dB to be pushed into the distortion and fuzz circuitry.
• Fuzz control, which goes from pure overdrive / distortion to pure fuzz and everything in between.
• Tone control, shifting low and high pass filters in tandem.
• Output control for appropriate gain staging.

http://shamelessplugs.net/

Download  ( 0.9 MB )

size 2.8 MB

Vibanez TL-V is a sound-a-like to the Ibanez TL-5 Tremolo effect pedal.  

This VST3 effect plugin is designed to emulate the original pedal design, staying faithful to the original signal chain and theory of operation.

There are four controls: Level (for gain-loss compensation), Speed (modulation rate), Depth (amount of volume loss), and of course the “footswitch”.

n/a

Vibanez_TL-V_v1  ( 2.8 MB )

size 24 MB  / 11 MB

BassDrive is an overdrive pedal emulation for guitars and bass guitars.

Designed based on the famous pedal bearing the same name, BassDrive is the steady favorite of a vast amount of bassists and guitarists worldwide.

Well-known as an excellent overdrive for bass guitars, this effect has found a new wave of popularity in heavy musical genres, where the guitar string gauges have gone far beyond the standard .046. Although this effect was developed primarily for the frequency range of a guitar, this does not limit the range of its application in any way: in the right hands this effect can be useful for creating music of all genres and directions.

Overdrive designed for bass and low-tuned guitars. The particular emphasis in the functioning of this effect is on the overdrive of the lower frequency range. This makes the TL BassDrive a great solution for processing bass or low tuned guitar. Depending on the effect setting, overdrive can be sharp and aggressive as well as deep and gentle.

Frequency display to make adjustments visual. Frequency spectrum display feature will allow you to track in detail the changes made when working with the plugin. Real-time visualization of the input and output signals allows you to track exactly what changes you have made when adjusting a particular parameter. This feature makes working with sound as visual as possible, and it becomes clear exactly what a particular parameter is doing on the frequency range.

tonelib.net/

ToneLib-BassDrive-Win64  ( 4 MB )

Tonelib-BassDrive-OSX  ( 24 MB )

ToneLib-BassDrive-amd64  ( 11 MB )

size 1 MB  / 5 MB

Bratwurst Fuzz is a distortion / fuzz pedal.

Uniquely designed and efficient fx pedal plugins, inspired by the DIY fx pedal building scene. It’s a FUZZY RATTY THING.

• 16x internal oversampling and mono / stereo compatibility.
• Corner resizer.
• Handy arrow button for mini mode.
• Paint splat for good measure.

If any problems loading the plugin appear, try double clicking the included script to de-quarantine and also try rebooting your Apple Mac if still persists. Or try using this : https://www.patreon.com/posts/68770161

(MAC HOT FIX… Version 1.4 – loading errors now should be fixed for M1 / Apple Silicon)

guitarandbassplugins.com/doomplugs/

BratwurstFuzz-1  ( 1 MB )

BratwurstFuzz_Mac_v1.04  ( 5 MB )

size 54 MB  / 106 MB

Nembrini Audio Wah is modeled on the Wah pedal created by Thomas Organ Company and manufactured by JEN in Italy.

This is the unmistakable wah tone heard on Hendrix classics like “Up From the Sky,” “Voodoo Child (Slight Return),” “Little Miss Lover” and “Still Raining, Still Dreaming.” The Nembrini Audio Wah reproduces these timbres.

www.nembriniaudio.com/

NA_Wah_Win  ( 54 MB )

NA_Wah_Mac  ( 106 MB )

size 40 MB  / 34 MB

Whether you use this pedal as a clean booster, or tone warmer, it’ll always remain transparent to your tone.

• Clean boost with EQ.
• Well-known sound and tone.
• AU, AAX and VST3 recreation of the classic pedal.

auroradsp.com/

Unified-Preamplifier  ( 40 MB )

Unified_Preamplifier MAC  ( 34 MB )