size 7 MB  / 10 MB

OT FUNimator is a pattern based LFO rhythmic filter and gain modulator plugin.

Add motion and colors to your samples, tracks and synths. Draw patterns, control intensities with automation, use it as a filter with 13 modes or as a auto-gater and trigger the pattern start with MIDI notes.

orchestools

OT-FUNimator_x86  ( 7.8 MB )

OT-FUNimator_x64  ( 10.5 MB )

size 2 MB  / 2.5 MB

Ronin is a multi-effects plug-in featuring two delays, two multi-mode filters, two tube saturation stages, and two LFOs, with a fully routable signal path, is a total solution for analog-style effects.

With “bucket-brigade” modeled delays, Ronin is capable of tape-style delays, true analog chorus effects, and flanging in to the stratosphere, for everything from basic subtle synced delays to complete audio destruction.

Delay Modules: Modeled after traditional analog bucket-brigade style delays, the delays in Ronin pitch the signal when the time is changed, enabling pitch bombs, chorus effects, pitch-bend flanging, or tape-style delays with time flutter. Both delay modules have sync to host, infinite loop, and reverse modes, as well as positive (more than 50%) feedback for overloaded feedback effects.

Filter Modules: Ronin’s filter modules are multi-mode filters with notch, lowpass, bandpass, and highpass outputs continuously variable, and are capable of self-oscillating, for creating synth effects in high resonance situations.

LFOs: The pair of low frequency oscillators in Ronin have four shapes: sine, sawtooth, pulse, and random. The shape control continuously varies the waveform. The LFO rate is a mod destination, so the LFO can mod itself, for very extreme waveform shapes. Both LFOs can be synced to MIDI host, and the second LFO’s waveform can be reset by the first LFO.

Saturation Modules: Ronin features a pair of “tube” saturation stages, for everything from subtle smoothing to extreme tube-style distortion.

Routing Matrix: The matrices in Ronin enable full control over the signal path. Both audio and control can be routed as the user desires. In the case of audio, extreme patches are possible; nothing is forbidden. Want to route the filters back in on themselves? No problem. Want to insert distortion and resonance in the feedback loop of the delays? Help yourself. Ronin puts the routing in your hands.

MIDI Learn: Every control on the Ronin UI can be controlled via external MIDI devices. A simple key-click combination puts the UI element in learn mode; twist the knob on your controller and you’re done. Another combination removes it. Simple as that.

MIDI as mod routing: MIDI note, mod wheel, and gate can be used as mod sources, in addition to the MIDI learn mode. These are available as patch points in the routing matrix.

Envelope Follower: Another mod source is the envelope section, which creates control signals from the input level of the plug-in, with separate sensitivity, attack, and decay controls.

https://www.audiodamage.com/

Audio_Damage_Ronin_Win  ( 2 MB )

Audio_Damage_Ronin_Mac  ( 2.5 MB )

size 3 MB  / 1 MB

Synchronize is a IIR filters plugin with envelope and LFO.

High performance regardless of the size of the I / O buffer. With the input signal as a trigger, you can control the filter parameters from the envelope and LFO.

fabric70.com/

Fabric70-Synchronize-Windows  ( 3 MB )

Fabric70-Synchronize.vst3  ( 1 MB )

Fabric70-Synchronize.component  ( 1 MB )

TwoRuleFilter which is a self-resonant moog type filter that allows the filter cut-off frequency to be controlled manually, or by LFO, or by an envelope follower.

It has a interresting  feature called scrambler that plays filtered signal randomly depending on the selected beat. The mix knob mixes wet and dry signals. The volume knob is for setting the output volume level. The Bit crusher produces hard sound.
Using its scramble feature you can maintain the rhythmic, choppy, buffered and tempo sync output.

• High Pass, Low Pass, Band Pass filter.
• Modulation of filter cut-off frequency by LFO (tempo-sync),  manuallly or envelope follower (reversable).
• Bit crusher (16bit to 1 bit).
• Scrambler that devide one measure to different time intervall and plays beats randomly.
• Mix ballance in between dry(input signal) and wet(filtered and bit crushed).
• Sensitivity that allows the filter cut-off frequency be changed from roughly to smoothly. This effect is the same of parameter smoothing.

https://akyuz5.wixsite.com/mysite/

TwoRuleFilter_x64  ( 1.9 MB )

TwoRuleFilter.vst_  ( 2.9 MB )

Modul 8 is a dual LFO stereo chorus.

• Two independent LFOs with on/off switches and adjustable speed and width (LFO A oscillates at 0.8 Hz to 8 Hz, and LFO B oscillates at 0.3 Hz to 3 Hz).
• Feedback control that sets the amount of flanging.
• Optional filtering and adjustable drive of modulated signal.
• Phase invert on R channel for wide stereo (mono incompatible).
• LFO mute “kill-switch” for musical phrasing.
• Separate wet and dry controls.

https://senderspike.wordpress.com/

Modul8  ( 0.7 MB )

Modul8_x64  ( 0.7 MB )

ITS is a rhythmic / gate synthesizer.
By pressing one key, you can create some cool rhythmic sounds that will push your productions to something different. Use the LFO, Octave Stepper, Gator and Phaser to create your rhythms !
2 oscillators with three modes os usage.
Possibility to generate a waveform from an audio file.
Possibility to draw your waveform.
Noise generator.
Stereo delay.
Gator/trancegate.
Reverb with 5 modes.
3 band EQ.
Phaser up to 8 stages.
Chorus.
Powerful LFO.
Octave stepper.

https://www.beatassist.eu/

BAEU-ITS  ( 69.4 MB )

size 2 MB  / 3 MB

HomeCorrupter can degrade the resolution of any incoming audio signal by reducing the sampling rate and bit depth.

Further lo-fi quality is achieved by reducing the “computers clock speed” which slows down the playback of the input, all on the fly. It provides an effect that harks back to a period in which computers weren’t actually that good at handling audio.

All properties can either be automated using the built-in oscillators or can be controlled directly from your DAW.

HomeCorrupter is pretty straightforward as you can control sample rate, bit depth and playback rate using their dedicated sliders. Each of these can also be controlled by an LFO. The LFO’s become active once their speed is set above 0 Hz. You can set the speed between 0 – 10 Hz and control the depth of the sweep for a stronger effect. Additional to the above you can set the wet/dry mix of the effect using the balance controls.

HomeCorrupter provides up to 30 seconds of recording which gives you plenty of time to slow down the playback to its maximum (e.g. half speed). Note that once you return the playback rate to the original speed the playback will jump to match the input stream (think of it as aligning the read / write heads on a tape recorder). This should allow you to create live “record scratches” or “tape machine shutdown” effects while being able to return to the original sound with perfect timing.

https://www.igorski.nl/

Homecorrupter_Win64  ( 2 MB )

Homecorrupter_MacVST  ( 3 MB )

size 1 MB  / 0.9 MB  / 0.9 MB

Basic Filters is a IIR filters plugin with envelope and LFO.

• Filter Type : LP 12dB, 24dB, HP 12dB, 24dB, BP 12dB, UGBP 12dB, Notch 12dB, Peak 12dB, Allpass 12dB, Comb.
• LFO waveform : Sine, Triangle, Ramp Up, Ramp Down, Pulse.
• LFO frequency : 0.01 – 100.0, 16 bars – 1/64.

http://fabric70.com/

Fabric70-Basic-Filters_Windows  ( 1 MB )

Fabric70-Basic-Filters_MacVST3  ( 0.9 MB )

Fabric70-Basic-Filters_MacAU  ( 0.9 MB )

size 5 MB

Uraleq is an advanced multiband processor with multiband compressors, delays, and balance controls.

Featuring comprehensive Mid/Side processing, linear-phase FIR filters, flexible parameter settings and LFO modulation.

• Multiband Mid/Side processing.
• Multiband downward compression and upward expansion with variable knee and dry/wet ratio.
• Individual FIR oversampling of the compressors up to 32x.
• LFOs for multiband amplitude modulation, autopan, and creative delay effects.
• Higher order FIR Low Cut/High Cut Filters.
• VST3 64bit.

flandersh.weebly.com

Uraleq-Install  ( 5 MB )