33 MB

With VYBE, you can create half-speed effects, lofi effects, reverse, auto-pan, and trance gate instantly, without any setup.

Or get deeper with powerful creative controls. It can be used on loops, virtual instruments or even done live. You can switch between three speed modes to access classic half-speed, tight harmonies, and euphoric quad-time grooves. Adjustable loop lengths give you the option to create multi-bar slow-downs, atmospheric rhythm shifts.

FEATURES
EDM • TECHNO • HOUSE • HIP-HOP • LO-FI • TRAP • AND MORE!

Mac Minimum System Requirements
AudioUnit, VST or VST3 host software
Apple Silicon M1 (native) or Intel 2.0 GHz processor
8GB of RAM (16GB or more highly recommended)
Display with 1024-by-768 or higher resolution
macOS 10.13 and later including macOS Ventura
Internet connection
64-bit only​

PC Minimum System Requirements
VST or VST3 host software
Pentium class 2.0 GHz processor with SSE3 support
8GB of RAM (16GB or more highly recommended)
Display with 1024-by-768 or higher resolution
Windows 8, Windows 10, and Windows 11
Internet connection
64-bit only​

https://vybe.soundware.io/

VYBE-v1.1  ( 33 MB )

FREE | Win Mac VST3 AU | 39 MB

The Spectral Suite is a collection of audio plugins that utilise the FFT algorithm to manipulate the spectral components of the input audio.

Phase Lock:

Locks the phase and/or locks the frequency.

Morph:

Manipulate the shape of the frequency content.

Bin Scrambler:

This plugin will scramble the frequency components of a signal at a provided range and rate.

Frequency Shift:

Shifts frequencies up and down.

Spectral Gate:

Only allow frequency components above or below a particular cut-off amplitude.

Frequency Magnet:

Frequency content will gradually shift towards being centered on one frequency.

Sinusoidal Shaped Filter:

Filters the frequency components according by applying a sinusoudal shape over the spectrum.

Video review and tutorial:

spectralsuite

SpectralSuite-v2.1.10  ( 39 MB )

size 11 MB

Darvaza is a multichannel gate with a twist : whenever the gate closes on your input signal, you get a perversion of your source spat back at you. It can however work as a time synchronized classic tremolo too.

The gate uses different waveforms and its individually tunable oscillators are synchronized to the host tempo and time signature. When the gate closes and you have tweaked it to return a signal during the closed state, you get a signal based on your input, but with a plethora of things having gone wrong with it.

Basically you get your incoming sound as if it was part of a bad dream. But take solace in the fact that it’s a lucid bad dream, over which you have full control.

If you wish to hear the plugins sound design qualities in action, Darvaza is the leading effect on Drosophelia’s Instar.

Blending and randomizing

The “Entry”-control is analogous to “dry mix”. By default this is set to zero which mutes the sound when the gate is closed (functioning like a standard tremolo). By increasing the dry mix you can hear the original signal unaffected whenever the gate is closed.

The “Rand”-control is a modifier that allows you to set an alternative gate duration (from 2 measures to a 16th note). Every half measure the gate will be set to this duration. The moment when this kicks in is handled individually by each channel.

Slowdown…

To add an additional twist on the ears, using the “Sorrow”-control you can control the playback speed of the gated signal.

Changing the playback speed will also affect the pitch of the gated signal, by adjusting the speed carefully you can create harmonies between the uneffected source and gated signal. Resetting the control to zero will re-align the gated signal with the input, making it possible to create time synchronized “tape / vinyl scratch” slowdown without missing a beat.

Controls

Darvaza’s UI is a little vague by intention, the plugin is aimed at sound design through experimentation and happy accidents. However, for those who DO wish to know what is happening under the hood, dive into this brief explanation of the controls:

Gate controls

The “Odd”- and “Even”-controls allow you to tweak the duration of the gate’s open/close cycle all the way from 4 measures down to a 16th note, per channel. The “Sync”-control will match all channels to match the Odd-speed.

By using the “Door”-control you can change the waveform shape from a sine through triangle and sawtooth to a square wave.

Degrading and freezing

The “Regret”-control allows you to control the sample rate of the gated signal. This goes from the current host sample rate down to a gravelly 2 kHz.

The “Dwell”-control activates a reverb on the gated signal. The reverb will “freeze” its sound every beat to add an additional shimmer where the frozen signal will contain the timbre and pitch of the input, but will sounds a nightmarish cloud of evil.
Ticking the “Recast”-control will reverse playback of the gated sound.

… and repitch

If you wish to have more control over the pitches of the gated signal, you can use the “Weep” control which will adjust the playback speed to perfect harmonic pitch intervals (with distinct pitches between the channels). When the control is at zero, it is disabled. By opening it up it will travel between six different scales : major, mixolydian, augmented (happy), via neutral (5th and minor 2nd) to minor and diminished (sad/melancholic and evil).

Note that using Weep overrides the effect of the Sorrow control.

The archive contains VST2 and VST3 plugins for both macOS (10.10/Yosemite and higher) and Windows (7 and up). Additionally macOS users can also use Darvaza as an Audio Unit.

Installation instructions are provided inside the archive’s README file. Note macOS users should be aware of possible Gatekeeper issues.
Linux packages are currently not provided, though you can build from source.

HOME

darvaza.1.0.3  ( 11 MB )

size 2 MB  / 3 MB

Guillotine is an audio slicer / gate effect.

It chops up segments of audio in sync with the BPM of the track. Up to 32 divisions can be made from one section, which can then be modulated, bitcrushed, distorted, or simply silenced.

In the Sever FX setting, the top right knob can be used in Relent mode as an expander, rather than as the default noise gate – this means that the chosen segments will be made quieter rather than totally silenced.

In the other FX settings, the top right knob will operate in Inflict mode, increasing the severity of the chosen treatment.

http://witchpig.co.uk/

Guillotine  ( 2 MB )

Guillotine.vst3  ( 3 MB )

Guillotine.component  ( 3 MB )

size 4 MB  / 8 MB

DeeGate is a very simple noise gate that mutes sounds smaller than the volume you set.

• This is a very simple noise gate that mutes sounds smaller than the volume you set.
• The threshold can be set from -60 to 0 dB.
• Muting of noise in mic & line recording, cut the decay as an effector,
• Extraction of sound beyond a certain volume, etc., the application range is so many and convenient.

dotec-audio.com/

DeeGate_VST  ( 4 MB )

DeeGate_AAX  ( 2 MB )

DeeGateMac  ( 8 MB )

size 7 MB

TITAN gate is an envelope follower noise gate vst plugin.

dspplug.com/

dspplug-titan-gate-v1-1  ( 7 MB )

size 210 MB

All 33 legacy Audio Damage plugins (VST/AU) including synthesizers, effects… are now available as FREE downloads for macOS and Windows

Technology is progressing and constantly improving. Audio technology too and accepts sacrifices. These are mostly software products or audio plugins that no longer work on modern computers. Often a driver or plugin format is no longer supported, thus developers are often forced to abandon products.

Audio Damage took this step with its plugins a few years ago. Support for a large number of products has been discontinued. Some plugins celebrated comeback in the form of a new version, others didn’t come back. Like any good trash movie, there has to be a rebirth. And yes, this applies also for the Audio Damage legacy plugins.Details
With the release of the new website, Audio Damage is giving away the entire catalogue of legacy VST/AU plugin for free. There are reason. They want to give the users the opportunity to download the purchase software again. That’s very good.

On the other hand, they want to dry out the market for cracked legacy installers. The risk of catching malware on such websites is very high. What Audio Damage is giving to the entire music producer community is impressive and a huge gesture. For people who still work with older computers, today is an early Christmas.

Audio Damage Legacy Plugins
33 plugins can be downloaded individually.There are synthesizers, a drum machine, a drum synth, effects like high-quality reverbs, delays, pitch shifters, filters and more. Some of the plugins come in multiple versions.

Audio Damage doesn’t provide support for these product. That means they doesn’t fix bugs or doesn’t update them. Don’t try to contact them, they will not answer the support emails for these plugins. AD says that most of them will work on most systems, but some of the oldest ones will most likely not work on a modern Mac or PC.

Each installer contains a VST2.4 and AU version. There is no VST3, AAX, or Linux versions available for these products. AD added a registration code in the zip file. These plugins are again resurrected from the software grave.

List Plugins :

907A and 914 fixed frequency filter
ADverb vintage reverb
Automation, a cellular automata buffer effect
Axon, a neural network drum machine
Basic, a subtractive Synthesizer
BigSeq 1 & 2, rhythmic gate effects
Bitcom, a rhythmic bit-crusher
Deverb, an abstract reverb
Discord (1, 2, 3) pitch shifter
Dr. Device filter
Dubstation, a bucket-brigade delay
Filterstation filter
Fluid chorus
FuzzPlus 3 distortion
Kombinat, multi-band distortion
Kombinat Dva, multi-band distortion
Liquid flanger
Mangleverb abstract reverb
Mayhem Suite with filter, delay and compressor
Panstation auto-panner
PhaseTwo phaser
Phosphor, an additive Synthesizer
Ratshack Reverb 2 delay
Replicant buffer effect
Ricochet multi-tap delay
Ronin multi-effect
Rough Rider 1 compressor
Rough Rider Pro, a multi-band compressor
Tattoo drum machine
Vapor diffusor

www.audiodamage.com/pages/free-and-legacy

Audio Damage 33 Legacy WiN.MacOS Bundle  ( 210 MB )

size 63 MB

Plugin bundle from Variety of Sounds

INCLUDES:

– BootEQ mkII v2.1.1
– Density mkIII v3.0
– Rescue MK2 v2.1 + Rescue AE
– TesslaSE v1.2.1
– TesslaPRO mkII v2.0
– epicVerb v1.5
– epicVerb vstpresets
– ThrillseekerVBL v1.0
– FerricTDS v1.5.1
– NastyVCS v1.0.1
– NastyDLA mkII v2.0
– preFIX v1.0
– BaxterEQ v1.0.1
– ThrillseekerLA v1.0.1
– ThrillseekerXTC v1.0.1
– SlickHDR v1.0.1

varietyofsound.wordpress.com/

Variety Of Sound Complete Bundle  ( 63 MB )

size 0.7 MB  / 2.5 MB

BigSeq2 is a  Multi FX gate / sequencer with 12 sequencers controlling 10 effects in six blocks.

BigSeq2 is capable of everything from short staccato gate sequences to long, evolving filter sweeps and frequency shifts, and everything in between.

The six effect “Blocks” contain ten effects in total, and these Blocks can be re-arranged simply by dragging them, giving you full control over the routing of the effects. Each effect Block has a gate sequencer and a modulation sequencer. The gate sequencer turns that effect on and off (or in the case of the delay Block, activates the “send” control), while the modulation sequencer can affect any and all parameters in that block.

• Ten effects in six blocks, each with its own step sequencer, modulation sequencer, and time base.
• The gate and modulation sequencers for each effect block run on their own time-base, allowing different time signatures and step times for each effect.
• Each block has several parameters which can be altered via the modulation sequencer for that block.
• The effects blocks can be re-arranged in any order.
• Each sequencer has three independent modes of operation: forward, reverse, and random step. In addition, each of the twelve sequencers can be completely randomized at regular selectable intervals, for interesting modulation and gating possibilities.
• The included effects are VCA, pan, multi-mode filter, fuzz, sine warp, delay (with chorus and flanger modes), frequency shifter (also providing ring mod and phasing), sample rate reduction, bit depth, and our own “Error” effect.
• MIDI Learn on all published parameters for external hardware control. (VST only.)

www.audiodamage.com/

Audio_Damage_BigSeq2  ( 0.7 MB )

Audio_Damage_BigSeq2_x64  ( 0.7 MB )

Audio_Damage_BigSeq2_Mac  ( 2.5 MB )

size 5 MB  / 6 MB

preFIX is a pre-mixing and audio alignment tool which typically takes place upfront the mixing process.

It provides a clever tool set to clean-up, fix and align audio tracks (typically taken from recordings) concerning overall frequency correction, phase alignment, spatial stereo field corrections and routing. It contains a complete gate/expander solution with a dedicated and comprehensive sidechain filtering path as well.

Main audio path filter:

• Baxandall style shelving filter with pristine audio quality.
• Smooth butterworth high- and lowpass filter with switchable characteristics (12 and 24dB per octave).
• Both are oversampled and match their analog model curve behavior.

Sidechain path EQ and filter:

• Whole spectrum “tilt style” balancing filter with adjustable center frequency.
• Smooth butterworth high- and lowpass filter with switchable characteristics (12 and 24dB per octave).
• A dedicated parametric peaking EQ.
• Internal/external sidechain switchable.
• Sidechain listening option.

Gate/Expander:

• Adjustable threshold between -80 and +6dBFS.
• Freely adjustable knee from hard- to soft-knee behaviour up to 1:2 downward expander mode.
• Range limiting option (floor).
• Channel link switchable.
• Envelope follower section with attack, hold and release control.
• Attack timing features console style peak timings as well as two rms modes.
• Additional gate pre-open timing option.

Phase alignment:

• Analog style stepless signal phase corrections.
• Detailed options for adopting phase response curve regarding polarity, frequency center and width.
• Additional digital signal delay option.
• Phase control switchable to channel 1, 2 or both.

Advanced control:

• Detailed output channel routing with six different modes.
• Stereo image rotation option visually supported by a goniometer.
• Output level control with special mono mode to mix in channel 1 and 2.

varietyofsound.wordpress.com/

preFIX_32  ( 5 MB )

preFIX_64  ( 6 MB )