72 MB

Threshold? Never heard of her.
Sabotage is a feedforward FET compressor built on the same philosophy as a certain legendary 1176 style beast: no Threshold knob, no mercy. You just shove your Input up until the detector screams, and the compressor does the rest exactly like the hardware that made engineers develop a healthy fear of a single red button.

Five ratios (2:1 through 20:1), plus the one every 1176 clone secretly exists for: All Buttons In. Push all the buttons, break the laws of physics, make your drum bus sound like it’s holding a grudge.

What’s inside

Feedforward FET detection Input drives the detector directly, like the real thing

2:1 / 4:1 / 8:1 / 12:1 / 20:1 / All Buttons In pick your level of chaos

Sidechain High-Pass because nobody needs the kick drum triggering compression from three rooms away

Dynamic FET Coloration gets nastier the harder you push it, on purpose

THD stage with Clip / Limit an extra knob specifically for people who think “too much” is a starting point

Analog-style VU metering IN / GR / OUT, because staring at a needle is 90% of mixing anyway

Who it’s for

Mastering engineers who want glue. Mix engineers who want punch. Everyone else who just wants to watch the needle slam and feel something.

Visit Developer Site

Sabotage76-1.1.3.WIN  ( 72 MB )

Sabotage76-1.1.3.MAC  ( 27 MB )

21.7 MB

No clone, no variant! Fully custom! TheBus is my own custom compressor with well-known UI. It’s usable with any source. Not only busses! Soft character and knee with linear frequency response. Especially, great from drums, percussions, choirs or anything needs glue!

FEATURES
– ATTACK : Fast to slow. 0.1ms, 10ms, 30ms
– RELEASE : Fast to slow. 50ms, 400ms, 800ms
– THRESHOLD : Will set compression. You can simply combine it with INPUT and get smooth leveling or heavily saturated compression.
– SC FILTER : HPF filter up to 500Hz.
– OUTPUT : Clean output volume control.
– EXT SC : Will engage external side-chain.
– MIX : Will blend wet and dry signals.

(No oversampling. Embedded light-weight anti-aliasing)

Visit Developer Site

TheBus.1.0  ( 22 MB )

18.7 MB

Free alternative to Trackspacer. A 32-band sidechain compressor with zero latency. It frees up headroom in the main signal for a specific track.

Controls:
– Threshold and effect amount
– Number of bands (8–32)
– Sidechain low-cut and high-cut filters
– Compressor attack/release
– Independent processing for M/S and L/R channels
– Processing delta

Visit Developer Site

Oppressor.b1.0  ( 19 MB )

311 MB

Natural Vocal Tuning Plugin Powered by AI Resynthesis.

Instead of only warping the original waveform, PitchNet uses AI resynthesis to rebuild tuned vocals with smoother transitions and a more natural tone.

PitchNet detects vocal pitch and displays editable note regions, making intonation and melody changes clear without digging through raw waveforms.

ARA integration in compatible DAWs lets PitchNet follow your timeline, analyze audio faster and keep vocal tuning close to the arrangement.

Visit Developer Site

PitchNet.0.1.0  ( 312 MB )

73 MB

Cross-track groove-transfer plugin. GrooveTransfer extracts the rhythmic groove of one track — the transient envelope that makes it feel the way it does — and stamps it onto another by riding that track’s volume in time with it. The kick pumps the bass, the drums make the pad breathe, the vocal ducks its own delay. Instances pair by name over shared memory: no MIDI, no sidechain routing, no cables in your DAW.

Sidechain compression borrows another track’s energy — but it needs a bus, and it only ducks. GrooveTransfer moves the whole rhythmic envelope: put a Sender on the track whose feel you want, a Receiver on the track you want to move, pair them by name, and the receiver rides its own dynamics to the sender’s groove.

🎯 Envelope follower
A fast/slow detector pair isolates the transient groove of the source — the hits, not the hum — tuned by Sensitivity, Attack and Release.

🔗 Shared-memory pairing
Instances discover each other automatically and pair by name — across tracks, busses, even between plugin formats. The link survives project reloads.

🎚️ Ride or duck
Positive Mix makes the target move with the groove; negative Mix ducks it against the groove — classic “make room”, no compressor needed.

Under the hood it’s one honest move: an automatic volume ride. The receiver keeps 100% of its own sound — GrooveTransfer simply moves its level up and down (up to ±24 dB, as smoothly or as snappily as you set it), like a fader ridden in perfect time with the source’s hits. Not a compressor, not an LFO — the feel of one track, played by another.

The Sender’s envelope follower traces the drums’ transients (SOURCE below). That groove envelope is broadcast over shared memory, and the Receiver uses it to ride the volume of its own audio — the sustained pad (TARGET) starts pumping in time, smoothed by your Attack and Release. The pad still sounds exactly like your pad; it just moves like the drums.

🥁 Groove Envelope Transfer
A fast/slow follower pair extracts the transient envelope of the source and applies it to the target’s dynamics — the feel moves, the sound stays.

🔗 No MIDI, No Sidechain
Instances pair by name over lock-free shared memory — across tracks, busses and plugin formats. Nothing to route, nothing to configure in the DAW.

🎚️ Ride or Duck (±24 dB)
Positive Mix rides the target with the groove; negative Mix ducks it against the groove for instant “make room” — depth fully automatable.

👥 Sender · Receiver · Both
Up to 16 instances share the registry. Chain “Both” instances so a whole percussion section breathes with one common groove.

📈 Live Scope & Hints
A 1.5-second envelope scope shows exactly what you broadcast or receive, hover hints explain every control, and the peer selector warns you if the selected peer is receive-only.

🖱️ Resizable Interface
Drag the corner grip from 60% to 300% — the window keeps its aspect ratio and the size is saved with your project.

🦵 Kick → Bass
Sender on the kick, Receiver on the bass, short attack — the bass pumps in time with the kick, no sidechain compressor, no bus.

🌫️ Drums → Pad
A longer release turns a static pad into a breathing one that follows the drum groove — glue without a compressor in sight.

🎤 Vocal → Delay
Sender on the vocal, Receiver with negative Mix on the delay return — the echoes duck while the singer sings and bloom in the gaps.

🥁 One Groove, Whole Kit
Chain instances in “Both” mode across percussion layers so shakers, hats and toms all lock to the same pocket.

Visit Developer Site

GrooveTransfer.1.0.0  ( 73 MB )

12 MB

YS-Doubler is a stereo doubler based on a modified Haas effect for precise control of the stereo field width in a mix. This plugin solves the key problem with the classic Haas effect: instead of a static delay, it applies dynamic, alternating delays relative to the undelayed signal, synchronized to the project tempo. This alternation (left channel + delay in the right, right channel + delay in the left) achieves natural stereo widening without shifting the apparent volume to one side.

Main parameters:

*Haas* – setting the desired delay value to create a stereo effect.
*Rate BPM Tempo* – syncs the delay modulation rate to the project tempo for a rhythmically consistent effect.
*Swing Clock* – introduces a rhythmic deviation from the clear grid to give the effect a more “live”, musical character.
*Pre Delay* — a pre-delay that controls when the trigger fires: at a value of +10 ms, the trigger skips the initial transients, preventing attack distortion.
*Lookahead* – Predictive triggering (up to -10ms) allows precise positioning of processing relative to the beat and maintains signal dynamics.
*Widening* — controls the degree of expansion of the stereo field for flexible adjustment of the spatial image.
*Bass Mono* — limits the stereo effect in the low-frequency range: frequencies from 10–250 Hz remain in mono, which increases mix stability and compatibility with different playback systems.
*Swap Channels* — channel inversion for fine-tuning the balance and spatial arrangement of elements.
*Invert Phase* — flips the phase of the delayed signal by 180° to correct phase interactions and control the resulting frequency response.
*Volume* – adjusts the output signal level for precise integration of the effect into the mix.
*Smoothing* — select a smoothing algorithm for transitions, minimizing artifacts and clicks when the trigger is activated.

YS‑Doubler is suitable for working with vocals, guitars, keyboards and other instruments where you need to widen the stereo image without losing the clarity of transients and without the risk of phase problems in the low-frequency region. *Universal VST3 plugins may not be scanned by some DAWs. To solve this problem, on Windows, delete the “MacOS” folder inside the VST3 plugin. On MacOS, delete the “x86_64-win” folder inside the VST3 plugin.

Visit Developer Site

YS.Doubler.1.0.1  ( 12 MB )

325 MB

Evil Otto is our free take on the OTT-style multiband compressor: aggressive upward-and-downward compression that squashes a sound into place and makes everything feel louder, denser, and a little unhinged. Three bands, independent thresholds, gain-reduction metering, and a sidechain input. Drop it on a bus, a synth, a drum loop, or a whole mix and lean on it as hard as you like.

Visit Developer Site

Evil.Otto.1.0.0  ( 326 MB )

21 MB

Achieve commercial loudness. Keep the punch.
Shatter Clip is a high-performance, zero-latency visual clipper that pushes your drums, busses, and full mixes to professional loudness.

Keep your dB the same, but make it louder

By surgically shaving off microscopic peaks before they hit your master limiter, Shatter buys you massive amounts of free headroom without destroying your transients.

Stop guessing how much you’re clipping. Shatter’s 60-FPS glowing oscilloscope draws a “ghost” wave of your original audio, highlighting exactly what is being chopped off in bright pink so you can see your headroom in real-time.

🔥 The Engine:
Hard Clip: A brutal, digital “knock” perfect for making Trap and EDM drums cut through a mix.
Soft Clip: A smooth, transparent curve for natural dynamic control.
Analog Clip (Dual-Band): Our custom analog circuit splits your audio at 120Hz. It fattens your sub-bass with warm, asymmetrical tube saturation while keeping your high-end transients crystal clean.
Zero-Latency Oversampling: Keeps your audio free from digital aliasing without adding a single millisecond of delay.
Pristine Low-End: A built-in zero-latency DC Blocker strips out distortion mud, while an Absolute Safety Brickwall guarantees your signal never exceeds the ceiling.
Parallel Mix & Auto-Gain: Dial in the perfect amount of dry punch, or auto-match your output for brute-force RMS loudness.

Visit Developer Site

Shatter.1.01  ( 21 MB )

12.3 MB

Flexible sidechain ducking with full visual control. A sidechain ducking plugin focused on control and clarity.

Features
– Free and cross-platform
– Real-time visual feedback
– Visual control over phase and clipping
– Flexible envelope shaping with tension and smoothness controls
– Adaptive pre-ducking without transient damage and phase clicks
– Low latency with 10ms default

Visit Developer Site

DuckTool.0.2.9  ( 12 MB )

14.2 MB

HYLL Pressure is a soft clipper audio plugin for harmonic pressure, soft ceiling and parallel density.

Use it to shape peaks, add warmth, increase density and push vocals, drums, bass, 808s, synths, loops, buses and mixes forward — from subtle control to creative damage.

HYLL Pressure is not just about making audio louder. It can make a sound feel denser, more controlled and more forward even when the output is matched to the bypassed level.

Main features
– Soft clipping
– Harmonic pressure
– Soft ceiling control
– Parallel density
– Input / output level shaping
– Mix-bus friendly control
– Creative saturation damage
– Factory presets
– A/B compare workflow

What it is for
HYLL Pressure can be used on drums, bass, 808s, synths, loops, vocals, buses and full mixes when you want more density, peak control, saturation or forward movement.

Use it gently for controlled loudness and peak shaping, or push it harder when you want the sound to become more crushed, colored and aggressive.

Visit Developer Site

HYLL.Pressure.1.0.1  ( 14 MB )