11 MB

Clipping restoration. UnClip repairs short peaks damaged by hard digital clipping. It detects flat-topped overloads, reconstructs a plausible waveform through the damaged area, and changes only the samples it identifies as clipped. There is no threshold or repair amount to set — insert it on the damaged track, create output headroom if needed, and let it work.

01. Find clipping below 0 dBFS
UnClip looks for the shape of hard clipping instead of assuming the damage sits at 0 dBFS, so it can still recognize peaks that were clipped and turned down later.

02. Rebuild the curve
Accepted flat-topped peaks are reconstructed from the clean samples around them. Only the samples identified as clipped are written back to the output.

03. Make room after repair
Output trims the reconstructed signal by up to 24 dB when you need headroom for repaired peaks before EQ, compression, saturation, or export.

How to repair hard-clipped peaks after recording

Visit Developer Site

UnClip.1.0.0  ( 11 MB )

49 MB

Not the most versatile diode-bridge compressor! DiodeCrush is fully passive, heavy crush compressor with a lot of sustain. Dirt, pump, sustain and more!

FEATURES
– GAIN : Clean input gain to feed compressor
– OUTPUT : Clean output control
– MIX : Will blend dry and processed signal
– BY : Bypass

Visit Developer Site

DiodeCrush.1.0  ( 49 MB )

24 MB

Free hit vocal analyzer. A free plugin that grades your vocal against 3,054 hit song vocals, live in your DAW, and tells you what to fix first.

magic.METER is a vocal-analysis plug-in that compares a live vocal against measurements from 3,054 hit-song vocals and points to the first adjustment to consider. It measures rather than processes audio, giving producers an objective reference while they make their own EQ, dynamics, level, width, space, and de-essing decisions.

Seven tabs cover tone, dynamics, level, recording, width, space, and esses. Tone can compare against all hits, nine genres, eras, or voice types, while the recording view checks a raw take for clipping, P-pops, noise, hum, level, mic distance, room, and mic range.

For a finished vocal, insert it after reverb and delay; use the RAW mode first on a dry recording. Sending the instrumental to the sidechain enables level and masking checks, including where the beat covers the vocal across five bands.

A full read takes about a minute of singing, although the plug-in begins grading sooner. The score is a guide rather than an automatic correction: it can suggest the size and direction of a move, but the mix decision remains with the user.

Key Features
– Compares a live vocal with measurements from 3,054 hit-song vocals and suggests what to address first.
– Seven analysis tabs cover tone, dynamics, level, recording, width, space, and sibilance.
– Tone comparisons can target all hits, nine genre groups, eras, or voice types.
– RAW and PROCESSED modes support checking the source take before mixing or the finished vocal chain afterward.
– An optional beat sidechain adds vocal-versus-instrumental level and five-band masking checks.
– The Recording tab identifies clipping, P-pops, noise, hum, recording level, mic distance, room, and mic-range concerns.
– About a minute of singing provides a full reading, while grading starts earlier in playback.

Visit Developer Site

magic.METER.1.0.3  ( 25 MB )

10 MB

Fruity Soft Clipper clone. Soft clipper for 808s and drums. The FL soft clip sound in every DAW: the exact curve, measured and cloned, plus optional oversampling against its aliasing.

The exact FL curve
The Fruity Soft Clipper transfer curve, identified by measurement down to float noise. FL mode is a 1:1 clone, plus hard and tanh curves on top.

Oversampling
The original aliases. TagoClip ships with 4x and 8x oversampling to clean that up, or leave it off for the honest 1:1 sound.

Delta listening
One button plays only what gets clipped away, so you hear exactly what you are trading for loudness.

Mono low end
Sum everything below a chosen frequency to mono and keep the 808 centered, right inside the clipper.

Visit Developer Site

TagoClip.1.1.1  ( 10 MB )

3.64 MB

Six limiting algorithms, one transparent brickwall.

A mastering-grade limiter unifying six distinct limiting algorithms — Peak, True Peak, Opto, FET, VCA and Multiband — behind one interface, with parallel-limiting mix, adjustable oversampling and a real-time gain-reduction visualizer.

Features:

Six selectable limiter engines: Peak, True Peak (oversampled inter-sample-safe), Opto, FET, VCA and Multiband

Adjustable ceiling, attack, release, input drive and makeup gain

Parallel-limiting Mix control for blending limited and dry signal

Switchable oversampling for cleaner true-peak control at the cost of latency

FET mode includes selectable ratio presets up to an “All-Buttons-In” style setting

Multiband mode with adjustable low-mid and mid-high crossover points, using linear-phase and Linkwitz-Riley crossover filters

Real-time input/output level and gain-reduction visualizer

Visit Developer Site

Apex Limiter Setup  ( 4 MB )

4.02 MB

Seven classic compressors and gates in a single channel strip.

One routing switch, seven classic and modern compression and gating methods — each engine keeps its own state so switching modes mid-session never glitches the others, and each resets cleanly the moment it becomes active.

Features:

Classic Compressor — feed-forward/feedback topology with switchable RMS or Peak detection

Multiband Compressor — 4-band Linkwitz-Riley crossover with independent per-band threshold, ratio and makeup

Tube Compressor — opto-style behaviour with program-dependent fast/slow release

Vintage FET — 1176-style feedback compression with ultra-fast attack and a Punch control

Buss VCA — transparent glue compression with an auto-release option

Classic Gate — threshold/range/attack/hold/release noise gate

Multiband Gate — 4-band Linkwitz-Riley gating for frequency-selective noise control

External sidechain input with a sidechain-listen monitor switch

Real-time gain-reduction meter, including per-band readout in the multiband modes

Visit Developer Site

CompGate Setup  ( 4 MB )

53.96 MB / 163.06 MB

BOOST: One-Knob Loudness & Tone Enhancer
BOOST one-knob loudness and tone enhancer plugin
Four Ways to Bring Your Sound Forward
Give your drums more impact, bring a melody forward, or add the finishing touch to a full mix.

Choose Shine for brightness, Warm for a warmer character, Loud for density, or Glue to bring the sound together.

Each mode treats the low, mid and high bands differently, lifting quieter details, controlling peaks and shaping the stereo image.

From a Subtle Lift to a Bold Finish
Use a little BOOST to add presence to an individual sound, or turn it further to give a track more weight and energy.

With four distinct starting points, you can quickly find a treatment that fits the material, from drums and bass to vocals, instruments and the mix bus.

Push the Output Further
The Output knob drives a built-in soft clipper, rounding off peaks as you push harder.

Add extra level and edge, then use the input and output meters to keep an eye on the result. A bigger sound is just a mode and a knob away.

Four Modes, One Knob
Pick the treatment that fits the material, then turn one knob:
Shine
Brightness and air for sounds that need to cut through.
Warm
A warmer, rounder character for body and smoothness.
Loud
Density and level for more weight and energy.
Glue
Brings the elements together for a cohesive, finished sound.

Visit Developer Site

Boost.1.0.1.WIN  ( 54 MB )

Boost.1.0.1.MAC  ( 163 MB )

4.23 MB

One-click, genre-aware mastering with a fully automatic signal chain.

An intelligent mastering chain that analyzes your mix and builds its own EQ, multiband dynamics, saturation and limiter settings around it — steered by a genre selector and four macro controls, so a finished master is one click away.

Features:

ANALYZE engine — measures the incoming mix and automatically derives EQ, multiband dynamics, saturation and imaging settings tailored to it

Genre-aware processing macro, plus four master macros: Intensity, Bass Weight, Highs/Air and Output Ceiling

Automatic multiband EQ with resonance suppression, built from the analysis rather than manually dialed in

Automatic multiband dynamics — independent threshold, ratio above/below, attack and release per band

Per-band automatic saturation (drive and mix) and stereo imager width control

Automatic output limiter with adjustable gain and release

Integrated and short-term LUFS metering plus crest-factor readout, alongside real-time gain-reduction and input/output peak/RMS meters

Visit Developer Site

The Final Master Setup  ( 4 MB )

4.09 MB

Four ways to punch up — or soften — a transient.

A transient designer offering four distinct shaping algorithms behind one Attack/Sustain pair, from a clean differential-envelope approach to a fully independent 3-band multiband mode.

Features:

Differential Envelope algorithm — classic fast/slow envelope-difference transient detection and shaping

Saturator-Assisted mode — adds a dedicated Drive stage into the shaping path for extra punch and harmonic weight

Multiband mode — independent Attack/Sustain per low/mid/high band with adjustable crossover frequencies

Expansion/Compression mode — ratio-based transient control for subtler, program-dependent shaping

Shared Sensitivity and Hold controls plus output gain and bypass

Real-time transient visualizer showing the detected envelope against the input waveform

Visit Developer Site

Transient Shaper Setup  ( 4 MB )

116 MB

CM-1B: Vintage Analog Opto Compressor Plugin
The Vintage Opto Compressor That Adds Weight And Glue To Any Source
CM-1B is a vintage analog opto compressor modeled on a legendary Danish unit, bringing weight and glue to vocals, drums, guitars, and pianos.
Smooth, musical compression with a simple set of controls, so any source sits in the mix without losing its life.

The Compressor You Reach For When a Vocal Needs to Sit Just Right
Some compressors control the volume. The right one makes the whole performance come together.

And it goes well beyond vocals.

Give bass a steady foundation, add breathing weight to drums, or push room mics into thick, sustained compression. Use the parallel blend to bring that energy back underneath your original signal.

How Does CM-1B Work Exactly?
Load CM-1B onto your track, lower the threshold to introduce compression, and set the ratio for how firmly it controls the signal.

FIXED: Effortless Vocal Leveling
Built-in attack and release behavior follows the performance phrase by phrase. A natural starting point for smooth, consistent vocals.

MANUAL: Shape the Movement
Take control of attack and release to dial in the response yourself. Preserve the punch of a drum hit, soften sharp transients, or bring out the sustain in room recordings.

FIX/MAN: Fast Control, Smooth Recovery
Combine a fast fixed attack with a release that responds to the passage, catching sudden peaks while recovering more gradually through sustained material.

Visit Developer Site

Cymatics.CM-1B.0.2.5  ( 116 MB )