11.34 MB / 926.61 MB

GALAXY: Dynamic Sampling Instrument
The Dynamic Sampling Instrument Built From Your Own Sample Folders
Give the sounds sitting in your sample folders a new way to play.

GALAXY turns your one-shots and loops into a playable instrument, with shifting sample positions, spacious effects, and subtle variations that give each note its own character.

Get GALAXY Now
Turn Your Samples Into an Instrument That Evolves With Every Note
That pluck you’ve used a hundred times. A drum hit from an old session. A melodic loop you never found a place for.

Drop them into GALAXY and explore what happens when you play them together.

One-shots follow the notes you press, while loops play from changing starting points. Shape the result into tight, focused phrases or wide, lingering textures, all from your own sounds.

GALAXY
GALAXY
How Does GALAXY Work Exactly?
Load Two Pools of Sound

Add drums, hits, and plucks to the ONE-SHOTS pool, then melodic or harmonic material to the LOOPS pool.

Every note you play selects source material from these pools, turning your collection into an instrument you can explore from your keyboard.

Shape the Sound With Five Macros

ORBIT: Control how far loop starting positions wander.

SPREAD: Adjust the stereo width.

COLOR: Push the tone warmer or brighter.

NOVA: Add a halo of reverb.

TAIL: Set how long notes ring after you release them.

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GALAXY.0.1.5.WIN  ( 11 MB )

GALAXY.0.1.5.MAC  ( 927 MB )

13.3 MB

Hardware-level emulation of the Ensoniq EPS-16 Plus sampler for Intel and Apple Silicon Macs, built as a resizable Audio Unit and VST3 instrument.

The EPS-16 Plus is a performance sampler whose character comes from much more than its sample memory. Its pitch interpolation, voice architecture, filters, loop modes, modulation, envelopes, effects, sampling path and original operating system all contribute to the way the instrument feels and sounds.

This project does not replace that workflow with a modern sample player. It recreates the hardware around the original Ensoniq software: the Motorola 68000 program, keyboard/panel controller, ES5505 voice chip, ES5510 effects processor, floppy controller, display and audio paths are presented to the unaltered EPS operating system.

The original EPS OS remains in charge. A click in the GUI becomes the same kind of hardware event as a physical button press; the emulator does not infer menus from text or bypass the sampler’s own logic.

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Ensoniq.EPS-16.Plus.1.0.9  ( 13 MB )

747.84 MB / 857.8 MB

Cymatics DAYDREAM Lite is a powerful and inspiring sound pack designed for music producers who want to add dreamy, atmospheric, and modern sounds to their productions. Whether you create hip-hop, trap, R&B, pop, electronic music, or cinematic tracks, DAYDREAM Lite provides a versatile collection of sounds to spark new ideas.

The pack focuses on creating a smooth and atmospheric listening experience. It includes carefully designed sounds that can help producers build everything from emotional melodies and ambient backgrounds to creative transitions and engaging musical layers. Its modern sound selection makes it a useful addition to both beginner and experienced producers’ libraries.

One of the biggest advantages of DAYDREAM Lite is its versatility. The sounds can be used individually or layered together to create richer and more detailed productions. Producers can easily experiment with different combinations, effects, and arrangements to develop their own unique style.

Cymatics DAYDREAM Lite is also a great choice for producers looking for quick inspiration. Instead of spending hours creating every element from scratch, you can use the included sounds as starting points for new ideas and productions. This makes the pack particularly useful when you want to overcome creative blocks or quickly develop a musical concept.

With its dreamy character, modern production quality, and flexible sound selection, DAYDREAM Lite can fit naturally into a wide range of genres and projects. It is an excellent resource for anyone looking to bring more atmosphere, emotion, and creativity into their music.

If you’re searching for fresh sounds to expand your production toolkit, Cymatics DAYDREAM Lite is definitely worth exploring.

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CD.1.0.0.WIN  ( 700 MB )

CD.1.0.0.MAC  ( 800 MB )

36 MB

Turn any folder of samples into a playable instrument.
Drop a folder of samples and Pathfinder scatters them into a living field of light. Draw a path to play it, pull a sphere apart into tempo-synced grains, and shape the whole thing with effects.

Four moves. That’s the whole instrument.
No menus to learn. You drop, draw, explode, and shape — and the field responds in real time.

Drop in a folder
Drag any folder of samples straight onto the plugin — it analyzes each one and scatters them into a 3D field. Brighter, closer spheres are the sounds it likes best for playing.

Draw a path to play
Trace a line through the field and Pathfinder plays every sphere it crosses, in order. The shape of your line becomes the rhythm and melody of the phrase.

Explode a sphere
Grab a single sound and blow it apart into tempo-synced grains. One sample becomes a swarm you can re-scatter, re-pitch, and play back as a texture.

Shape it with FX
Drag effects into any order — reverb, degrade, flair, delay and a granular engine — and reorder the chain live to sculpt the field into a finished sound.

A granular sampler that feels like an instrument.
Your samples, mapped
Nothing is baked in. Feed it your own drum kits, field recordings, or one-shots and it builds a fresh field from whatever you give it.

Drawn, not programmed
Paths are performances. Draw fast or slow, jagged or smooth — the gesture is the sequence, so no two takes are the same.

Tempo-synced grains
The granular engine locks to your DAW. Explode a sound and every grain lands on the grid, from tight stutters to slow, drifting clouds.

// the toolkit
Everything inside.
A whole sampler lives under the map — scan, draw, sequence, edit and process, all in one instrument.

Particle map
Every sample becomes a sphere, auto-sorted into kick, snare, hat, perc, melodic, texture, vox and FX.

Category detection means you find the right sound by where it sits — not by scrubbing filenames.
Draw the path
Play any route from MIDI, tempo-locked and pitch-corrected to your project key and scale.

Key detection lets samples from totally different sources play in tune together — no manual retuning.
Layer mode
One key fires your whole captured group as an instant stack.

Explode
Select a sample and slice it into tempo-synced chunks scattered back onto the map.

A fast way to turn one hit into a whole palette of rhythmic fragments.
Step sequencer
Per-lane sounds, with swing and nudge.

Deep sound editor
Trim, envelope, pitch and volume per sound, plus a chromatic pitch-tracked keyboard for any sphere.

Five-effect chain
Reverb, Degrade, Flair, Delay and a tempo-synced Granular engine — drag to reorder, with full parameter pages.

Presets that remember everything
Paths, sequencer, effects, categories and settings, all saved together.

MIDI CC learn · scalable interface · built-in walkthrough

// techniques
Things to try.
No two folders make the same map. No two paths make the same instrument. A few places to start:

In-key arps
Draw a path across only your melodic spheres for evolving arpeggios that stay in your song’s scale.

Granular textures
Explode a vocal or pad, then draw a new path through the fragments for moving, atmospheric fills.

Kits from chaos
Lasso your kick, snare and hat spheres and build a drum pattern in the step sequencer from found sounds.

Instant chords
Capture a melodic group in Layer mode to turn any folder into a one-key chord instrument.

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Pathfinder.1.0.4.WIN  ( 8 MB )

Pathfinder.1.0.4.MAC  ( 2 MB )

23.6 MB

Four-layer one-shot sampler for AU, VST3 and standalone use. One MIDI note normally triggers all four layers, or one non-repeating random layer in Round Robin mode. DICE selects samples from their source folders and randomises volume, pitch, start point and delay.

Features:
– Four drag-and-drop sample slots with waveform display and previous/next folder navigation
– Smooth proportional interface resizing from 60% to 200%, plus persistent scale presets
– Twenty persistent colour schemes with dark, light and colourful variations
– Optional Glitch Mode with per-note inverted colour flashes, regenerated Zalgo text, waveform artefacts, randomized delays, stutters, crackles and sample-hold glitches
– Refined arc-style controls with parameter units
– Per-slot volume, whole-semitone pitch with Shift fine mode (0.1 st), draggable start point, positive shift (0–250 ms), and fade-end controls
– Smooth real-time playheads and visual start, shift, and fade editing on every waveform
– Hover-highlighted Start and Fade markers
– Non-crossing Start/Fade markers, draggable range selection, and mouse-wheel fade editing
– Option/Alt + mouse wheel adjusts fade-in and fade-out curve shape
– Mouse-wheel slot volume editing with matching waveform amplitude scaling
– MIDI note-on triggering
– Selectable 1–16 voice polyphony
– Hold-to-repeat Burst mode with adjustable 1–30 Hz rate
– Per-trigger parameter evolution (PTE) with a real-time-safe audio path
– Optional chromatic MIDI keytracking relative to note 60
– Random Round Robin mode plays one loaded slot per trigger without immediate slot repeats
– Per-slot LOCK controls to exclude layers from DICE and PTE
– Per-slot random-sample and clear controls
– Separate DICE, SAMPLES and PARAMS actions
– BACK recalls the previous generated combination
– Four global randomisation-depth controls
– Real-time-safe master volume control
– DAW state restoration for parameters and sample paths
– Last-used sample folder is remembered globally; DICE can populate empty slots from it
– Once-daily background check for newer GitHub releases with an in-plug-in notification

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Sample.Dicer.1.5.2  ( 24 MB )

16 MB

I originally created Splitt for a mastering project where I needed a linear-phase spectrum splitter to dial in separate settings for the low and high end. I thought it would be a one-off – something I’d use once and then forget about. But it turned out to be way more useful than I expected, and I keep coming back to it.

I shared it for free, and the number of downloads and positive comments made it clear I wasn’t the only one finding it helpful.

Recently, a user asked for a signed and notarized AU version. That felt like a good excuse to give Splitt its own post – and update it while I was at it.

Changelog v1.00 – v2.00

Bypass buttons added

Added a gain knob for each band

Minor bug-fixes

Available as:

Windows – VST3

Mac – VST3 and AU

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SPLITT2_v200  ( 16 MB )

60 MB

Rattly and Raw has announced the release of Lockdown Kitchen, a free instrument for NI Kontakt featuring found sounds.

Made when Rattly and Raw’s in-house mix engineer, Emre, got bored during the lockdown. To the dismay of his family, he sampled everything across the flat. Including multiple recordings of each surface and kitchen utensil. We included washing machines, espresso makers, and much more. Enjoy!

Lockdown Kitchen is an instrument full of kitchen percussion instruments perfect for lockdown jams. Authentic range cooker, coffee grinder, bread knives, saucepans, washing machine doors, and many many many more. All multi-sampled and loaded with functionality.

The interface is fun and interactive, if you hover any item, it will light up. The kitchen has three views, each with more “instruments”. If you click on any of these instruments, you’ll enter in focus mode, which lets you choose MIDI assignments and activate effects such as compression, distortion and reverb, also tweak the tone, output level and “tuning”. There’s a “Preferences” menu where you can reset MIDI and fx and turn on/off the velocity. Don’t get fooled by the silly (?) interface. Lockdown Kitchen is capable of serious sound designing.

All Rattly & Raw libraries work with Native Instruments Kontakt 5.7 or newer (including Kontakt 6). Kontakt Player will load them in demo mode.

RAR-Lockdown_Kitchen  ( 60 MB )

197 MB

SampleSort is an audio sample manager and search tool for Windows, MacOS & Linux

Designed for use by musicians, producers, DJs and foley artists.

Scan

SampleSort eases working with large audio sample libraries by scanning your hard drives and identifying the files you’re interested in.

Search

SampleSort provides easy to use tools to quickly search for the samples you need, when you need them.

Sort

Whilst importing your samples SampleSort will attempt to auto-magically categorise them and read any meta data.

RanDrum

RanDrum™ allows you to randomise your drum samples to help get inspiration from your sample libraries.

CD Import

SampleSort can directly rip CD Audio sample libraries. Select the Optical drive as your import source. You can apply meta data to the imported files.

Statistics

Get graphical insight into your sample collection. Including file formats, sample rates and bit depth statistics.

Management

Manage your files and directories using multiple panels in one easy view. Projects are automatically kept in sync with the file system.

Features
Automatic File categorisation
One Click Auditioning
Audio Browser View
Drag & Drop
160 File Types
Loop Playback
Upto 32-bit 192Khz Audio Support
WDM, AU & ASIO Device Support
Custom User Tags
Zip Exports
Zip Imports
Unlimited Database Size
Polyphonic / Monophonic
Upto 32-bit 192Khz
RanDrum – Drum Kit Builder
Multi-channel Audio
Rip Audio CD
Multiple Databases
Database Statistics
Export Project Data
Browse Network Drives
Duplicates View
File Management view

Home

SampleSort-1.5.1765.0  ( 197 MB )

29 MB

SAM-SPL 64 is a powerful audio plugin designed to transform how musicians and producers work with audio samples. Available in VST2, VST3, and AudioUnit formats, the plugin offers unprecedented control over sample manipulation.

Slice Capabilities

• Precise Slicing: Divide a single sample into up to 64 individual slices
• Multiple Playback Options:
  • Hold mode: Sustain slices while the key is pressed
  • Trigger mode: Play slices with individual note triggers
• Polyphonic Performance: Play multiple slices simultaneously

Advanced Editing Tools

The plugin provides comprehensive sample editing functionality:

• Trim sample boundaries
• Cut and crop sections
• Normalize audio levels (0dB, -3dB, -6dB options)
• Resample audio
• Continuous zoom to sample-level precision

Intuitive Workflow

• Drag-and-drop sample loading
• Direct input sampling
• MIDI keyboard slice mapping
• Easy slice manipulation via pads or keyboard

Slice Customization

• Individual slice looping
• Reverse playback options
• Seamless audio slice integration

Export Capabilities

• Export modified samples
• Supported formats: WAV, AIFF

System Requirements

• Compatible with Windows and macOS
• Plugin formats: VST2, VST3, AudioUnit
• File size: 29 MB

Ideal For

• Electronic music producers
• Sound designers
• Beat makers
• Experimental musicians

Simplify your sample manipulation workflow with SAM-SPL 64 – a versatile tool that brings precision and creativity to audio sampling.

https://pongasoft.com/vst/SAM-SPL64.html

SAM-SPL.64 1.5.0  ( 29 MB )

25 MB

The Commodore Amiga revolutionized the home computer when it hit the shelves in 1985. Not only sporting colourful 16-bit graphics but also boasting four channels of 8-bit sampled audio. With sample sequencing software like ProTracker and OctaMED, it was the first computer that allowed its users to record and sequence instruments into a full song; inspiring musicians, programmers, graphic designers, and hackers to show what they could really do with the new technology that the Amiga gave them. And while its specs may seem like they pale in comparison to more modern computers, its sound and legacy continue to inspire people to this day.

The Commodore Amiga revolutionized the home computer when it hit the shelves in 1985. Not only sporting colourful 16-bit graphics but also boasting four channels of 8-bit sampled audio. With sample sequencing software like ProTracker and OctaMED, it was the first computer that allowed its users to record and sequence instruments into a full song; inspiring musicians, programmers, graphic designers, and hackers to show what they could really do with the new technology that the Amiga gave them. And while its specs may seem like they pale in comparison to more modern computers, its sound and legacy continue to inspire people to this day.

The Ami Sampler brings that feel and that sound into the modern world of Digital Audio Workstations. Obviously heavily inspired by the Amiga, as well as Protracker and Fasttracker, it also draws inspiration from last trackers like Triton’s Fasttracker II and Milkytracker in addition to some modern sampler VST plugins. While in no way an emulator nor a recreation of the limitations that the late 80s software had, the Ami Sampler strives to take the classic sound of the Amiga but still allow it to stand up with a modern DAW setting.

Controls / Parameters
For the most part, the Ami Sampler has pretty standard controls that one would expect to find in a sampler VST. There are twelve individual samplers. Each sampler has its own volume, pan, and ADSR controls as well as solo/mute. There’s also the option for each channel to be monophonic, four-voice polyphonic (PT poly), or eight-voice polyphonic (Octa poly). There’s also a sample rate decimator control and when the channel is in monophonic mode, there’s a control for pitch glide.

Master output has controls for master volume, master pan, a switch to enable a 4.4khz 6db/octave low pass filter (modeled after the RC filter in the Amiga 500), a switch to enable a 3.1khz 12db/octave low pass filter (modeled after the LED filter in the Amiga 500 and Amiga 1200), and vibrato speed and depth.

By far my favorite control that I put into the Ami Sampler is the “Paula” switch, taking inspiration from the Amiga’s audio processor’s (known as Paula) limitation to only be able to pan hard left or hard right. This limitation in the Amiga could allow the user to create uniquely wide sounding pads when multiple channels play the same sample as a chord.

The Paula switch creates a similar affect by alternating the pan for each note played by the sample; almost like an autopan except the notes are sustained instead of shifting back and forth. When in “Paula” mode, the channel pan control becomes a stereo width from -100 wide to +100 wide (when in Mono mode, “Paula” is disabled since the effect is for chords).

Other controls include a computer-key virtual midi keyboard mapped to Protracker’s/Fasttracke’s note map, plugin window scaling via the window buttons above the waveform graphic (window scaling is disable in Linux plugins as Linux DAWs don’t handle this feature well), sample looping, and MIDI channel/transposition controls.

Sample loading/saving
Sample loading can be done via the LOAD button or by dragging and dropping samples into Ami Sampler. Supported file formats include: .WAV, .AIF, 8SVX .IFF (Amiga audio file), 8-bit signed raw PCM, mu-law encoded .BIN (Linn drum and Drumulator samples), and .BRR files (Super Nintendo samples). While Ami Sampler does play back any audio at 8-bit PCM and does have a sample rate decimator available, to fully get the Amiga feel, it’s recommended to use 8-bit samples with a sample rate below 28khz (typical sample rates for the Amiga were usually either 8363hz or 16726hz).

A handleful of samples are included in this repository under the Samples folder. Included are the famous ST-01 and ST-02 sample packs converted to WAV, a random collection of some of my favorite samples in the remaining ST-XX sample packs (under ST-FV), and a handful of samples that I recorded on my Amiga 500 using my Arduinosound Turbo sampler module (https://github.com/astriiddev/Arduinosound-Turbo) under the folder ST-ASTRX. Some of the ST-ASTRX samples are in the original IFF format, some have been converted to BRR using my SBC700 Super BRR Converter program (still in development).

Additional Amiga samples from the ST-XX sample packs can be found at https://archive.org/details/AmigaSTXX

Sample saving is done with the SAVE button; currently only WAV, AIF, IFF, raw, and BIN are supported. You can also clear out a sample from its slot with the trashcan icon.

https://github.com/astriiddev/Ami-Sampler-VST

Ami_Sampler_v0.7.2  ( 25 MB )