6.05 MB

A noise gate with LOOKAHEAD – it hears the note coming before it has to decide, which is the one thing no gate pedal on the floor can do. One knob. Set the threshold, forget it.

Unlike a traditional gate that only reacts after the signal crosses the threshold, MSD Denoiser uses lookahead processing to open the gate in advance, helping to avoid clipped transients and making the gating feel smoother and more natural.

Features
– Free
– Lookahead noise gate
– Natural transient preservation
– Fast, responsive tracking
– Low CPU usage
– Great for guitar, bass, vocals, and other audio sources

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MSD.Denoiser.0.2.0  ( 6 MB )

9.29 MB

IA De-Esser is a free de-essing and resonance suppression plugin — 4 filter slots for sibilance and harshness taming.

What It Does
– Seamless de-essing: simply turn on a Slot in De-Ess mode and let it tame sibilance automatically
– Auto Mode: Lock in your Low-Cut and Hi-Cut, and let the plugin intelligently choose your depth and Q for appropriate harshness taming
– Smart Mode: The plugin hunts for any part of the spectrum that needs taming, and sends your current slot there to handle it
– View live readouts of Atk/Rel/Depth/Q

Cut only the harshness you want to get rid of, and easily avoid an over-processed feel

Use Smart Mode as a ‘set-and-forget,’ or follow where it travels to help you surgically set your Low-Cuts and Hi-Cuts

Zero added DAW Latency

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IA DeEsser  ( 9 MB )

16 MB

Sibalance is a vocal de-esser and sibilance shaper for controlling sharp “s”, “sh”, and high-frequency vocal moments without flattening the whole take.

It listens for sibilance-like energy and applies reduction only when needed. Delta monitoring lets you hear what is being removed, so it is easier to set the amount confidently instead of guessing.

Use it for smoothing bright vocal recordings, taming aggressive consonants, and keeping presence while reducing the parts that jump out too much in a mix.

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Sibalance.1.0.0  ( 16 MB )

12 MB

Shhhhhhhh. Listen to me.

Orange Gate a straightforward gating and compression plugin that gives you precise and effortless control over audio dynamics.

So Easy – If you’re loud enough, you’ll be heard. If you’re too loud, you’ll be silenced.

Effortless Control – On, Off. Attack, Decay.

Now available as VST3/CLAP for Windows and AU/CLAP for Apple Silicon MacOS Ventura and above.

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Orange Gate 2.1.0 WIN MAC  ( 12 MB )

21 MB

GATE-12 is a cross-platform envelope generator for gate/volume control inspired by plugins like GrossBeat and ShaperBox.

It is the latest version of GATE-1 plugin and brings many improvements like Audio Triggering, advanced Paint Mode and high-quality tools for envelope manipulation.

Features:
Multi-segment editor.
12 patterns triggered by MIDI notes.
Paint mode with user defined patterns.
Point type – hold, curve, s-curve, stairs ..
Attack and release smoothing and tension.
Pre and post waveform display.
MIDI trigger mode.
Audio trigger mode.

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gate12-v1.0.1  ( 21 MB )

149 MB

Noise suppression plugin based on Xiph’s RNNoise
A real-time noise suppression plugin for voice based on Xiph’s RNNoise. More info about the base library.

The plugin is meant to suppress a wide range of noise origins (from original paper): computer fans, office, crowd, airplane, car, train, construction.

From my tests mild background noise is always suppressed, loud sounds, like clicking of mechanical keyboard, are suppressed while there is no voice however they are only reduced in volume when voice is present.

Please note that this plugin could not improve the voice quality with bad microphone, it even could make things worse by misclassifying the voice as a noise which would reduce already not-so-good voice quality.

The plugin works with one or more channels, 16 bit, 48000 Hz audio input.

❗ ❗ ❗ Do NOT use any other sample rates, use ONLY 48000 Hz, make sure your audio source is 48000 Hz and force it to be 48000 Hz if it is not.

How-to:

Plugin Settings
VAD Threshold (%) – if probability of sound being a voice is lower than this threshold – it will be silenced. In most cases the threshold between 85% – 95% would be fine. Without the VAD some loud noises may still be a bit audible when there is no voice.
VAD Grace Period (ms) – for how long after the last voice detection the output won’t be silenced. This helps when ends of words/sentences are being cut off.

Retroactive VAD Grace Period (ms) – similar to VAD Grace Period (ms) but for starts of words/sentences. ⚠️ This introduces latency!

https://github.com/werman/noise-suppression-for-voice

RNNoise  ( 149 MB )

32 MB

Drum Specific Gate Plug-in

FEATURES

– GATE: Sets threshold for gate

– HOLD: It’s like regular hold but it has also program dependent release (10ms to 1000ms)

– FILTER: It’s low pass filter but working reverse. It will start from 5Hz and go to 500Hz. You can simply mix gated signal with filtered (removed) signal to smooth gated signal.

– BLEND: Will blend DRY and WET signals

– BYPASS: Big red button

— USAGE INFORMATION —

First, try gating your source with GATE knob. Then, use HOLD knob to keep your transients as you want. You will be able to get cleanest gated sound ever.

But if you want smoother gate and resonance/tail from your source, you can simple use FILTER knob. It will add filtered leftover signal and also tail of your gated signal.

These three knobs are your way to get super clean or controlled drums.

Also, you can use DrGate with any sources like bass, guitars, vocals or anything!

—NO OVERSAMPLING—

Resizable interface. Simple “Bottom Right Corner Handle” to resize. 50% to 200%.

*Resizing Tip: When you duplicate plug-in, it will remember current state of GUI size. But if you load new instance, it will be opened at default size. To get rid of this issue, simply follow these steps;

1. Open plug-in for the first time

2. Resize GUI according to your screen resolution or you liking before setting any knobs

3. Save this state as default preset with your DAW

Now, you will be able to load new instances with same size.

(If you want to go default size, simply double click to resize handle.)

Version 1.0 – 11.18.2024

Available Formats

VST3 / AU / AAX Native – Audiosuite | Mac 10.11 or Higher | Intel / Apple Silicon

VST3 / AAX Native – Audiosuite | Windows 10 – 11

Mac Versions require a graphic card that supports “Metal”

Windows Versions require a graphic card that supports “OpenGL”

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DrGate_1.0  ( 32 MB )

26 MB

T-De-Esser Plus is an enhanced version of the original T-De-Esser and contains extra Pro features you can enable via an upgrade activation. T-De-Esser Plus has one of the Pro features enabled for free, the ‘Audition’ (Delta-listening). It also allows you to activate and use all the pro features for free for 14 days.

Quick yet powerful
T-De-Esser has been designed with simplicity in mind. It is fast to set up and easy to use, yet allows you to adjust the processing to your needs.

Turning the processing knob starts the plug-in’s operation, you then set how intense you want to go according to your taste. There are 4 frequency bands available to choose between, depending on where the harshness and sibilance are coming from.

The ‘Audition’ (Delta-listening) feature in T-De-Esser Plus allows you to listen to the selected frequency range modes, as well as letting you listen to the audio sounds that are being processed, by the plug-in. This helps when it comes to making specific comparisons.

Remove sibilance and harshness, fast
You can use T-De-Esser to:
Remove harshness from sound sources that were closely mic’d
Manage sibilance in vocals and dialog in a transparent manner
Treat irregular tonal balance caused by poor recording quality
Reduce the glare from unnecessarily bright guitar and piano recordings
Tame piercing synth sounds
Control the high-frequencies in overheads’ transients, such as snare, hi-hats, or clash
Give more dynamic range to your tracks while mastering, due to the reduction of unnecessary harsh frequencies

Available as
Windows 7 and up as 32 / 64-bit VST and VST3, and 64-bit AAX (PT11 and up).

Mac OS X 10.11 (OS X El Capitan) and up as 64bit VST, VST3, and AU, and 64-bit AAX, Intel, and Native M1

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T-De-Esser Plus v1.1.15  ( 26 MB )

17 MB

T-Force Trance Gate 2 is an envelope controlled rhythmic gate effect to chop an incoming audio signal like e.g. a pad sound into a rhythmic sequence.

This kind of effect was used a lot in old classic trance tunes which also gave this effect its name. In early days of trance music this effect was realized by using a noise gate device. The rhythmic sequence was done by using e.g. a hihat sequence which was routed to the sidechain input of the noise gate.

The T-Force Trance Gate 2 uses an internal step sequencer instead, to make the workflow easier to create this effect. It also can be switched to a sidechain mode, to use it the “classical” way by using an external audio signal as a sidechain input. The Trance Gate 2 also has a multimode filter.

The effect is fully controlled by an amp envelope and a filter/resonance envelope. With all these features it’s even possible to turn your favorite pad sound into an arp-like sequence.

Features:

Effect device for using as insert effect or send effect
Stereo audio input (L/R)
MIDI Input
Bypass mode
Step sequencer with up to 32 steps
Adjustable tempo with bpm host sync
Multimode filter with 13 different filter types, with controls for cutoff, resonance, cutoff envelope amount and resonance envelope amount
1 ADSR amp envelope with on/off function
1 ADSR filter cutoff envelope with on/off function
1 ADSR resonance envelope with on/off function
2 trigger modes: Sequencer mode – uses the internal step sequencer to trigger all ADSR envelopes. MIDI mode – In this mode the internal gate sequencer is disabled and you can trigger the gate with MIDI notes instead. Just route a MIDI signal to the gate with your DAW’s MIDI routing options.
2 LFO’s
Mod Matrix
Other features:

All controls are fully automatable
Available as Windows 32 bit VST2 and Windows 64 bit VST2/64 bit VST3

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T-Force Trance Gate 2 1.0.3  ( 17 MB )

2 MB

GATE1 is an open source envelope generator for gate/volume control.

Features:

Multi-segment editor.
12 patterns triggered by MIDI notes.
Paint mode – erase, line, saw up, saw down ..
Point type – hold, curve, s-curve, stairs ..
Tempo sync or LFO rate (Hz).
Attack and release smooth.
Pre and post waveform display.
Global tension control.
MIDI trigger mode.

https://github.com/tiagolr/gate1

GATE1_VST3  ( 2 MB )