45.1 MB

Akai S900 filter plugin. Series 9000 includes the same sixth-order (steep!) low-pass filter made famous by a late 80s rackmount sampler. For fun, we threw in drive, resonance, and an envelope follower. Then we made it available as a completely free plug-in! Watch your fingers, this one will cut away the spectrum like a samurai sword!

Features:
– Low-pass filter with a steep, sixth-order sound characteristic
– Drive control for subtle to extreme distortion
– Resonance (Q) control for filter emphasis
– Envelope follower for adaptive cutoff modulation
– Light or dark color scheme for user preference

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Series.9000.1.0.1  ( 45 MB )

27.5 MB

Oscilloscope with built-in recorder.

Features:
– Sync, Free, and Scroll modes
– Smooth zoom and pan navigation
– Inter-instance sidechain routing and visualization
– Multi-instance signal overlay and summing
– Visual frequency filtering for low-end control
– Spectral waveform
– Headroom display with clipping indicator
– Sync to start mode (solution for Ableton Live PDC issues)
– Color themes and scalable GUI
– “Hold” function for waveform comparison
– Record audio and drag & drop it straight into your DAW
– Normalize, trim, and snap recorded audio to grid
– Advanced configuration via overrides.json
– Reaper embedded integration

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Scyllascope.1.3.0  ( 28 MB )

35 MB

Built for precision, fast to use
From a quick high-pass to a surgical de-ess, EQ Pro keeps the curve, the maths and the sound in perfect lock-step.
EQ Pro What you draw is exactly what you hear.
A transparent, surgical equalizer with up to 24 dynamic bands, Mid/Side and Left/Right per band, selectable phase, and a real-time analyzer. No analog colouring, no guesswork.

Everything in one EQ
Built for precision, fast to use
From a quick high-pass to a surgical de-ess, EQ Pro keeps the curve, the maths and the sound in perfect lock-step.

Interactive curve
Double-click to add a band, drag for frequency and gain, scroll for Q or slope. The handle never jumps, even when bands overlap.

A compressor per band
Each bell or shelf is a full compressor on its own frequency and Q: threshold, ratio, knee, attack, release. Tame a resonance only when it rings.

Mid/Side & L/R
Route each band to Stereo, Mid, Side, Left or Right. The curve splits into colour-coded lanes so you see every placement.

Three phase modes
Zero Latency and Natural Phase for tracking and mixing, Linear Phase for mastering where phase smear must stay at zero.

Real-time analyzer
A smooth, log-frequency spectrum behind the curve, pre and post, so you find the problem before you reach for it.

Tone-only dynamics
Auto Gain folds in each dynamic band’s live move, deterministically, so the dynamic EQ changes the spectrum without changing the loudness. Never a second compressor.

External sidechain
Drive any dynamic band from an external source, per band, for ducking and frequency-conscious control.

Oversampling
Optional 2x or 4x for clean behaviour near Nyquist on steep, high-frequency moves, with a low-latency design.

Gain Scale
One dial scales the whole EQ from flat to double. The curve and every readout follow, while your per-band values stay intact.

A curve that never lies
The drawn response and the processed audio share the exact same filter maths. Move a handle and the sound moves with it, to the decibel.

Up to 24 freely typed bands
Bells, shelves, low/high cuts, notch and a true Tilt
Symmetric constant-Q: a cut mirrors the boost exactly
Drag values or type them in, kHz and all
A compressor in every band
Control that only acts when needed
Static EQ dulls the whole track. A dynamic band only engages over its threshold, and it listens to exactly the frequency and Q you drew, so it fixes the problem and leaves the rest of the performance alone. Reveal FULL and it is a complete compressor on that band.

Threshold, ratio (to brickwall), knee, attack, release per band
A per-band meter: level, threshold marker and live gain reduction
Gain is the range; absolute threshold, decoupled
Internal or external sidechain, per band
Stay at the right level
Spectrum changes, loudness doesn’t
Auto Gain matches the output for an honest bypass, and it folds in what the dynamic bands are doing, deterministically, so a dynamic move changes the tone without changing the loudness. You judge tone, not level.

Auto Gain follows the dynamics, with no detector of its own
Gain Scale: 0 to 200 %, the curve follows in real time
Input and output trim with stereo metering
True bypass for an instant A/B
Specifications
The details
Bands
Up to 24, individually automatable
Filter types
Bell, Low/High Shelf, Low/High Cut, Notch, Tilt
Cut slopes
6 to 96 dB/oct
Dynamics
Full compressor per band: threshold, ratio, knee, attack, release, ext sidechain
Routing
Stereo, Mid, Side, Left, Right per band
Phase
Zero Latency, Natural, Linear
Oversampling
Off, 2x, 4x (low latency)
Analyzer
Pre / Post, log frequency, smoothed
Gain tools
Gain Scale, deterministic Auto Gain (follows the dynamics)
Formats
macOS (VST3, AU), Windows (VST3)

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Jeesonic.EQ.Pro.0.1.0  ( 35 MB )

9.22 MB

LINA is a fixed-voicing tube equalizer built for tone, color and musicality. It is not a surgical tool, nor is it designed to disappear into the signal path. Its purpose is simple: shape the sound, add character and make music a little more enjoyable.

Features:
– Four fixed EQ bands
– Tube-inspired saturation
– Dynamic tube bias behaviour
– Power supply sag simulation
– 4× oversampled tube processing
– Integrated EQ auto-gain compensation
– Input/Output linked gain staging
– Stereo peak meter
– VST3 (Windows & macOS)
– Audio Unit (macOS)
– Intel & Apple Silicon support

Controls:
WEJŚCIE (Input)
Controls the signal level entering the tube stage. Higher settings generally increase coloration, harmonic content and overall attitude.

NISKIE (Low)
Adds weight, body and foundation.

NISKI ŚRODEK (Low Mid)
Shapes warmth, thickness and low-mid character.

ŚRODEK (Mid)
Adds presence and forwardness. Not quite what you might expect from a mid control.

POWIETRZE (Air)
Adds brightness, openness and sparkle.

WYJŚCIE (Output)
Adjusts the final output level and can be used to compensate for gain changes introduced by the EQ and tube stage.

POŁĄCZ (Link)
Links the WEJŚCIE (Input) and WYJŚCIE (Output) controls. When enabled, increasing the input level automatically applies an opposite compensation to the output level, making it easier to explore the tube stage and compare different amounts of coloration without large changes in perceived loudness.

Meter
Provides visual feedback on the output level while shaping tone and driving the tube stage.

ZASILANIE (Power)
Engages or bypasses the processing.

Philosophy
LINA was not designed to be precise. The frequencies are fixed, there are no hidden menus, no complex routing options and no endless preset lists. Just a handful of controls. Turn them. Listen. Trust your ears.

Typical Applications
LINA may work particularly well on:
– Vocals
– Bass
– Acoustic instruments
– Drum buses
– Mix buses
– Synthesizers

And occasionally on sources where it probably shouldn’t.

macOS Security
LINA is built as a Universal Binary and supports both Intel and Apple Silicon Macs. Depending on your macOS security settings, you may need to authorize the plugin manually the first time it is loaded.

Notes
LINA is intended as a musical tone-shaping tool. If you are looking for transparent correction, there are many excellent equalizers available. LINA was built for the moments when transparency is not the goal. Like the engineer who may—or may not—have inspired it, LINA prefers character over perfection.

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LINA.1.1.1  ( 9 MB )

17.7 MB

28 Premium Filter Models with Real-Time XY Morphing. Quad Morph Filter is built for real-time sound design instead of the more static tone shaping. It lets you morph between up to four different filter models using an XY pad, with equal-power blending and several alternate morphing curves.

Analog-style filters: Moog Ladder, TB-303 Diode, SEM, MS-20 Screaming, CS-80, Prophet CEM3320, Oberheim SSM 2040, and Roland Jupiter-inspired filters.
Experimental filters: Formant, Comb Filter, Wavefolder, FDN Reverb, Bode Frequency Shifter, Z-Plane 2D Morph, Phased Array, Modal Resonator, Waveguide Mesh, and several digital precision filter types.

Features:
– Morph between up to four different filter models using an XY pad with equal-power blending
– Includes 28 filter models ranging from analog-style to experimental options like Formant, Comb Filter, and Wavefolder
– Four morphing modes: Equal Power, Linear, Smoothstep, and Radial
– Modulation system with 19 LFO waveforms, Recording mode for custom XY movement, and tempo sync options

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Quad.Morph.Filter.1.0.0  ( 17 MB )

13 MB

YS – Happy Eq-2: Audio Plugin for Professional Mixing YS – Happy Eq-2 is a ten-band equalizer designed for audio production professionals. This plugin allows you to customize your sound using fixed frequency values ​​and a built-in loudness analyzer for each band, providing detailed control over your mixing. Key features of YS – Happy Eq-2:

Ten-band equalizer: A handy tool for fine-tuning sound with fixed frequency values.
Loudness Analyzer: Ability to listen to each band in solo mode for precise monitoring and correction.
Noise Generator: Two noise options to choose the desired sound:
Pink Noise: Focuses on bright and even sound across all frequencies.
Between pink and brown: Provides a softer, denser sound.
Noise Indication and Mute: Option to listen to the noise or mute it, leaving only the white indicator lights.
Output Volume Section: Includes a volume control, LUFS metering, and a Drive control for adding character and color to the sound.

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YS.Happy.EQ-2.1.0.1  ( 13 MB )

32.1 MB

A native resonator effect. The editor is a spectrum graph where each dot controls one steep bandpass resonator, up to 32 active filters.

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PolarityRes.0.1.3  ( 32 MB )

50 MB

A six-band equalizer with the ability to use each band in Left-Right, Center-Side mode.
Each band also has its own LFO for adding movement to a specific frequency range, producing subtle auto-panning or vibrato effects.

The plugin was created using SynthEdit.

(Universal VST3 plugins can run on both macOS and Windows. SynthEdit now produces universal VST3 plugins. This means you can offer the same download file to macOS and Windows users. It will “just work.” SynthEdit universal VST3 plugins support both Intel-based Macs and Apple Silicon (ARM) machines such as M1, M2, and later models.)

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YS.Shimmering.EQ.1.0.0  ( 50 MB )

12.5 MB

ShallowGrave – Cascaded filter effect

Shallow Grave is a filter effect for Windows and Mac. It features 3 SV filters allowing you produced a wide range of sounds and textures.

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ShallowGrave.v1.0.WiN.MAC  ( 13 MB )

2.59 MB

– An EQ for your ears, with just enough for your eyes.
– No numbers. No grids. Just sound. Grab a dot and listen to what it does to the audio.
– You get a curated Low Shelf, High Shelf, and 4 Bell curves.

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Naked EQ-windows-1.0.0  ( 2 MB )