32.1 MB

A native resonator effect. The editor is a spectrum graph where each dot controls one steep bandpass resonator, up to 32 active filters.

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PolarityRes.0.1.3  ( 32 MB )

50 MB

A six-band equalizer with the ability to use each band in Left-Right, Center-Side mode.
Each band also has its own LFO for adding movement to a specific frequency range, producing subtle auto-panning or vibrato effects.

The plugin was created using SynthEdit.

(Universal VST3 plugins can run on both macOS and Windows. SynthEdit now produces universal VST3 plugins. This means you can offer the same download file to macOS and Windows users. It will “just work.” SynthEdit universal VST3 plugins support both Intel-based Macs and Apple Silicon (ARM) machines such as M1, M2, and later models.)

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YS.Shimmering.EQ.1.0.0  ( 50 MB )

12.5 MB

ShallowGrave – Cascaded filter effect

Shallow Grave is a filter effect for Windows and Mac. It features 3 SV filters allowing you produced a wide range of sounds and textures.

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ShallowGrave.v1.0.WiN.MAC  ( 13 MB )

2.59 MB

– An EQ for your ears, with just enough for your eyes.
– No numbers. No grids. Just sound. Grab a dot and listen to what it does to the audio.
– You get a curated Low Shelf, High Shelf, and 4 Bell curves.

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Naked EQ-windows-1.0.0  ( 2 MB )

80.2 MB

A ten-band dynamic equalizer with the ability to use each band in Left-Right and Center-Side modes, Dual-mono. The plugin has two versions, stereo and mono, to save CPU resources.

The plugin was created using SynthEdit.

(Universal VST3 plugins can run on both macOS and Windows. SynthEdit now produces universal VST3 plugins. This means you can offer the same download file to macOS and Windows users. It will “just work.” SynthEdit universal VST3 plugins support both Intel-based Macs and Apple Silicon (ARM) machines such as M1, M2, and later models.)

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YS.Balance.10×10.1.0.1  ( 80 MB )

19.6 MB

Red Rock Sound HLF-3C completes the Passive EQ Collection. This plug-in has 12 dB per octave low and high cut filters, providing broad retro-tonal sculpting or bygone-era special effects, without the inconvenience of insertion loss found with the unamplified passive hardware.

You can easily subtract the unnecessary frequencies in any instrument and sub-group so they stay wonderfully musical in the mix.

The original HLF-3C hardware unit is a true passive design; there are no input/output amplifiers and it does not require any external power. As a result, there is an inherent loss of signal level when using the HLF-3C hardware. The RRS HLF-3C plug-in compensates for this inherent signal loss for simplified use in the modern era; it has unity gain upon insertion (there is no insertion loss until one or both of the cut filters is engaged).

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RRS HLF-3C  ( 19 MB )

9.95 MB

Extract distortion curves from real gear. Black Diamond Probe pairs with Black Diamond Distortion. While Black Diamond Distortion lets you build and edit transfer curves—Probe extracts those curves from real hardware or plugins.

Run audio through any nonlinear device—a tube preamp, tape machine, or overdrive pedal—and Probe will extract the transfer function that defines its distortion character. Export the curve as a ‘.tfunc’ file, then load it into Black Diamond Distortion to reuse it, refine it, or push it further.

By measuring the input and output at the same time, Probe reconstructs the transfer curve that defines your device’s nonlinear behavior.
Use Cases
– Learn what your gear is actually doing: See exactly how different tubes, transistors, or op-amps color your signal. The principle is the same whether you are probing real hardware or software models.
– Build a personal curve library: Export .tfunc captures from your favorite gain stages, then load them into Black Diamond Distortion to reuse, tweak, and push further.

For accurate captures, the device under test should be memoryless—meaning its output depends only on the current input, not on past inputs. Most distortion, saturation, and waveshaping effects fit this criterion. But sometimes they are packaged with DC blocking filters, Equalizers, or some other tone-shaping modules that rotate the phase.

Devices with memory (time-dependent behavior) can still be fun to visualize in Probe, but they can’t be captured as a single stable transfer function. Examples include compressors, pre-amps with EQ/filters enabled, and systems with hysteresis (like most tape saturation). In these cases, the plot may form loops or shift over time, and any exported curve should be treated as an approximation.

The exported ‘.tfunc’ files are compatible with Black Diamond Distortion (And future Black Diamond products) and can be loaded directly into its preset browser.

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Black.Diamond.Probe.1.0.1  ( 10 MB )

16 MB

Sinensis is 6 bandpass filters.
You interact with the relation between their gains and frequency. You can input MIDI to play the bands with notes. To route MIDI to Sinensis, you can find info on this website

tl;dr : Set the output of a MIDI track to the track where the plug-in lives.

Sinensis is a bunch of bandpass filters. Inspired by modular such as Tides and Just Friends, you modulate their relation instead of their absolute frequencies.
You set the root frequency (either by hand with a tune widget, or with the MIDI input).
You then set the ratio between each band frequence and the gain of each band following simple functions. I contrained myself to avoid knob, sliders, drop-down menus and numeric values. Using colors and their evolution to inform the user. The goal being to show the state of the system, not to visualize each of its parameters.
In contrast with this unusual method, I chose to make a very clear and structured UI, big fonctionality blocks. I haven’t had much feedback on this plug but I’d be curious to have some people to test it whitout explanation to inform my future conception of UI.

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Sinensis100  ( 16 MB )

40 MB

BasiQ2 is an update of our Baxandall Simple Equalizer, a free 3-band equalizer plugin. This simple and straightforward tone shaping tool is modeled after the style of a classic shelving Baxandall Equalizer, renowned for its slick slope and natural-sounding filter. We overhauled the whole engine, interface, and also added new features for this multi-purpose tone adjustment device.

BasiQ2’s straightforward controls allow you to add presence, clear the mids, or boost the bass as necessary. It is suitable for mixing and mastering purposes with its neutral and wide bandwidth where it’s more beneficial as a sweetening tool than as a surgical or corrective EQ.

Key Features:
NEW! Updated interface with resizable window.
NEW! Dark and light mode
NEW! Portrait or landscape orientation
NEW! Low pass and high pass filters
NEW! Preset management and A > B compare.

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basiQ2-v2.0.3  ( 40 MB )

24.1 MB

The EQ560 Free based on Classic American EQ from the late ’60s, the 10-Band graphic
equalizer features precision filtering and high headroom, ideal for signal enhancement.

The curve shaping potential is unmatched, while unique Proportional Q design intuitively
widens the filter bandwidth at lower boost/cut levels and narrows it at higher settings.

The EQ560 Free is handy when you need to make EQ adjustments on larger parts of the
spectrum instead of a restricted area. Boosting or cutting several bands at once will radically
alter the sound of a track, be it a thin, weak snare that needs low end or a dull vocal that
needs to be opened up.

Gain Sliders
Each of the 10 sliders controls the gain for one frequency band. Each band can be adjusted
to boost or cut the frequency by up to ±12 dB. The available band frequencies are listed
below.

EQ560 Frequencies
31Hz, 63Hz, 125Hz, 250Hz, 500Hz, 1kHz, 2kHz, 4kHz, 8kHz, 16kHz
Tip: To return a slider to the 0 dB position, double click on the gain fader.

EQ IN
The EQ is active when the EQ IN button is engaged and its associated LED is illuminated. When this button is off, selected EQ is disabled.

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RRS EQ560 Free  ( 24 MB )