9.22 MB

LINA is a fixed-voicing tube equalizer built for tone, color and musicality. It is not a surgical tool, nor is it designed to disappear into the signal path. Its purpose is simple: shape the sound, add character and make music a little more enjoyable.

Features:
– Four fixed EQ bands
– Tube-inspired saturation
– Dynamic tube bias behaviour
– Power supply sag simulation
– 4× oversampled tube processing
– Integrated EQ auto-gain compensation
– Input/Output linked gain staging
– Stereo peak meter
– VST3 (Windows & macOS)
– Audio Unit (macOS)
– Intel & Apple Silicon support

Controls:
WEJŚCIE (Input)
Controls the signal level entering the tube stage. Higher settings generally increase coloration, harmonic content and overall attitude.

NISKIE (Low)
Adds weight, body and foundation.

NISKI ŚRODEK (Low Mid)
Shapes warmth, thickness and low-mid character.

ŚRODEK (Mid)
Adds presence and forwardness. Not quite what you might expect from a mid control.

POWIETRZE (Air)
Adds brightness, openness and sparkle.

WYJŚCIE (Output)
Adjusts the final output level and can be used to compensate for gain changes introduced by the EQ and tube stage.

POŁĄCZ (Link)
Links the WEJŚCIE (Input) and WYJŚCIE (Output) controls. When enabled, increasing the input level automatically applies an opposite compensation to the output level, making it easier to explore the tube stage and compare different amounts of coloration without large changes in perceived loudness.

Meter
Provides visual feedback on the output level while shaping tone and driving the tube stage.

ZASILANIE (Power)
Engages or bypasses the processing.

Philosophy
LINA was not designed to be precise. The frequencies are fixed, there are no hidden menus, no complex routing options and no endless preset lists. Just a handful of controls. Turn them. Listen. Trust your ears.

Typical Applications
LINA may work particularly well on:
– Vocals
– Bass
– Acoustic instruments
– Drum buses
– Mix buses
– Synthesizers

And occasionally on sources where it probably shouldn’t.

macOS Security
LINA is built as a Universal Binary and supports both Intel and Apple Silicon Macs. Depending on your macOS security settings, you may need to authorize the plugin manually the first time it is loaded.

Notes
LINA is intended as a musical tone-shaping tool. If you are looking for transparent correction, there are many excellent equalizers available. LINA was built for the moments when transparency is not the goal. Like the engineer who may—or may not—have inspired it, LINA prefers character over perfection.

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LINA.1.1.1  ( 9 MB )

17.7 MB

28 Premium Filter Models with Real-Time XY Morphing. Quad Morph Filter is built for real-time sound design instead of the more static tone shaping. It lets you morph between up to four different filter models using an XY pad, with equal-power blending and several alternate morphing curves.

Analog-style filters: Moog Ladder, TB-303 Diode, SEM, MS-20 Screaming, CS-80, Prophet CEM3320, Oberheim SSM 2040, and Roland Jupiter-inspired filters.
Experimental filters: Formant, Comb Filter, Wavefolder, FDN Reverb, Bode Frequency Shifter, Z-Plane 2D Morph, Phased Array, Modal Resonator, Waveguide Mesh, and several digital precision filter types.

Features:
– Morph between up to four different filter models using an XY pad with equal-power blending
– Includes 28 filter models ranging from analog-style to experimental options like Formant, Comb Filter, and Wavefolder
– Four morphing modes: Equal Power, Linear, Smoothstep, and Radial
– Modulation system with 19 LFO waveforms, Recording mode for custom XY movement, and tempo sync options

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Quad.Morph.Filter.1.0.0  ( 17 MB )

13 MB

YS – Happy Eq-2: Audio Plugin for Professional Mixing YS – Happy Eq-2 is a ten-band equalizer designed for audio production professionals. This plugin allows you to customize your sound using fixed frequency values ​​and a built-in loudness analyzer for each band, providing detailed control over your mixing. Key features of YS – Happy Eq-2:

Ten-band equalizer: A handy tool for fine-tuning sound with fixed frequency values.
Loudness Analyzer: Ability to listen to each band in solo mode for precise monitoring and correction.
Noise Generator: Two noise options to choose the desired sound:
Pink Noise: Focuses on bright and even sound across all frequencies.
Between pink and brown: Provides a softer, denser sound.
Noise Indication and Mute: Option to listen to the noise or mute it, leaving only the white indicator lights.
Output Volume Section: Includes a volume control, LUFS metering, and a Drive control for adding character and color to the sound.

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YS.Happy.EQ-2.1.0.1  ( 13 MB )

32.1 MB

A native resonator effect. The editor is a spectrum graph where each dot controls one steep bandpass resonator, up to 32 active filters.

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PolarityRes.0.1.3  ( 32 MB )

50 MB

A six-band equalizer with the ability to use each band in Left-Right, Center-Side mode.
Each band also has its own LFO for adding movement to a specific frequency range, producing subtle auto-panning or vibrato effects.

The plugin was created using SynthEdit.

(Universal VST3 plugins can run on both macOS and Windows. SynthEdit now produces universal VST3 plugins. This means you can offer the same download file to macOS and Windows users. It will “just work.” SynthEdit universal VST3 plugins support both Intel-based Macs and Apple Silicon (ARM) machines such as M1, M2, and later models.)

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YS.Shimmering.EQ.1.0.0  ( 50 MB )

12.5 MB

ShallowGrave – Cascaded filter effect

Shallow Grave is a filter effect for Windows and Mac. It features 3 SV filters allowing you produced a wide range of sounds and textures.

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ShallowGrave.v1.0.WiN.MAC  ( 13 MB )

2.59 MB

– An EQ for your ears, with just enough for your eyes.
– No numbers. No grids. Just sound. Grab a dot and listen to what it does to the audio.
– You get a curated Low Shelf, High Shelf, and 4 Bell curves.

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Naked EQ-windows-1.0.0  ( 2 MB )

80.2 MB

A ten-band dynamic equalizer with the ability to use each band in Left-Right and Center-Side modes, Dual-mono. The plugin has two versions, stereo and mono, to save CPU resources.

The plugin was created using SynthEdit.

(Universal VST3 plugins can run on both macOS and Windows. SynthEdit now produces universal VST3 plugins. This means you can offer the same download file to macOS and Windows users. It will “just work.” SynthEdit universal VST3 plugins support both Intel-based Macs and Apple Silicon (ARM) machines such as M1, M2, and later models.)

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YS.Balance.10×10.1.0.1  ( 80 MB )

19.6 MB

Red Rock Sound HLF-3C completes the Passive EQ Collection. This plug-in has 12 dB per octave low and high cut filters, providing broad retro-tonal sculpting or bygone-era special effects, without the inconvenience of insertion loss found with the unamplified passive hardware.

You can easily subtract the unnecessary frequencies in any instrument and sub-group so they stay wonderfully musical in the mix.

The original HLF-3C hardware unit is a true passive design; there are no input/output amplifiers and it does not require any external power. As a result, there is an inherent loss of signal level when using the HLF-3C hardware. The RRS HLF-3C plug-in compensates for this inherent signal loss for simplified use in the modern era; it has unity gain upon insertion (there is no insertion loss until one or both of the cut filters is engaged).

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RRS HLF-3C  ( 19 MB )

9.95 MB

Extract distortion curves from real gear. Black Diamond Probe pairs with Black Diamond Distortion. While Black Diamond Distortion lets you build and edit transfer curves—Probe extracts those curves from real hardware or plugins.

Run audio through any nonlinear device—a tube preamp, tape machine, or overdrive pedal—and Probe will extract the transfer function that defines its distortion character. Export the curve as a ‘.tfunc’ file, then load it into Black Diamond Distortion to reuse it, refine it, or push it further.

By measuring the input and output at the same time, Probe reconstructs the transfer curve that defines your device’s nonlinear behavior.
Use Cases
– Learn what your gear is actually doing: See exactly how different tubes, transistors, or op-amps color your signal. The principle is the same whether you are probing real hardware or software models.
– Build a personal curve library: Export .tfunc captures from your favorite gain stages, then load them into Black Diamond Distortion to reuse, tweak, and push further.

For accurate captures, the device under test should be memoryless—meaning its output depends only on the current input, not on past inputs. Most distortion, saturation, and waveshaping effects fit this criterion. But sometimes they are packaged with DC blocking filters, Equalizers, or some other tone-shaping modules that rotate the phase.

Devices with memory (time-dependent behavior) can still be fun to visualize in Probe, but they can’t be captured as a single stable transfer function. Examples include compressors, pre-amps with EQ/filters enabled, and systems with hysteresis (like most tape saturation). In these cases, the plot may form loops or shift over time, and any exported curve should be treated as an approximation.

The exported ‘.tfunc’ files are compatible with Black Diamond Distortion (And future Black Diamond products) and can be loaded directly into its preset browser.

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Black.Diamond.Probe.1.0.1  ( 10 MB )