74.06 MB / 590.65 MB

Paradigm, a vintage analog synthesizer built on a legendary five voice architecture.
Vintage Analog Character in Every Voice
Paradigm is a vintage analog synthesizer built on a legendary five voice architecture.
Sixteen independent voices give chords depth and sustained notes a constantly shifting character. Press play to hear it across RnB, synth, trap, and vintage presets.

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Paradigm.Lite.1.0.0.WIN  ( 74 MB )

Paradigm.Lite.1.0.0.MAC  ( 591 MB )

4.23 MB

One-click, genre-aware mastering with a fully automatic signal chain.

An intelligent mastering chain that analyzes your mix and builds its own EQ, multiband dynamics, saturation and limiter settings around it — steered by a genre selector and four macro controls, so a finished master is one click away.

Features:

ANALYZE engine — measures the incoming mix and automatically derives EQ, multiband dynamics, saturation and imaging settings tailored to it

Genre-aware processing macro, plus four master macros: Intensity, Bass Weight, Highs/Air and Output Ceiling

Automatic multiband EQ with resonance suppression, built from the analysis rather than manually dialed in

Automatic multiband dynamics — independent threshold, ratio above/below, attack and release per band

Per-band automatic saturation (drive and mix) and stereo imager width control

Automatic output limiter with adjustable gain and release

Integrated and short-term LUFS metering plus crest-factor readout, alongside real-time gain-reduction and input/output peak/RMS meters

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The Final Master Setup  ( 4 MB )

45 MB

Waldorf Wave Emulator. A JUCE C++ research instrument that recreates the documented Waldorf Wave signal path: 250 kHz 8-bit/time-multiplexed wavetable voices, the ES2 ASIC’s signed mixer overflow, the ASIC’s 12 dB digital high-pass, CEM3387 three-pole reconstruction and separately saturating nonlinear resonant four-pole low-pass sections, 12-bit control-voltage stepping, VCA/panning, and the 480 x 64 monochrome graphic LCD.

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Wave.Emulation.0.1.12  ( 45 MB )

96 MB

MANTIS: Extreme Distortion & Saturation Plugin
MANTIS takes your audio from punchy grit to thick saturation to full mangled destruction.
Turn up the Drive to push it further, with distortion that responds to how hard your sound hits. Loud, punchy moments bite harder, while quieter passages stay smoother, even at the same setting.
Add weight to a bassline, rough up a melody, or turn your drums into something vicious.

The Harder You Hit It, the Harder It Bites.
Sometimes a sound just needs a little grit. Other times, you want to tear it apart.

MANTIS covers both and everything in between.

MANTIS reacts to the strength of your incoming audio. A hard drum hit drives it into a more aggressive response, while a quieter passage gets a smoother treatment. That means the distortion moves with your material, bringing a different level of bite to each moment.

How Does MANTIS Work?
Add MANTIS to a track and start turning up the Drive.

Keep it low for extra grit, move into the middle for warmth and thickness, or push it toward the limit for extreme distortion.

Use Tone and Filter to shape the result, then adjust Mix to find the balance between your original audio and the processed sound. Bring in just enough texture to add character, or let the distortion take over.

Adjust Level to set the final output volume and compare the effect with your original track.

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Cymatics.Mantis.1.1.0  ( 96 MB )

3.44 MB

Mid/Side widening from mono to true anti-phase.

A precision Mid/Side stereo widener driven by a single Width control spanning mono, untouched bypass, and constant-power widening all the way to true full anti-phase at maximum — with a live goniometer-style Stereo Field Analyzer.

Features:

Single Width knob spanning 0 (mono) through 1 (exact bypass) to 5 (maximum width)

Below bypass: linear mono-to-natural fade with no compensation needed

Above bypass: constant-power crossfade guaranteeing the widest possible stereo image — true left/right anti-phase — is reached exactly at maximum, regardless of program material

Live half-circle Stereo Field Analyzer (goniometer-style) scope showing the processed signal in real time

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Stereo Unlimited Setup  ( 3 MB )

133.22 MB / 784.13 MB

CY-FAN: Creative Modulation Plugin
CY-FAN puts four flavors of modulation inside a vintage desk fan.
Chop your chords into rhythmic pulses, add swirling chorus, or give a melody the gentle pitch movement of vibrato.
Shape the wave, add saturation and swing, and send your sound bouncing across the stereo field.

Four Ways to Get Your Sound Moving
A static chord can become a pulsing rhythm. A simple melody can shimmer, wobble, or drift. CY-FAN makes that movement part of the sound.

CHOP: Find the Pulse

SPIN: Set It Rotating

SWIRL: Spread It Out

DRIFT: Let It Wander

How Does CY-FAN Work Exactly?
Set the Rate to control how fast the movement runs, or enable Sync to lock it to your project’s tempo. Use Depth to decide how strongly the effect comes through.

Turn Wave to reshape the motion, morphing all the way into a sidechain-style pump. Adjust Smooth to soften the modulation, then add Swing to give the rhythm a different feel.

Bring in Saturation for extra color, and use Pan Depth to move the sound across the stereo field.

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Fan.0.2.11.WIN  ( 133 MB )

Fan.0.2.11.MAC  ( 784 MB )

3.31 MB

One knob. A perfect filter sweep, every time.

A purpose-built build-up and breakdown filter: morph a Lowpass or Highpass filter smoothly from a defined “Start” state to an “End” state with a single Transition knob — perfect for DJ-style filter sweeps and transitions.

Features:

One Transition knob (0–255) morphs the filter from a Start frequency/Q to an End frequency/Q

Independent morph curve per parameter — Linear, Curve (smoothstep), Log or Exponential — for frequency and Q separately

Switchable Lowpass/Highpass filter type

Four selectable slopes — 12, 24, 36 or 48 dB/octave — via cascaded biquad stages

Logarithmic frequency interpolation for musically even sweeps

Real-time filter response visualizer showing the live, sample-accurate curve

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Transition Filter Setup  ( 3 MB )

32 MB

ATLAS: Concatenative Synthesis Plugin
Rebuild Any Sound From Fragments Of Your Own Sample Library
ATLAS listens to incoming audio and recreates it with matching fragments from your own samples.

Your performance supplies the pitch, rhythm, and dynamics. Your library supplies the sound.

Turn drums into voices, melodies into drums, and vocals into rain, glass, and wind, all in real time.

Reimagine Your Sample Library in Unexpected Ways
Load a folder of vocal hits, send a drum loop through ATLAS, and hear those voices take on its rhythm.

Try bells against a melody. Field recordings against a vocal. A collection of textures against a sharp, percussive groove.

ATLAS searches inside your samples for fragments that resemble what you’re playing, then uses them to rebuild the performance.

How Does ATLAS Work Exactly?
Start with the included factory library or load a folder of your own samples.

ATLAS analyzes your incoming audio 40 times per second, finds fragments with the closest spectral match, and plays them back in place of the original sound.

It follows the performance as it happens, so you can experiment while your track plays.

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Cymatics.Atlas.1.0.2  ( 32 MB )

4.09 MB

Four ways to punch up — or soften — a transient.

A transient designer offering four distinct shaping algorithms behind one Attack/Sustain pair, from a clean differential-envelope approach to a fully independent 3-band multiband mode.

Features:

Differential Envelope algorithm — classic fast/slow envelope-difference transient detection and shaping

Saturator-Assisted mode — adds a dedicated Drive stage into the shaping path for extra punch and harmonic weight

Multiband mode — independent Attack/Sustain per low/mid/high band with adjustable crossover frequencies

Expansion/Compression mode — ratio-based transient control for subtler, program-dependent shaping

Shared Sensitivity and Hold controls plus output gain and bypass

Real-time transient visualizer showing the detected envelope against the input waveform

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Transient Shaper Setup  ( 4 MB )

116 MB

CM-1B: Vintage Analog Opto Compressor Plugin
The Vintage Opto Compressor That Adds Weight And Glue To Any Source
CM-1B is a vintage analog opto compressor modeled on a legendary Danish unit, bringing weight and glue to vocals, drums, guitars, and pianos.
Smooth, musical compression with a simple set of controls, so any source sits in the mix without losing its life.

The Compressor You Reach For When a Vocal Needs to Sit Just Right
Some compressors control the volume. The right one makes the whole performance come together.

And it goes well beyond vocals.

Give bass a steady foundation, add breathing weight to drums, or push room mics into thick, sustained compression. Use the parallel blend to bring that energy back underneath your original signal.

How Does CM-1B Work Exactly?
Load CM-1B onto your track, lower the threshold to introduce compression, and set the ratio for how firmly it controls the signal.

FIXED: Effortless Vocal Leveling
Built-in attack and release behavior follows the performance phrase by phrase. A natural starting point for smooth, consistent vocals.

MANUAL: Shape the Movement
Take control of attack and release to dial in the response yourself. Preserve the punch of a drum hit, soften sharp transients, or bring out the sustain in room recordings.

FIX/MAN: Fast Control, Smooth Recovery
Combine a fast fixed attack with a release that responds to the passage, catching sudden peaks while recovering more gradually through sustained material.

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Cymatics.CM-1B.0.2.5  ( 116 MB )