92 MB

Automated peak-safe Apple Digital Masters from your WAV files. AutoADM prepares your WAV masters for Apple Music’s AAC encoder. It iteratively attenuates each file until the resulting AAC encode contains no sample-peak (SP) or inter-sample-peak (ISP) clips — the same process Apple recommends for the Apple Digital Masters program, fully automated.

Features
Album / Per-Track Modes
Album mode finds the single worst-case gain across all files and applies it uniformly (preserving inter-track loudness relationships). Per-Track mode attenuates each file independently.

Dry Run
Compute the exact gain needed without writing any files — useful for previewing how much headroom your master actually needs before committing.

Clips-per-Minute Thresholds
Set how many sample peaks (SP/min) or inter-sample peaks (ISP/min) you’re willing to tolerate — more intuitive than abstract max-peak-dB numbers.

BS.1770-4 ISP Detection
4× polyphase oversampling on the decoded AAC matches the ITU-R recommendation, the same method Apple uses to flag inter-sample clips.

Apple’s Own Encoder
Uses Apple’s afconvert directly — the exact AAC encoder Apple Music runs against your masters server-side. No third-party AAC libraries in the production path.

Preserves WAV Format
Output WAVs keep the original bit depth and sample rate of the input — no forced 16-bit or downsampling unless your master needs it.

Usage
1. Extract the archive and launch OD AutoADM.app — no installation needed.
2. Add WAV masters via Open Files or drag & drop.
3. Pick a Mode — Album (uniform gain across the record) or Per Track.
4. Set your thresholds (SP/min, ISP/min) — defaults are sensible.
5. Click Start. Output WAVs land in /ADM/ with the original bit depth and sample rate preserved.

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OD.AutoADM.1.0.2  ( 92 MB )

17.3 MB

Euclidean-algorithm-based polyrhythmic sequencer. Constellations Sequencer is an audio plugin that generates rhythmic patterns via Euclidean algorithms, dual-layer polyphonic channels, parametric modulation, and intelligent harmony engines in a streamlined focus-plus-context interface.

Video tutorials

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Constellations.Sequencer.1.3.2  (  MB )

3.15 GB / 500 MB / 3.90 GB

AI-powered audio stem separation with a clean, simple interface. Trama separates audio tracks into individual stems using Meta’s Hybrid Transformer Demucs model (htdemucs_ft). Drop in a mixed track and get back isolated stems. Fully offline.

Features
4 Stems
Vocals, drums, bass, and other — select any combination. Unselected stems are automatically merged into a single “other” file.

Quality Presets
Normal (1×), High (2.5×), or Ultra (5×) — higher quality uses more separation passes for cleaner results at the cost of processing time.

Batch Processing
Queue multiple files at once. Drag & drop or use the file browser. Progress and ETA shown per file and overall.

Supported Formats
WAV, AIFF, MP3, and FLAC input. Output is always 32-bit float WAV for maximum quality.

Saves Your Settings
Stem selection, quality preset, and output folder are remembered between sessions. Click Save Settings to persist your preferences.

WAV Metadata Preservation
BWF, cue points, labels, playlists, instrument info, and ID3 tags are all copied from the input to every output stem — Reaper markers stay intact.

Usage
1. Extract the archive and launch OD Trama.exe (Windows), OD Trama.app (macOS), or ./OD Trama (Linux, after chmod +x) — no installation needed.
2. Add audio files via Open Files or drag & drop.
3. Select the stems you want (vocals, drums, bass, other).
4. Choose a quality preset — High (2.5×) is a good default.
5. Optionally set an output folder (default: trama// next to the app).
6. Click Start and wait for processing to finish.

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WIN  ( 3 GB )

MAC  ( 500 MB )

Linux ( 3 GB )

11.2 MB

A powerful and flexible spectrum analyzer for modern audio production.

Mid/Side · Left/Right · Transient/Tone
Multiple analysis modes in one view.

Component monitoring
Isolate and track signal components.

Sidechain comparison
Compare main and reference signals.

Goniometer & correlation
Phase and stereo field visualization.

Oscilloscope
Real-time waveform visualization.

From sound design to mixing and mastering — gFractor gives you precise visual feedback and deep insight into your audio at every stage of the workflow.

Switch between Mid/Side, Left/Right, and Transient/Tone analysis to explore your signal from any angle. Monitor individual components — isolate transients from tonal content, or hear the mid and side channels in complete separation.

Visually compare your main signal against a sidechain reference — instantly revealing spectral relationships between tracks. Swap main and sidechain with a single key press for rapid A/B analysis without breaking your flow.

Comprehensive stereo visualization in one place: a goniometer for phase and imaging, a correlation meter for mono compatibility, and stereo width broken down per octave — so you know exactly where your width is coming from and where it isn’t.

Capture any Peak Hold curve as a reusable target and save it to a file. Load it back in any session to compare against your current track — perfect for matching tonal balance across mixes or checking a master against a reference.

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gFractor.1.0.6  ( 11 MB )

32.1 MB

A native resonator effect. The editor is a spectrum graph where each dot controls one steep bandpass resonator, up to 32 active filters.

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PolarityRes.0.1.3  ( 32 MB )

21 MB

Analog phaser. Stripes reproduces the swooshing, jet-like sweep of classic analog phasers. Inspired by MXR Phase 90, it uses cascaded all-pass filters to create moving notches that give your sound motion and dimension.

Features
– 4, 6, or 8 stage phasing for different notch depths
– Script/Block mode toggle (smooth vs. resonant character). “Script” and “Block” refers to the two different versions of MXR Phase 90, which had a script and block letters logo on them, respectively.
– Sine or triangle LFO waveforms
– Stereo width mode with phase offset
– Speed, Depth, Feedback, and Mix controls
– VST3 + CLAP + AU formats
– macOS (Intel + Apple Silicon), Windows, Linux

Sound
– Script mode: Smooth, subtle phase shifting
– Block mode: Aggressive, resonant sweep with midrange push
– More stages: Deeper, more complex notches

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Stripes  ( 21 MB )

3.51 MB

anyFM is an effect that fm-modulates a sidechained signal onto a carrier signal.

For that, it naturally must be placed on a mixer track that has another track routed to it via sidechain.

You’ll thus need two sounds, the track anyFM is inserted on acts as the carrier and the sidechained track is used as the FM modulator.

The controls are mostly self-explanatory:

Modulation Rate controls the FM depth/strength,

the remaining knobs handle volume balance.

In addition to FM, you can also switch to Ring Modulation.

IMPORTANT!!!

Make sure your routing is set up correctly.

Incorrect routing can result in unintended behavior, most prominently self-FM, where you in fact modulate the carrier with itself and not with the sidechain.

FOR ACTUAL FM OF THE SIDECHAIN INPUT AS MODULATOR, YOU MUST SET THE INPUTS LIKE THIS, AS EXPLAINED FOR FL STUDIO (I also include a video for these steps in the download):

Insert anyFM on a mixer track.

Route another mixer track to this track and set it to Sidechain:

At the bottom of the mixer, select the track you want to use as the modulator.

Click the small upward arrow to sidechain it.

Turn the send volume down to 0 for a pure sidechain signal.

(Optional) Unlink the sidechain track from the Master to make it behave like a true FM modulator, similar to an FM synth.

THEN, THIS IS THE IMPORTANT PART TO MAKE IT WORK: Open the plugin wrapper settings (the cog icon above the plugin GUI), go to Processing, and click Auto map inputs.

Now anyFM is live and waits for sound input on both channels.

Hope it works well! Have fun with it!

Made by aquanode with the help of Claude AI.

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anyFM VST  ( 5 MB )

21 MB

Dynamic tube overdrive. Evergreen captures the feel of a cranked tube amp – the way it breathes, sags, and responds to your playing dynamics. It’s designed to respond to dynamic playing instead of being just another overdrive.

This effect combines classic mid-hump overdrive (you know, the green one) with advanced dynamic modeling for an organic, amp-like response.

Features
– Touch-sensitive drive that responds to playing dynamics
– Power supply sag simulation for natural compression
– Asymmetric clipping with even harmonic warmth
– Cabinet body resonance for amp-like fullness
– Classic 3-knob layout: Drive, Tone, Level
– VST3 + CLAP + AU formats
– macOS (Intel + Apple Silicon), Windows, Linux

Sound
– Low drive: Clean boost with subtle warmth
– Medium drive: Strong sustain with touch response
– High drive: Thick, warm, compressed saturation

Play soft for clean tones. Dig in for breakup. The harder you play, the more it pushes back.

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Evergreen  ( 21 MB )

20.9 MB

Bit depth and sample rate reducer. Bit Crusher reduces bit depth and sample rate to create that crunchy, lo-fi digital sound. Think vintage samplers, early video games, and broken digital gear.

Features
– Bit depth reduction (16-bit down to 2-bit)
– Sample rate decimation for aliasing artifacts
– Mix control for parallel processing
– Output gain control
– VST3 + CLAP + AU formats
– macOS (Intel + Apple Silicon), Windows, Linux

Sound
– Subtle: Gentle warmth and texture
– Medium: Classic 12-bit sampler crunch
– Extreme: Glitchy, destroyed digital chaos

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Bit Crusher  ( 20 MB )

20 MB

Fairchild 660 emulation. MuChild brings iconic vintage compressor with extra features like side-chain filter, external side-chain and wet-dry blend!

FEATURES
– INPUT : Will set input level. This knob can create wonders!
– THRESHOLD : Will set compression. You can simply combine it with INPUT and get smooth leveling or heavily saturated compression.
– TIME CONSTANT : Will set attack and release time.
– SC FILTER : HPF filter up to 1kHz.
– DC : Will set ratio and knee.
– OUTPUT : Clean output volume control.
– EXT SC : Will engage external side-chain.
– MIX : Will blend wet and dry signals.

(No oversampling. Embedded light-weight anti-aliasing)

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MuChild.1.0  ( 20 MB )