8.11 MB

A little Polish candy for crowded low-mids. SK Krowka is a Mid/Side phase processor designed to help reduce the perception of congestion in the low-mid range.

In many mixes, the area between approximately 150 Hz and 500 Hz accumulates energy from vocals, guitars, keyboards, reverbs and supporting instruments. This buildup can make a mix feel crowded, less open and harder to listen to.

Rather than relying on conventional equalization, SK Krowka uses a musically tuned phase process. Its goal is not to remove frequencies, but to help them coexist more comfortably.

The result can be a mix that breathes more naturally, feels more spacious and is simply more enjoyable to listen to.

How It Works
SK Krowka is based on the notes of the chromatic scale.

The selected note determines the reference frequency used by the algorithm. The processing then operates around that note and its harmonics within the low-mid region.

This allows the processor to be adapted to the musical key rather than an arbitrary frequency setting.

Controls
TONE
Selects the musical note used as the processing reference.

C C# D D# E F F# G G# A A# B

Recommended Method

If you know the key of the song, start by selecting that note.

Examples:
– A minor song -> A
– D major song -> D
– G minor song -> G

This usually provides the most natural and musically coherent results.

You may then experiment with neighboring notes to fine-tune the effect.

If the key is unknown:

Simply audition the different positions and choose the one that provides the greatest sense of openness, clarity and listening comfort.

AMOUNT
Controls the processing intensity.
– Low: subtle and transparent
– Medium: noticeable enhancement
– High: stronger and more creative effect

For mix bus applications, moderate settings are usually recommended.

OUTPUT
Adjusts the output level.

Use this control to maintain equal loudness when performing A/B comparisons.

ON / OFF
Engages or bypasses the processing.

Regular comparisons remain the best way to evaluate the effect objectively.

Typical Applications
SK Krowka may work particularly well on:
– Mix bus
– Guitar buses
– Keyboard buses
– Synthesizers
– Pads
– Reverb returns
– Dense arrangements suffering from low-mid congestion

It can also be used creatively on individual tracks.

macOS Security
SK Krowka is built as a Universal Binary and supports both Intel and Apple Silicon Macs.

Depending on your macOS security settings, you may need to authorize the plugin manually the first time it is loaded.

Notes
SK Krowka primarily affects spatial perception and phase relationships within the low-mid region.

The audible result depends on the material being processed. On some mixes the effect may be subtle, while on others it can be immediately noticeable.

SK Krowka is not intended to replace an equalizer. It is a complementary tool that approaches low-mid congestion from a different angle.

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SK.Krowka.1.0.1  ( 8 MB )

9.20 MB

FALA is a vintage-inspired BBD chorus that embraces the character of old analog modulation devices. Gentle instability, subtle saturation, clock imperfections and organic movement combine to create a chorus that feels alive rather than programmed. It is not a laboratory recreation of any particular pedal. It is a memory of one.

Features:
– Vintage-inspired BBD chorus character
– Deep and Shallow modulation modes
– Analog-style saturation
– Clock drift and modulation instability
– Wow & flutter simulation
– Dynamic noise floor behaviour
– Compander-inspired dynamics
– Low-frequency preservation
– Stereo modulation engine
– 4× oversampled processing
– VST3 (Windows & macOS)
– Audio Unit (macOS)
– Intel & Apple Silicon support

Controls
SZYBKOŚĆ (Rate)
Controls the speed of the modulation. Slow settings provide gentle movement and width, while faster settings introduce a more obvious chorus effect.

GŁĘBIA (Depth)
Selects between two modulation ranges.

Shallow offers subtle movement suitable for everyday widening.

Deep increases the modulation depth for a more dramatic and unmistakably vintage chorus character.

MIESZANIE (Mix)
Blends the dry signal with the processed signal. Lower settings provide a touch of movement, while higher settings place the chorus effect more prominently in the mix.

WYJŚCIE (Output)
Adjusts the final output level after processing. Useful for matching levels when comparing different settings.

ZASILANIE (Power)
Engages or bypasses the effect.

Philosophy
FALA was not designed to be perfect. The modulation drifts, the clock is not entirely stable. There is a little noise and a little unpredictability. FALA aims for personality. Turn a knob. Play a chord. Let the wave do the rest.

Typical Applications
FALA may work particularly well on:
– Electric guitar
– Clean guitar arpeggios
– Bass guitar
– Synthesizer pads
– Electric piano
– Strings
– Background vocals
– Entire instrument buses

And occasionally on sources where it has absolutely no business sounding this good.

macOS Security
FALA is built as a Universal Binary and supports both Intel and Apple Silicon Macs. Depending on your macOS security settings, you may need to authorize the plugin manually the first time it is loaded.

Notes
FALA is intended as a musical modulation effect, not a transparent stereo widener. If you are looking for perfectly clean, mathematically precise chorus, there are many excellent options available. FALA was built for those moments when a little instability makes the music more interesting.

Somewhere, perhaps, a teenager is still soldering wires together in a small bedroom. This plugin is for him.

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FALA.1.0.1  ( 9 MB )

25/50 MB

PSP stereoAnalyser2 is a free, advanced metering plug-in designed to give you deep insight into the stereo image of any dual-channel signal. Whether you’re recording, mixing, or mastering, PSP stereoAnalyser2 delivers an accurate visual representation of your stereo field and level structure, helping you make confident decisions at every stage of production.

Featuring a highly responsive goniometer (X-Y scope), Peak and RMS meters, a correlation meter, and balance monitoring, PSP stereoAnalyser2 lets you instantly evaluate stereo width, mono compatibility, phase alignment, and overall signal clarity. With adjustable frequency-limited monitoring, zoomable displays, and precision 64-bit processing, it’s a powerful visual tool for achieving a balanced, coherent stereo image.

Features:
Goniometer (X-Y scope) for real-time visualization of stereo width, phase, and polarity.
Digital Peak and RMS meters for precise level monitoring.
Correlation meter for assessing mono compatibility.
Balance meter for left/right energy distribution.
Frequency-limited monitoring with adjustable high-pass/low-pass limits.
Adjustable scope zoom and nonlinear display shaping for enhanced readability.
Monitoring mode for listening to the filtered frequency band.
Resizable GUI, advanced preset browser, A/B comparison, and undo/redo system.
64-bit internal processing and support for sample rates up to 384 kHz.

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PSP.stereoAnalyser2.2.0.2.WIN  ( 25 MB )

PSP.stereoAnalyser2.2.0.2.MAC  ( 50 MB )

11 MB

YS – Flux: A professional audio mixing plugin. YS – Flux creates chaotic frequency fluctuations between channels, eliminating the static of digital audio and adding depth and vibrancy to the sound. Key Features of YS – Flux: YS – Flux. This tool allows you to transform your sound, adding depth, volume, and character. EQ Curves: YS – Flux offers three unique EQ profiles, each suited to different styles and applications:

Warm adds richness and warmth to the sound, accentuating the low frequencies and adding a soft, subtle midrange. This makes vocals more expressive and instruments more dense. Warm is ideal for creating a rich atmosphere in tracks.
Soft — provides a balanced boost to the lows and highs while smoothing out midrange muddiness. This creates a cleaner, more spacious, and more vibrant sound. Soft is suitable for any sound source, whether vocals, instruments, or a mix.
Shine adds brightness and transparency to the sound, creating an open, airy feel. It’s ideal for adding sparkle, detail, and dynamic, energetic sound to tracks.

YS – Flux’s low-cut filters allow you to use low-cut filters for parallel signal processing without affecting the main sound:

Linear (does not make any changes) – preserves the original sound.
Low frequency cutoff 300 Hz – removes unwanted low frequency noise, making the sound cleaner.
3 kHz High Cut – Eliminates high frequency interference, making the sound more transparent.
Cutting both low and high frequencies simultaneously is a comprehensive approach to fine-tuning the balance between bass and high frequencies.

YS Panorama Expanding – Flux expands the soundstage, making the mix more spacious and dynamic:

From mono to wide stereo – enhances the side channels, creating a sense of space and depth.
Frequency oscillation processing – works with left-right and center-side channels to create precise spatial localization.
Random Channel Switching – Adds nonlinearity to the sound, simulating the natural differences between channels on a mixing console, making the mix more vibrant and realistic.

Harmonic Saturation YS – Flux offers three types of harmonic saturation that give the sound a unique character:

Transformer – adds even and odd harmonics, making the sound denser, richer, and more refined. The transformer is suitable for creating a warm, rich sound, ideal for vocals and instruments.
Tube – adds even and odd harmonics, adding softness and depth to the sound. Tube is ideal for instruments such as guitar or piano, adding character and expressiveness.
Tape – adds only odd harmonics, creating a vintage tape effect. Tape is suitable for recording and processing vocals, adding the warmth and character typical of analog recordings.

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YS.FLUX.1.0.0  (11  MB )

21 MB

Analog phaser. Stripes reproduces the swooshing, jet-like sweep of classic analog phasers. Inspired by MXR Phase 90, it uses cascaded all-pass filters to create moving notches that give your sound motion and dimension.

Features
– 4, 6, or 8 stage phasing for different notch depths
– Script/Block mode toggle (smooth vs. resonant character). “Script” and “Block” refers to the two different versions of MXR Phase 90, which had a script and block letters logo on them, respectively.
– Sine or triangle LFO waveforms
– Stereo width mode with phase offset
– Speed, Depth, Feedback, and Mix controls
– VST3 + CLAP + AU formats
– macOS (Intel + Apple Silicon), Windows, Linux

Sound
– Script mode: Smooth, subtle phase shifting
– Block mode: Aggressive, resonant sweep with midrange push
– More stages: Deeper, more complex notches

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Stripes  ( 21 MB )

3.51 MB

anyFM is an effect that fm-modulates a sidechained signal onto a carrier signal.

For that, it naturally must be placed on a mixer track that has another track routed to it via sidechain.

You’ll thus need two sounds, the track anyFM is inserted on acts as the carrier and the sidechained track is used as the FM modulator.

The controls are mostly self-explanatory:

Modulation Rate controls the FM depth/strength,

the remaining knobs handle volume balance.

In addition to FM, you can also switch to Ring Modulation.

IMPORTANT!!!

Make sure your routing is set up correctly.

Incorrect routing can result in unintended behavior, most prominently self-FM, where you in fact modulate the carrier with itself and not with the sidechain.

FOR ACTUAL FM OF THE SIDECHAIN INPUT AS MODULATOR, YOU MUST SET THE INPUTS LIKE THIS, AS EXPLAINED FOR FL STUDIO (I also include a video for these steps in the download):

Insert anyFM on a mixer track.

Route another mixer track to this track and set it to Sidechain:

At the bottom of the mixer, select the track you want to use as the modulator.

Click the small upward arrow to sidechain it.

Turn the send volume down to 0 for a pure sidechain signal.

(Optional) Unlink the sidechain track from the Master to make it behave like a true FM modulator, similar to an FM synth.

THEN, THIS IS THE IMPORTANT PART TO MAKE IT WORK: Open the plugin wrapper settings (the cog icon above the plugin GUI), go to Processing, and click Auto map inputs.

Now anyFM is live and waits for sound input on both channels.

Hope it works well! Have fun with it!

Made by aquanode with the help of Claude AI.

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anyFM VST  ( 5 MB )

31.6 MB

Shoegaze Multi FX. Two stages: fuzz and reverb. Each stage has true bypass.

Features
– Fuzz inspired by Big Muff
– 2 reverb modes: Soft Focus and Reverse
– Mix and output gain knobs

Fuzz
Dual-stage diode clipper with 4x oversampling. Gentle mid cut, tight bass. Balanced and good for everything. Classic shoegaze tone.

Reverb
Built on a stereo plate reverb. The Amount knob controls the character and density of each mode, and Mix blends wet/dry.

Soft Focus
Dense, dreamy, all-encompassing wash. Inspired by the Yamaha FX500 “Soft Focus” patch. Compression, EQ shaping, cross-channel delays, and a three-voice chorus on the reverb tail.

Reverse
Not a true reversed recording. Multiple delay taps play back with rising gain, so sound appears to rise in volume backwards. Psychedelic, ethereal effect. Ready to be used at 100% wet mix setting.

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Touched.Lite  ( 31 MB )

4.91 MB

Granulate is a Granulator VST Plugin (and Standalone .exe) modelled after a famous Granulator plugin from a certain DAW, but in a version that is not available anymore. It focuses on the basic elements that any granulator should have: A sample playback engine with choosable amounts of grains, their position, their spread around an interval and their duration. You can either press a MIDI note for resampling, or click on the loaded waveform to hear the sound grains around the position you click.

Version 1.1 improves file loading safety. The new version requires a bit more CPU, but with it you can now load audio files that are up to 3 hours long (albeit everything longer than 1 hour is experimental since then the memory required will be in the low gigabyte range instead of a few megabytes for shorter files). The earlier version 1.0 is still provided in the download but WILL CRASH YOUR DAW when you load any file longer than 5 minutes (and probably less than that in some cases, like file format etc.).

Please note (haha) that only clicking a part of the waveform is intended, when you click and drag the mouse it still works but you will hear some crackle sounds while moving (which are not too loud though).

A visual representation of the grains as small playback heads is also provided.

Thanks for checking it out! As with my other plugins, this too was made with the help of AI.

Controls

Load Sample: Opens a file browser to import a supported audio file.

Waveform Display: Visualizes the sample and allows you to click or drag to set the playback position.

Grains: Controls the number or density of grains playing simultaneously.

Size: Sets the duration of each individual audio grain.

Position: Selects the point in the sample buffer where grains are currently being grabbed from.

Spray: Adds random variation to the playback position to create a wider texture.

Window: Defines the width of the playable area around the current position cursor.

G-ADSR: Attack / Decay / Sustain / Release. Shapes the volume envelope of each individual grain.

N-ADSR: Shapes the volume envelope of the overall MIDI note.

AM: Applies amplitude modulation to the grains.

AM Disp: Adds random variation to the amplitude modulation.

Pitch Disp: Adds random pitch variation to the grains.

Pitch (Mouse): Manually changes the playback pitch offset for the mouse click mode.

Stereo: Randomizes the panning of grains to widen the stereo image.

Volume: Controls the master output level of the plugin.

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Granulate VST  ( 22 MB )

4.25 MB

Scream is a versatile VST plugin that recreates the legendary Scream filter from Massive, now available in any DAW. Known for its aggressive, resonant tone and raw energy, this filter has been a staple in electronic music for shaping basses, leads, and powerful sound design.

Scream isn’t just for basses. The filter can be applied to drums, synths, pads, and even vocals, unlocking textures that range from subtle saturation to intense screaming distortion. No matter your style, Scream fits seamlessly into your workflow. It comes fully compatible in VST3, CLAP, and AUv2, making it universal across all major DAWs.

Forget tedious automation. Scream features an integrated LFO & Performer system that lets you easily draw complex modulations right inside the plugin. Create movement, sweeps, or expressive effects, all with an intuitive interface designed for speed and creativity.

No bloated menus, no steep learning curve. Scream is designed with a clean interface that’s easy to learn, fast to use, and CPU-friendly Keeping your workflow smooth and your creativity flowing.

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Scream_v1.0.10  ( 4 MB )

950 MB

Create authentic Zouk beats effortlessly with Zouk Lab, the dedicated VST plugin designed to bring the vibrant island sounds of the genre to your productions.

All-in-One VST Plugin for making Zouk beats in seconds with all you need:

High-quality instrument presets inspired by traditional, vintage and modern Zouk music
Perfect for both beginners and professionals looking to craft unique Caribbean rhythms
Inspired by Kassav’, Fanny J, Perle Lama, Slaï, Aya Nakamura & More
Easy-to-use interface for smooth and efficient music production
Rich Zouk Drum Kits, Authentic Guitar Riffs & Melodies
Smooth Synths, Strings, Classical, Electric Pianos & Traditional Percussions
Built-in FXs (Reverb, Delay, Chorus, EQ) & High-Quality Presets Ready to Use
Created by Afroplug founder, Ms Mavy from Guadeloupe & Team member Ish Samples from Haïti

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Zouk Lab  ( 908 MB )