17  MB

Professional stereo panning & spatial imaging plugin

True Panner delivers precise stereo field control with advanced ITD-based panning, dual pan, width, spread, and time pan — all in one intuitive interface. Visualize your stereo image in real-time and achieve perfect spatial placement for every element in your mix.

01
Multiple Panning Modes
Switch between Balance, Dual Pan, Width, Time Pan, Spread, and Output modes for complete control over every aspect of spatial processing.

02
ITD-Based Panning
Interaural Time Difference panning for natural, frequency-independent stereo placement that mimics real-world spatial perception.

03
Dual Pan & Width Control
Independent L/R pan controls with width adjustment let you sculpt the stereo image with surgical precision.

04
Stereo Field Visualizer
Real-time stereo field display shows the spatial distribution of your audio, helping you make precise panning decisions visually.

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TruePanner.1.0.5  ( 17 MB )

47 MB

PRISM: Granular Dream Engine

Cymatics PRISM is a real-time granular dream engine. Feed it a vocal, a chord, or a broken drum loop and it refracts your sound into shimmering, ever-evolving clouds of light and texture.

A Living Nebula That Refracts Your Sound
PRISM is a real-time granular dream machine that listens to your audio, remembers it, and refracts it into shimmering clouds of light and texture. Feed it anything, a vocal, a chord, a broken drum loop, and it scatters your sound across time and pitch.

Grains of your own audio are woven into lush, evolving atmospheres that stay locked to your groove while never playing the same way twice. Every tweak paints across a living nebula on screen.

You’re not adjusting an effect, you’re conducting a color show. Turn the light loose and watch your track bloom into something you recognize but could never have imagined.

How does PRISM work exactly?
Drop in any sound, a vocal, a chord, a drum loop, and PRISM captures it, then refracts it into a cloud of grains scattered across time and pitch in real time.

Shape the cloud with RATE, SIZE and MIX, stretch and re-tune it with TIME and PITCH, then open up SPACE and SHINE to send it drifting into lush, evolving atmospheres, all locked to your tempo and key.

The DREAM control paints across a living nebula on screen, so every move is something you can see as well as hear, grains blooming, refracting and evolving right along with your track.

It never plays the same way twice, which makes it the fastest way to turn a simple sound into an atmosphere you could never have imagined.

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Cymatics.Prism.1.0.0  ( 47 MB )

29  MB

Looking to give your tracks that wide, immersive, commercial polish? Cymatics has officially unleashed HORIZON, an advanced stereo imager designed to transform flat mixes into expansive, three-dimensional sonic experiences—and it’s available right now completely FREE.

What is HORIZON?

HORIZON is a modern spatial processor engineered to widen your stereo spread effortlessly while maintaining crystal-clear mono compatibility. Whether you are treating thin synth leads, expansive background vocals, drum buses, or mastering an entire track, HORIZON delivers maximum width without hollow phase cancellation.

Standout Features:

• Multiple Widening Engines: Tailor your spatial processing using dedicated algorithms, including Haas, Velvet, and Phase modes, giving you everything from subtle psychoacoustic depth to extreme width.
• Multi-Band Precision: Protect your low-end! Keep sub frequencies centered and tight in mono while fanning out the Body and Air bands across the stereo field.
• Instant Visual Monitoring: The sleek, high-tech GUI features a real-time vector and spectrum display, paired with a phase correlation meter so you always know your mix translates perfectly across all playback systems.
• Effortless Workflow: Dial in your width instantly with the central Span dial, then fine-tune your spatial balance using the Tilt, Turn, and Mix controls.

Why It Belongs in Your Plugin Arsenal

Getting wide, modern mixes often requires complex routing or expensive tools. HORIZON packs premium spatial algorithms and multiband flexibility into a lightweight, user-friendly interface. Push your synths past the edges of your monitors, add air to acoustic guitars, and build towering drops with total confidence.

Compatibility & Download

• Operating Systems: Windows & macOS (64-bit)
• Formats: VST3, AU, AAX (compatible with FL Studio, Ableton Live, Logic Pro, Pro Tools, and more)
• Price: $0 / Free

Head over to the official Cymatics website to grab HORIZON today and elevate your stereo imaging for zero dollars!

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Cymatics.Horizon.1.0.0  ( 29 MB )

18 MB

RADAR: A Weather System for Your Sound
Cymatics RADAR is a weather system for sound. Every sound you feed it spins up a storm on the display, and you control the climate.

Choose between a variety of warm fronts or a blizzard of cold ones, then move one storm around the radar to manipulate your sound in real time.

Four weather machines run your sound down a single chain: TEMPERATURE, WIND, THUNDER, and ATMOSPHERE.

WARM FRONT: Where Clean Sounds Go To Melt
Switch RADAR to WARM and a heatwave rolls in.

Four vintage machines run your sound down a single chain: TEMPERATURE bakes in saturation, from soft preamp glow to full scorch.

WIND sets everything in motion with doubles, swirls, and pressure waves.

THUNDER rolls your sound through five flavors of vintage echo, from worn tape slap to a storm cell that never quite dies out.

And ATMOSPHERE ages the whole record: fog, tape, static, and falling barometric pressure.

COLD FRONT: Flash-Freeze Your Sound
Hit COLD and the temperature drops fast.

TEMPERATURE becomes a freezer with musical stutters, from 1/16-note glitter to huge half-note throws.

WIND spreads the frozen layer into slow, glassy stereo motion.

THUNDER refracts it an octave up into crystal reflections.

And ATMOSPHERE blooms it all into a frozen chamber with a shimmering wash.

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Cymatics.Radar.1.0.0  ( 18 MB )

101/169 MB

Space Replicator Free is made for mixing on headphones
Listen to your mix in a world-class studio enviroment
Easy headphone calibration with 800+ profiles
Check how your mixes translates on phones or laptops
Create professional mixes without room correction

What is virtual monitoring?

Virtual monitoring lets you hear your mix in a pro studio through your headphones, so you can make better decisions faster.

Space Replicator Free is a free VST plugin for mixing and mastering that also calibrates your headphones.

This allows you to accurately hear your music as if you were in a high-end mixing studio, in the living room listening on a phone or laptop, or wearing consumer in-ear headphones.

How to get Space Replicator Free.

1. Sign up and get download instructions via email
2. Download and install Space Replicator Free plugin
3. Open your DAW and start mixing, or use it standalone to listen to Spotify, YouTube, and more

Features

With Space Replicator Free, you can use the following playback systems:

LEWITT studio A – High-end recording studio with a custom high-end speaker system
Living room – Typical living room with 3 phones and 2 laptops as playback systems
H-Pods Pro – Check how your mix sounds on the most popular consumer in-ear headphones
LEWITT Space Replicator Free runs as

Plugin in your DAW (VST3, AAX and AU)
Standalone application for macOS and Windows – perfect for listening to music, watching videos, and more.

Works with your favorite headphones.

Space Replicator Free doesn’t force you to get a new pair of headphones since we know how much you probably love yours.

Choose your headphone model from 800+ profiles to compensate for its frequency response, and you’re ready for the lifelike audio experience that Space Replicator offers.

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SRF.1.0.0.4.WIN  ( 101 MB )

SRF.1.0.0.1.MAC  ( 169 MB )

39 MB

Spatial Audio Granular Plugin. Bloom turns an instrument take into virtual extra takes: each take is sent through its own pitch shifter and placed on the sphere around the listener.

The takes form two independent series : series L (blue) and series R (red), each with its own azimuth, elevation and spread; everything else is shared.

Bloom turns a single take into a cloud of virtual ones: each take gets its own detune and sits somewhere on the sphere around the listener, in two independent series steered by azimuth, elevation and spread. The result is rendered either as a stereo pair of virtual microphones with selectable polar patterns, or as a 1st- to 3rd-order ambisonic stream (AmbiX, ACN/SN3D). A grain mode has the takes capture and loop slices of the incoming audio round-robin, and those grain steps can be driven by held MIDI notes, turning the cloud into a pitch-locked oscillator bank voicing whatever chord you play.

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Bloom  ( 39 MB )

96 MB

Reverie is an audio effect built around a simple idea: everything can resonate.
At its heart is a bank of sympathetic strings, modelled with Karplus-Strong synthesis and tuned to a musical scale of your choosing. Instead of playing them from a keyboard, you excite them with sound. Send in a drum loop and the strings ring out in sympathy with every hit. Send in a pad, a vocal, a field recording, or pure noise, and Reverie reconstructs it as a shimmering, harmonic version of itself, locked to your key. It is the acoustic phenomenon behind a sitar’s drone strings or an open piano with the sustain pedal down, turned into a tool you can point at any track.

But Reverie is more than a resonator. It carries a second engine: an audio-reactive sampler called Texture. Load any sample, foley, percussion, atmospheres, a single struck bell, and it fires or loops in response to your input’s dynamics, following its brightness and even its pitch. On its own, Texture is a reactive layering machine. Combined with the strings, it becomes something new.

The two engines are what make Reverie a single instrument rather than two effects in a chain. Three controls tie them together:

EXCITE routing lets the Texture engine become the excitation for the strings. Load a granular foley sample, give it a rhythm, and the strings resonate with the timbre of that sample and the harmony of your scale. This is the plugin’s signature: a resonator you can feed with textures.
TRACK listens to the pitch of your input and plucks the nearest string of the scale, so the sample and the strings sing the same note. It is an arpeggio that follows your melody.
MORPH is a single macro that crossfades the whole face from pure strings, through both engines together, to pure texture, ideal for automation and for shaping a sound in one gesture.
Around the engines sits everything you need to sculpt the result: twenty-one tuning scales including a custom scale builder, seven string materials, control over decay, damping, dispersion, warmth and stereo width, an excitation filter and bloom stage, a lush reverb with freeze, a feedback delay, and a fully drawable modulator that you can route to seventeen destinations across both engines.

Reverie ships with 48 factory presets, from pure string voicings and melody-tracking harps to deep ambient beds built on the series routing, and its full sample library installs automatically, so it is ready to play out of the box.

Reverie is not a synth. It has no keyboard, no MIDI, no notes to program. Its instrument is whatever you send it. Put it on a send, print it, resample it, or leave it live on a bus: whatever goes in comes back transformed, tuned, and alive.

Feed it anything. Reverie will find the music in it.

Features:

Sympathetic string resonator (Karplus-Strong), driven by incoming audio, no MIDI needed.
Audio-reactive sampler (Texture) with Trigger and Flow modes, load any WAV/AIFF/FLAC.
Signature series routing: the sampler can excite the strings (a resonator you feed with textures).
Note tracking: input pitch plucks the matching string of the scale.
Morph macro: one knob from all-strings to all-texture.
21 tuning scales including microtonal sets (Quarter Tones, Just, Pythagorean, Slendro, Pelog) and a 16-slot custom scale builder.
7 string materials (Plain, Nylon, Gut, Steel, Bronze, Crystal, Felt).
1 to 24 sympathetic strings, tunable spread, detune and glide.
Excitation shaping: high-pass / low-pass filter, tilt, transient emphasis, drive, bloom.
Shared space: reverb with freeze plus a feedback delay.
Drawable modulator with 17 destinations across both engines, free or tempo-synced, forward / reverse / ping-pong.
Independent Dry/Wet for each engine plus a master output.
Sample loop editor with Forward / Reverse / Ping-Pong playback and live loop markers.
48 factory presets with their full sample library, installed automatically.
Formats: VST3 and AU (macOS); the macOS build is a notarized universal binary (Intel and Apple Silicon).
Technical specs:

Type: audio effect (sympathetic string resonator + audio-reactive sampler). No MIDI, no keyboard.
Formats: VST3, AU (macOS only).
MacOS 11.0 or later, Intel and Apple Silicon (universal binary, notarized).
Windows 10 or later, 64-bit.
String bank: 1 to 24 sympathetic strings.
Texture sampler: up to 8 simultaneous voices (Trigger mode).
Tuning: 21 tuning scales, including a 16-slot custom scale builder.
String materials: 7.
Modulation: 1 drawable lane, 17 destinations, free or tempo-synced.
Sample rates: 44.1 kHz to 192 kHz.
Factory presets: 48.
Factory samples: 23 (installed on first use).
Sample import: WAV, AIFF, FLAC.

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Reverie.1.0.0  ( 96 MB )

118 MB

Restrukt allows you to restructure the spatial DNA of your tracks, delivering the punch, warmth, and modern air required for professional mixes.
The core philosophy of RESTRUKT is rooted in the history of drum production and creative acoustic manipulation.

restructure the spatial DNA of tracks, delivering the punch, warmth, air

Surgically extracts unwanted room bleed, ring, and muddy sustain from the input signal without destroying transient punch

RESTRUKT is the evolution of this heritage. It streamlines this historically complex, multi-plugin routing into a single, cohesive interface. By linking multiband sustain reduction, analog tape drive, and modern particle shimmer in series, RESTRUKT gives you classic acoustic control with modern, pristine digital fidelity

– Subtractive Acoustic Shaving
– Harmonic Excitation (Tape Saturator)
– Adaptive Space Injection

REAL PROBLEM

In modern audio production, natural acoustics are notoriously difficult to control. Drum loops often carry muddy room resonance or mic bleed. Snares ring out too long and clutter the mid-range. Acoustic instruments recorded in untreated home studios carry cheap room reflections that wash out a mix.

Standard utility gates are too crude for this problem—they simply shut off the audio abruptly. Adding standard reverb on top only piles more clutter onto an already messy acoustic foundation, resulting in a muddy, unprofessional mix.

SOLUTION, THAT WORK

RESTRUKT is a spatial reconstruction engine designed to strip away unwanted natural acoustic environments and replace them with pristine, driven, synthetic space.

Instead of fighting messy rooms or long decays, RESTRUKT tears down the acoustic footprint of any signal.
It uses a precise, multiband subtractive engine to shave off unwanted bleed and sustain. Then, it runs the dry, punchy transients through a warm tape saturation circuit before injecting a sparkling, highly controlled, shimmering burst of synthetic space

History Of Concept

The core philosophy of RESTRUKT is rooted in the history of drum production and creative acoustic manipulation.

In the early 1980s, legendary producer Hugh Padgham and engineer Peter Gabriel accidentally discovered the “gated reverb” sound. By routing a massive, ambient drum room mic through a heavily compressed talkback channel and a fast-acting noise gate, they realized they could capture a massive, explosive snare hit that vanished instantly into dead silence. This sound defined a decade of pop and rock production.

By the late 1990s, hardware transient designers introduced envelope-shaping to the masses, allowing engineers to mechanically shorten or lengthen the sustain of hits without relying on traditional signal thresholds. In the modern digital era, producers frequently combine transient gates, analog saturation, and short, bright reverbs to “synthesize” artificial room sounds for dry sample libraries.

Subtractive Acoustic Shaving
A precise, multiband envelope shaper that surgically extracts unwanted room bleed, ring, and muddy sustain from the input signal without destroying transient punch

REDUCE Controls the overall intensity of the sustain reduction. At 0%, the envelope is untouched. At 100%, the sustain and tail parts of the sound are aggressively muted, leaving only the sharp transients.

DIVIDER Sets the crossover frequency at which the signal is divided into low and high processing paths. This allows you to treat low-end decay (like a boomy kick) differently than high-end decay (like ringing cymbals).

HIGH/LOW THRESHOLD Defines the upper/lower frequency band threshold level. When the band signal drops below this level, the sustain reduction kicks in.

Harmonic Excitation
An analog-modeled tape circuit that adds rich, cohesive harmonic distortion and warm compression, giving the dry transients the energy they need to cut through a mix.

DRIVE Adjusts the input gain into the analog tape emulation. Increasing this adds warm harmonic saturation, grit, and natural analog compression.

LEVEL Controls the output level of the saturation module before it enters the Tail Verb. Use this to feed more or less signal into the spatial generator.

Adaptive Space Injection
A dynamic, particle-style shimmer reverb designed to “spray” a localized, sparkling burst of synthetic space exactly where the excited transients hit, avoiding global reverb wash.

SPACE Blends the processed signal with the reverb. Maximum internal mix is kept to prevent the reverb from overwhelming the core punch of your transients

TAIL Controls the perceived size and decay time of the reverb space. Lower values create tight, metallic room bursts; higher values create wider, expanding spaces.

SHIMMER Adds a bright, pitch-excited, shimmering high-frequency quality to the reverb tail, mimicking

expensive digital plate hardware

POST FX

The final mixing and utility stage.

HP POST 12dB/oct HP filter. Use to shave off low-frequency rumble or to protect your sub-bass.

LP POST 12dB/oct LP filter. Use this to roll off harsh high-end sizzle or to create a darker, distant spatial vibe.

MASTER LVL Controls the final global output volume of the plugin. expensive digital plate hardware

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Restrukt.1.0.2  ( 179 MB )

35 MB

The infamous FSU plugin is back! And yes, there’s finally a Mac version!
Glitch is an audio effect plugin for Windows (VST), Mac (VST and AU) and Linux (VST), available in both 32-bit and 64-bit formats. Featuring a new and improved sequencer which can play multiple effects simultaneously, with the ability to trigger unique scenes from every note on your keyboard, Glitch can be as gentle or as brutal as you like.

Features at a glance
Sequencer
Each program consists of 128 scenes that can be triggered via MIDI notes. Each scene has its own unique sequencer pattern, timing, and effect settings, allowing you to create tons of unique variations for every moment in your song, all ready to go at the press of a key!

Multi-lane sequencer allows many effects to be played simultaneously, to create interesting layered sounds.

Improved sequencer timing controls to better match your groove and song structure.

Intuitive pattern editor with drag’n’drop. Draw, erase, resize, split and join blocks with ease.

Effects
A collection of cheeky little effect modules designed to slice, dice, chop, screw, twist, turn and mangle your sounds into radical new forms.

Tempo-synced effects can easily be dialled in to precise musical timings such as 16th notes, 8th note triplets, and so on.

Filter, mix, pan and volume controls on each module, to help shape and fine-tune the output.

Randomize, Mutate, Glitch!
Randomize and Mutate functions can be found at almost every level. Mutate a single effect to get slightly different parameter variations, or instantly Randomize everything in the entire scene to create unexpected, chaotic and inspiring results!

Video Demos

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Glitch.2.1.5  (  MB )

70 MB

Explore the world of stereo with Psypan 2, a stereo multi-effect that packs 17 pan modes into a single plug-in.

Built on the surprisingly popular binaural panner from the original GFM Psypan (2011), it now goes much further:

5 binaural panner (including 2-band and the new Psy-2 algorithm for true front-facing rotation),
3 clean volume-based modes with classic pan laws,
9 creative FX modes (Haas, Doubler, Chorus, µ-shifting, Peak Panner, Widener, and 3 M/S variants).
When a track needs life, width, or movement, just pan and browse the modes until you find exactly what the mix calls for.

Binaural Pan Comparison (Headphones required)

Playing with ITD (Headphones required)

7 Modes (Headphones required)

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Psypan-FREE-2.0  ( 71 MB )