72 MB

Threshold? Never heard of her.
Sabotage is a feedforward FET compressor built on the same philosophy as a certain legendary 1176 style beast: no Threshold knob, no mercy. You just shove your Input up until the detector screams, and the compressor does the rest exactly like the hardware that made engineers develop a healthy fear of a single red button.

Five ratios (2:1 through 20:1), plus the one every 1176 clone secretly exists for: All Buttons In. Push all the buttons, break the laws of physics, make your drum bus sound like it’s holding a grudge.

What’s inside

Feedforward FET detection Input drives the detector directly, like the real thing

2:1 / 4:1 / 8:1 / 12:1 / 20:1 / All Buttons In pick your level of chaos

Sidechain High-Pass because nobody needs the kick drum triggering compression from three rooms away

Dynamic FET Coloration gets nastier the harder you push it, on purpose

THD stage with Clip / Limit an extra knob specifically for people who think “too much” is a starting point

Analog-style VU metering IN / GR / OUT, because staring at a needle is 90% of mixing anyway

Who it’s for

Mastering engineers who want glue. Mix engineers who want punch. Everyone else who just wants to watch the needle slam and feel something.

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Sabotage76-1.1.3.WIN  ( 72 MB )

Sabotage76-1.1.3.MAC  ( 27 MB )

21.7 MB

No clone, no variant! Fully custom! TheBus is my own custom compressor with well-known UI. It’s usable with any source. Not only busses! Soft character and knee with linear frequency response. Especially, great from drums, percussions, choirs or anything needs glue!

FEATURES
– ATTACK : Fast to slow. 0.1ms, 10ms, 30ms
– RELEASE : Fast to slow. 50ms, 400ms, 800ms
– THRESHOLD : Will set compression. You can simply combine it with INPUT and get smooth leveling or heavily saturated compression.
– SC FILTER : HPF filter up to 500Hz.
– OUTPUT : Clean output volume control.
– EXT SC : Will engage external side-chain.
– MIX : Will blend wet and dry signals.

(No oversampling. Embedded light-weight anti-aliasing)

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TheBus.1.0  ( 22 MB )

18.7 MB

Free alternative to Trackspacer. A 32-band sidechain compressor with zero latency. It frees up headroom in the main signal for a specific track.

Controls:
– Threshold and effect amount
– Number of bands (8–32)
– Sidechain low-cut and high-cut filters
– Compressor attack/release
– Independent processing for M/S and L/R channels
– Processing delta

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Oppressor.b1.0  ( 19 MB )

73 MB

Cross-track groove-transfer plugin. GrooveTransfer extracts the rhythmic groove of one track — the transient envelope that makes it feel the way it does — and stamps it onto another by riding that track’s volume in time with it. The kick pumps the bass, the drums make the pad breathe, the vocal ducks its own delay. Instances pair by name over shared memory: no MIDI, no sidechain routing, no cables in your DAW.

Sidechain compression borrows another track’s energy — but it needs a bus, and it only ducks. GrooveTransfer moves the whole rhythmic envelope: put a Sender on the track whose feel you want, a Receiver on the track you want to move, pair them by name, and the receiver rides its own dynamics to the sender’s groove.

🎯 Envelope follower
A fast/slow detector pair isolates the transient groove of the source — the hits, not the hum — tuned by Sensitivity, Attack and Release.

🔗 Shared-memory pairing
Instances discover each other automatically and pair by name — across tracks, busses, even between plugin formats. The link survives project reloads.

🎚️ Ride or duck
Positive Mix makes the target move with the groove; negative Mix ducks it against the groove — classic “make room”, no compressor needed.

Under the hood it’s one honest move: an automatic volume ride. The receiver keeps 100% of its own sound — GrooveTransfer simply moves its level up and down (up to ±24 dB, as smoothly or as snappily as you set it), like a fader ridden in perfect time with the source’s hits. Not a compressor, not an LFO — the feel of one track, played by another.

The Sender’s envelope follower traces the drums’ transients (SOURCE below). That groove envelope is broadcast over shared memory, and the Receiver uses it to ride the volume of its own audio — the sustained pad (TARGET) starts pumping in time, smoothed by your Attack and Release. The pad still sounds exactly like your pad; it just moves like the drums.

🥁 Groove Envelope Transfer
A fast/slow follower pair extracts the transient envelope of the source and applies it to the target’s dynamics — the feel moves, the sound stays.

🔗 No MIDI, No Sidechain
Instances pair by name over lock-free shared memory — across tracks, busses and plugin formats. Nothing to route, nothing to configure in the DAW.

🎚️ Ride or Duck (±24 dB)
Positive Mix rides the target with the groove; negative Mix ducks it against the groove for instant “make room” — depth fully automatable.

👥 Sender · Receiver · Both
Up to 16 instances share the registry. Chain “Both” instances so a whole percussion section breathes with one common groove.

📈 Live Scope & Hints
A 1.5-second envelope scope shows exactly what you broadcast or receive, hover hints explain every control, and the peer selector warns you if the selected peer is receive-only.

🖱️ Resizable Interface
Drag the corner grip from 60% to 300% — the window keeps its aspect ratio and the size is saved with your project.

🦵 Kick → Bass
Sender on the kick, Receiver on the bass, short attack — the bass pumps in time with the kick, no sidechain compressor, no bus.

🌫️ Drums → Pad
A longer release turns a static pad into a breathing one that follows the drum groove — glue without a compressor in sight.

🎤 Vocal → Delay
Sender on the vocal, Receiver with negative Mix on the delay return — the echoes duck while the singer sings and bloom in the gaps.

🥁 One Groove, Whole Kit
Chain instances in “Both” mode across percussion layers so shakers, hats and toms all lock to the same pocket.

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GrooveTransfer.1.0.0  ( 73 MB )

325 MB

Evil Otto is our free take on the OTT-style multiband compressor: aggressive upward-and-downward compression that squashes a sound into place and makes everything feel louder, denser, and a little unhinged. Three bands, independent thresholds, gain-reduction metering, and a sidechain input. Drop it on a bus, a synth, a drum loop, or a whole mix and lean on it as hard as you like.

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Evil.Otto.1.0.0  ( 326 MB )

12.3 MB

Flexible sidechain ducking with full visual control. A sidechain ducking plugin focused on control and clarity.

Features
– Free and cross-platform
– Real-time visual feedback
– Visual control over phase and clipping
– Flexible envelope shaping with tension and smoothness controls
– Adaptive pre-ducking without transient damage and phase clicks
– Low latency with 10ms default

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DuckTool.0.2.9  ( 12 MB )

14.2 MB

HYLL Pressure is a soft clipper audio plugin for harmonic pressure, soft ceiling and parallel density.

Use it to shape peaks, add warmth, increase density and push vocals, drums, bass, 808s, synths, loops, buses and mixes forward — from subtle control to creative damage.

HYLL Pressure is not just about making audio louder. It can make a sound feel denser, more controlled and more forward even when the output is matched to the bypassed level.

Main features
– Soft clipping
– Harmonic pressure
– Soft ceiling control
– Parallel density
– Input / output level shaping
– Mix-bus friendly control
– Creative saturation damage
– Factory presets
– A/B compare workflow

What it is for
HYLL Pressure can be used on drums, bass, 808s, synths, loops, vocals, buses and full mixes when you want more density, peak control, saturation or forward movement.

Use it gently for controlled loudness and peak shaping, or push it harder when you want the sound to become more crushed, colored and aggressive.

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HYLL.Pressure.1.0.1  ( 14 MB )

6.73 MB

Advanced Dynamic Unmasking Processor. Surgically clean your mix with DNA Track Purifier. It uses smart psychoacoustic ducking to eliminate frequency masking, instantly remove mud, and add headroom.

Unlike traditional static equalizers or broadband sidechain compressors, DNA Track Purifier utilizes a high-definition State-Variable Time-Preserving (TPT) filter network processing.

The plugin monitors your external sidechain input, maps its spectral intensity across surgical full-spectrum bands, and applies target suppression directly to the main input (dry) track.

By using a proprietary subtraction system instead of traditional bell-filter curves, the dynamic cuts are incredibly tight, keeping the surrounding frequency material intact and completely free of phase cancellation or unnatural artifacts.

PRO version adds lookahead, attack/release controls, and PAN/M/S operation modes

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DNA.Track.Purifier.1.0.0  ( 7 MB )

47.7 MB

Stereo Channel Strip. Violet Crown is a stereo channel strip built around the EQ and compression character that defined the sound of major-label bus processing. Three independent EQ bands – each with separate boost and cut controls – feed a custom RMS compressor with program-sensitive auto-release. The VU meters are real, the ballistics are analog, and the whole thing is free. No demo mode. No time limit. No license key. Drop it on a bus and play something.

Features:
– Combines a three-band EQ with a custom RMS compressor.
– EQ bands have separate boost and cut controls with frequency selectors.
– Low band: two independent shelves (20 Hz to 100 Hz).
– Mid band: two peak filters (200 Hz to 5 kHz) with shared Q.
– High band: two independent shelves (800 Hz to 16 kHz).
– Input trim (-8 dB to +8 dB) and EQ/compressor routing toggle.
– Compressor with RMS detection, auto-release, and per-channel processing.

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Violet.Crown.1.0.0  ( 48 MB )

Size: 4 MB

Hey everyone!

After the XM Series mastering plugins, our roadmap was always going to expand toward mixing tools.

Well… that day has arrived!

Built upon the engineering philosophy and spirit of the XM family, you’ll notice what makes this tool special from the moment you start using it. Simple – Fast – Effective!

We tried to include everything you would want from a channel strip. With Xhannel S, you can shape your individual tracks with minimal need for additional processing stages.

Technical Features:

* Our newly developed internal anti-aliasing algorithm.
* A new button in the top bar for creating and managing presets.
* DEPTH is not a traditional double-track effect, signal duplication, or a time-based delay process. Instead, it creates spatial width by manipulating the signal’s phase in a way that behaves much more like real hardware. It is fully compatible with stereo signals.
* The Drive knob is unique. It features a custom curve shape. Rather than producing traditional digital clipping when a channel reaches its maximum level, the signal is progressively strengthened along a curve, similar to the behavior of individual channels on a console. With the Input knob, you can drive the signal harder into the existing curve, or you can turn up the Drive knob itself for a smoother tone. Note: Since the Drive knob also adds gain, we recommend balancing it with the Input control. There is virtually no audible aliasing.
* The EQ section can be controlled either through the knobs or directly from the spectrum analyzer. The ranges are intentionally defined, not as a limitation, but to make decisions easier by listening rather than looking. The simpler it is, the faster and more effective it becomes!
* The Dynamics module delivers the emotional response you want based on the selected parameters. Glue? That’s where it shines… Hard? ONLY IF YOU PUSH IT!
* The FILTERS section is ideal for quickly removing unnecessary frequency content.
* With our evolving technology, when multiple instances of Xhannel S are inserted across individual tracks, they communicate with one another. Just like a console!

You can access it completely FREE and support our projects whenever you wish:

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Xhannel.S.WIN  ( 14 MB )

Xhannel.S.MAC  ( 11 MB )