21 MB

Dynamic tube overdrive. Evergreen captures the feel of a cranked tube amp – the way it breathes, sags, and responds to your playing dynamics. It’s designed to respond to dynamic playing instead of being just another overdrive.

This effect combines classic mid-hump overdrive (you know, the green one) with advanced dynamic modeling for an organic, amp-like response.

Features
– Touch-sensitive drive that responds to playing dynamics
– Power supply sag simulation for natural compression
– Asymmetric clipping with even harmonic warmth
– Cabinet body resonance for amp-like fullness
– Classic 3-knob layout: Drive, Tone, Level
– VST3 + CLAP + AU formats
– macOS (Intel + Apple Silicon), Windows, Linux

Sound
– Low drive: Clean boost with subtle warmth
– Medium drive: Strong sustain with touch response
– High drive: Thick, warm, compressed saturation

Play soft for clean tones. Dig in for breakup. The harder you play, the more it pushes back.

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Evergreen  ( 21 MB )

20.9 MB

Bit depth and sample rate reducer. Bit Crusher reduces bit depth and sample rate to create that crunchy, lo-fi digital sound. Think vintage samplers, early video games, and broken digital gear.

Features
– Bit depth reduction (16-bit down to 2-bit)
– Sample rate decimation for aliasing artifacts
– Mix control for parallel processing
– Output gain control
– VST3 + CLAP + AU formats
– macOS (Intel + Apple Silicon), Windows, Linux

Sound
– Subtle: Gentle warmth and texture
– Medium: Classic 12-bit sampler crunch
– Extreme: Glitchy, destroyed digital chaos

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Bit Crusher  ( 20 MB )

29.3 MB

Shape your tone and bring back the buried musical energy.

1. Auralume Saturator adds only the harmonics that matter, enhancing your sound with musical depth through simple and intuitive controls. While “saturation” can easily become harsh, excessive, or reduce the perceived size of the original signal, this plugin avoids those unwanted side effects. It is designed to provide just the right amount of energy and presence without introducing haze or musical clutter.

2. The SILK mode delivers a smooth and cohesive character, refining the top end without introducing harshness. It brings clarity and a silky texture to vocals and other aggressive or bright tracks, adding presence and polish while maintaining natural balance. This mode enhances detail without pushing the sound into unwanted sharpness.

3. The WARM mode provides greater thickness, power, and harmonic breadth. Compared to SILK, it produces a fuller and more expansive tone, making it well-suited for guitars, drums, and powerful vocal styles. It enhances body and intensity while preserving natural warmth, resulting in a sound that feels both strong and organic.

Supported OS
Windows 10 or later / macOS 11 Big Sur or later

CPU
64-bit Intel processor or Apple Silicon (native support)

Memory
8 GB RAM or more recommended

VST3 (64bit)
AU (64bit)
AAX (64bit macOS only)

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Auralume.Saturator.Lite.1.0.1  ( 29 MB )

186 MB

High-Gain Preamp from Beyond the Grave.
Enter the crypt of tone. Nosferatu is a special Halloween edition preamp plugin — a boutique-inspired distortion beast that brings the undead spirit of tube saturation to your DAW.

Stomp
It starts with a dual-mode preamp:
Main Drive — thick, aggressive distortion with classic high-gain character.
Boost Mode — adds extra bite and voltage for when the night demands blood.

Power Amp
The tube power amp section gives life to your tone, complete with Presence and Resonance controls that let you shape your attack like a sharpened stake.

Cab
Paired with a cab simulation featuring two distinct voicings, Nosferatu covers everything from tight modern metal to doomy, decaying sludge.

Additional Tools

Tuner
Tuner, Recorder, and Metronome – stay in tune and in time, no matter how chaotic the ritual.

Transpose
Transpose Control – drop your tuning without touching a single tuner.

Studio Environment
The sonic ambiance of a recording studio with Studio Environment Listening option.

Presets
Preset System – summon your favorite tones instantly.

Build-in Gate
GateMate™ Noise Gate – keeps your signal clean, even when the undead hiss.

MIDI
Complete MIDI compatibility, enabling seamless integration with a wide range of MIDI devices.

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Nosferatu_1.0.0_WIN  ( 54 MB )

Nosferatu_1.0.0_MAC  ( 150 MB )

45 MB

An audio mixing plugin for Windows only (there is no compatible impulse loader module for MacOS). YS – PreAmp-IR allows you to load impulse responses from various microphones, tape recorders, and other equipment to simulate analog devices. Two IR loaders are connected in parallel by default, with the output of a third IR mixing them. Impulse loaders can be loaded from any directory on your drives.

After loading, save the preset for quick access the next time you insert the plugin. If the controls are not displayed due to a weak graphics card, replace the images in the root of the plugin folder with a smaller renderer from the “Knob to change” Knob 51 archive. By default, all controls are set to smoothly switch at frame 101. If you have issues with VST3 in some DAWs on Windows, try VST2. For fine-tuning, hold down the Ctrl key.

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YS_PreAmp-IR_v1.0.0  ( 45 MB )

12 MB

YS – Console AMP An audio plug-in for inserting into each track in a DAW to simulate an analog mixer console, to add color to each channel with slight differences in processing.

Harmonics and dynamic noise are added parallel to the main signal. In Linear Input mode, saturation is insignificant compared to Mic Input mode.

For a greater difference between channels, you can turn on the mode that adds a comb filter. The “Random” button randomly switches the saturation, noise and filter settings for the left and right channels.

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YS_-_Console_AMP_v_1.0.0  ( 12 MB )

14 MB

The Unholy pedal was the first physical pedal designed by our Lead developer Ryan (in the Revolt Custom Audio era). It’s a unique fuzz/distortion hybrid circuit, the positive waves are soft clipped and the negative waves are hard-clipped like a fuzz distortion would be.

This is a wide ranged distortion that can be used for more than just guitars. Try it blended on your vocal and drum busses for grit and character

The unholy was also the first distortion algorithm wrote specifically for Revolt DSP, this very pedal is special to us, it shows our history and even the origins of our first colour scheme

For that reason, we’ve brought it back for free with our latest generation graphics.
[i][/i]
Who knows, we may even do some limited runs of the physical pedals again one day…

Download it today and have an extra flavour of distortion in your arsenal. On us.

Minimum requirements for MAC: Mac OSX Sonoma 14.4.1, 8gb Ram, Apple M1/2/3 processor. (Intel processor version coming soon)
To install: Close your current DAW session, Extract the .pkg file from the zip folder and follow the installer instructions.

Windows Compatibility:

Minimum requirements: Windows 10 64bit, 8gb Ram, i3 processor or equivalent.

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Unholy_Distortion-v1.2  ( 13 MB )

13.7 MB

YS – Phantasm Analogue Enhancer adds harmonic richness to your sound.
The richness is added parallel to the main signal and divided into three bands by an adjustable crossover.
The bass and low midrange add even harmonics, adding body.

The midrange adds even and odd harmonics and enhances clarity in this range for vocals and lead instruments.
In the high range, odd harmonics are added, adding clarity and brightness to the sound.
All harmonics can be auditioned without the main signal to fine-tune the desired color.
Tone EQ creates a brighter or warmer overall tone.

The midrange can be attenuated, creating the characteristic notch typical of passive equalizers. It also creates subtle volume differences between the center and side channels, enhancing the psychoacoustic stereo effect. The “Bass” button adds 3dB at 50Hz to the center channel and attenuates this frequency by 3dB in the side channels.
‘Flow’ creates subtle vibrations between the channels, matching the project’s tempo in even harmonics, adding volume in the low range.

‘Flux’ simulates the movement of a tape recorder.

The plugin was created using SynthEdit.

(Universal VST3 plugins can run on both macOS and Windows. SynthEdit now produces universal VST3 plugins. This means you can offer the same download file to macOS and Windows users. It will “just work.” SynthEdit universal VST3 plugins support both Intel-based Macs and Apple Silicon (ARM) machines such as M1, M2, and later models.)

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YS.Phantasm.1.0.1  ( 13 MB )

9.91 MB

Differential compander to add texture and grit to your sounds. Sand adds texture to sound designs, field recordings, kicks, bass, voice – whatever needs grit.

This one is more of a sound design tool, but you can definitely use it to extract juice from your bass and kicks. Watch this video:

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Sand.1.1.8  ( 9 MB )

60 mb

An audio plugin for mixing. YS – Summing is designed to be inserted into each instrument track at the very beginning of your plugin chain to simulate the input amplifiers of an analog console. The “Random” button randomly selects EQ settings to add tonal variety to each track.

The changes are subtle, but they give the overall mix a more “live” sound. You can also add light parallel compression to thicken and glue the mix. Update v.1.0.1 adds a DC low-pass filter button – 10-30 Hz. YS – Sum-Gtr Bus can be used on both instrument stereo tracks and buses.

Processing occurs in Mid-Side mode, which can add depth to the sound. The range of the difference between channels is plus or minus 2.5 dB = 5 dB. The low-pass filters are configured to leave the lowest frequencies in mono. Light compression with adjustable compression ratio, not parallel. Attack and release selection via a button with two fixed settings. 1_ Attack 3 ms, Release 70 ms. 2_ Attack 10 ms, Release 120 ms.

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YS_Summing_Gtr_v1.0.1_WIN  ( 25 MB )

YS_Summing_Gtr_v1.0.1_MAC  ( 35 MB )