29.3 MB

Shape your tone and bring back the buried musical energy.

1. Auralume Saturator adds only the harmonics that matter, enhancing your sound with musical depth through simple and intuitive controls. While “saturation” can easily become harsh, excessive, or reduce the perceived size of the original signal, this plugin avoids those unwanted side effects. It is designed to provide just the right amount of energy and presence without introducing haze or musical clutter.

2. The SILK mode delivers a smooth and cohesive character, refining the top end without introducing harshness. It brings clarity and a silky texture to vocals and other aggressive or bright tracks, adding presence and polish while maintaining natural balance. This mode enhances detail without pushing the sound into unwanted sharpness.

3. The WARM mode provides greater thickness, power, and harmonic breadth. Compared to SILK, it produces a fuller and more expansive tone, making it well-suited for guitars, drums, and powerful vocal styles. It enhances body and intensity while preserving natural warmth, resulting in a sound that feels both strong and organic.

Supported OS
Windows 10 or later / macOS 11 Big Sur or later

CPU
64-bit Intel processor or Apple Silicon (native support)

Memory
8 GB RAM or more recommended

VST3 (64bit)
AU (64bit)
AAX (64bit macOS only)

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Auralume.Saturator.Lite.1.0.1  ( 29 MB )

186 MB

High-Gain Preamp from Beyond the Grave.
Enter the crypt of tone. Nosferatu is a special Halloween edition preamp plugin — a boutique-inspired distortion beast that brings the undead spirit of tube saturation to your DAW.

Stomp
It starts with a dual-mode preamp:
Main Drive — thick, aggressive distortion with classic high-gain character.
Boost Mode — adds extra bite and voltage for when the night demands blood.

Power Amp
The tube power amp section gives life to your tone, complete with Presence and Resonance controls that let you shape your attack like a sharpened stake.

Cab
Paired with a cab simulation featuring two distinct voicings, Nosferatu covers everything from tight modern metal to doomy, decaying sludge.

Additional Tools

Tuner
Tuner, Recorder, and Metronome – stay in tune and in time, no matter how chaotic the ritual.

Transpose
Transpose Control – drop your tuning without touching a single tuner.

Studio Environment
The sonic ambiance of a recording studio with Studio Environment Listening option.

Presets
Preset System – summon your favorite tones instantly.

Build-in Gate
GateMate™ Noise Gate – keeps your signal clean, even when the undead hiss.

MIDI
Complete MIDI compatibility, enabling seamless integration with a wide range of MIDI devices.

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Nosferatu_1.0.0_WIN  ( 54 MB )

Nosferatu_1.0.0_MAC  ( 150 MB )

45 MB

An audio mixing plugin for Windows only (there is no compatible impulse loader module for MacOS). YS – PreAmp-IR allows you to load impulse responses from various microphones, tape recorders, and other equipment to simulate analog devices. Two IR loaders are connected in parallel by default, with the output of a third IR mixing them. Impulse loaders can be loaded from any directory on your drives.

After loading, save the preset for quick access the next time you insert the plugin. If the controls are not displayed due to a weak graphics card, replace the images in the root of the plugin folder with a smaller renderer from the “Knob to change” Knob 51 archive. By default, all controls are set to smoothly switch at frame 101. If you have issues with VST3 in some DAWs on Windows, try VST2. For fine-tuning, hold down the Ctrl key.

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YS_PreAmp-IR_v1.0.0  ( 45 MB )

12 MB

YS – Console AMP An audio plug-in for inserting into each track in a DAW to simulate an analog mixer console, to add color to each channel with slight differences in processing.

Harmonics and dynamic noise are added parallel to the main signal. In Linear Input mode, saturation is insignificant compared to Mic Input mode.

For a greater difference between channels, you can turn on the mode that adds a comb filter. The “Random” button randomly switches the saturation, noise and filter settings for the left and right channels.

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YS_-_Console_AMP_v_1.0.0  ( 12 MB )

14 MB

The Unholy pedal was the first physical pedal designed by our Lead developer Ryan (in the Revolt Custom Audio era). It’s a unique fuzz/distortion hybrid circuit, the positive waves are soft clipped and the negative waves are hard-clipped like a fuzz distortion would be.

This is a wide ranged distortion that can be used for more than just guitars. Try it blended on your vocal and drum busses for grit and character

The unholy was also the first distortion algorithm wrote specifically for Revolt DSP, this very pedal is special to us, it shows our history and even the origins of our first colour scheme

For that reason, we’ve brought it back for free with our latest generation graphics.
[i][/i]
Who knows, we may even do some limited runs of the physical pedals again one day…

Download it today and have an extra flavour of distortion in your arsenal. On us.

Minimum requirements for MAC: Mac OSX Sonoma 14.4.1, 8gb Ram, Apple M1/2/3 processor. (Intel processor version coming soon)
To install: Close your current DAW session, Extract the .pkg file from the zip folder and follow the installer instructions.

Windows Compatibility:

Minimum requirements: Windows 10 64bit, 8gb Ram, i3 processor or equivalent.

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Unholy_Distortion-v1.2  ( 13 MB )

13.7 MB

YS – Phantasm Analogue Enhancer adds harmonic richness to your sound.
The richness is added parallel to the main signal and divided into three bands by an adjustable crossover.
The bass and low midrange add even harmonics, adding body.

The midrange adds even and odd harmonics and enhances clarity in this range for vocals and lead instruments.
In the high range, odd harmonics are added, adding clarity and brightness to the sound.
All harmonics can be auditioned without the main signal to fine-tune the desired color.
Tone EQ creates a brighter or warmer overall tone.

The midrange can be attenuated, creating the characteristic notch typical of passive equalizers. It also creates subtle volume differences between the center and side channels, enhancing the psychoacoustic stereo effect. The “Bass” button adds 3dB at 50Hz to the center channel and attenuates this frequency by 3dB in the side channels.
‘Flow’ creates subtle vibrations between the channels, matching the project’s tempo in even harmonics, adding volume in the low range.

‘Flux’ simulates the movement of a tape recorder.

The plugin was created using SynthEdit.

(Universal VST3 plugins can run on both macOS and Windows. SynthEdit now produces universal VST3 plugins. This means you can offer the same download file to macOS and Windows users. It will “just work.” SynthEdit universal VST3 plugins support both Intel-based Macs and Apple Silicon (ARM) machines such as M1, M2, and later models.)

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YS.Phantasm.1.0.1  ( 13 MB )

9.91 MB

Differential compander to add texture and grit to your sounds. Sand adds texture to sound designs, field recordings, kicks, bass, voice – whatever needs grit.

This one is more of a sound design tool, but you can definitely use it to extract juice from your bass and kicks. Watch this video:

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Sand.1.1.8  ( 9 MB )

60 mb

An audio plugin for mixing. YS – Summing is designed to be inserted into each instrument track at the very beginning of your plugin chain to simulate the input amplifiers of an analog console. The “Random” button randomly selects EQ settings to add tonal variety to each track.

The changes are subtle, but they give the overall mix a more “live” sound. You can also add light parallel compression to thicken and glue the mix. Update v.1.0.1 adds a DC low-pass filter button – 10-30 Hz. YS – Sum-Gtr Bus can be used on both instrument stereo tracks and buses.

Processing occurs in Mid-Side mode, which can add depth to the sound. The range of the difference between channels is plus or minus 2.5 dB = 5 dB. The low-pass filters are configured to leave the lowest frequencies in mono. Light compression with adjustable compression ratio, not parallel. Attack and release selection via a button with two fixed settings. 1_ Attack 3 ms, Release 70 ms. 2_ Attack 10 ms, Release 120 ms.

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YS_Summing_Gtr_v1.0.1_WIN  ( 25 MB )

YS_Summing_Gtr_v1.0.1_MAC  ( 35 MB )

51.6 MB

One distortion plug-in to rule them all. Black Diamond Distortion is the first plugin from Aspen Instruments. It is a flexible distortion engine designed to cover everything from subtle preamp-style warmth to aggressive modern waveshaping. You can start from a curated library of presets—including classic hardware-inspired designs—or build your own distortion from first principles using four distinct editing modes.

Harmonic Mode is the “bunny hill” of the plugin: it makes it extremely easy to dial in great-sounding distortion quickly. Nearly any configuration of the harmonic sliders produces a usable, musical result.
Under the hood, this mode gives you direct control over which harmonics are excited by the distortion algorithm. Traditional harmonic distortion plugins—often based on Chebyshev polynomials—tend to generate spiky waveforms that are difficult to manage in mixing and mastering. Black Diamond improves on this approach with a novel algorithm that excites harmonics while maintaining a significantly higher crest factor (the ratio between peak headroom usage and RMS energy). The result is distortion that is both harmonically rich and mix-friendly.

Spline Mode allows you to shape the transfer curve using spline anchors. You manipulate the curve directly by dragging these anchors in the editor.
The spline-fitting algorithm is optimized to use as few anchors as possible, which makes each anchor extremely powerful. A single adjustment can reshape large portions of the waveform, encouraging broad, intentional changes rather than tedious micro-editing.

Brush Mode is designed for adding texture and irregularity to the distortion.
The standard brush lets you draw the distortion curve pixel by pixel. Because humans are not particularly good at drawing smooth curves, this often results in “broken” shapes—and sometimes that brokenness is exactly the sound you want.

To compensate for this limitation, the Roller Brush smooths the curve as you draw, flattening jagged edges that can otherwise lead to overly brittle or unstable distortion.

In addition, several texture brushes introduce controlled noise into the curve. These brushes create subtle randomness and unpredictability, making this mode especially fun and rewarding to experiment with.

Equation Mode is the core of Black Diamond. It allows you to define the distortion directly by entering the mathematical equation that computes it.
For users willing to learn a small amount of signal processing, this becomes an extremely powerful tool. Math describes nonlinear behavior far more precisely than manual curve drawing ever could. In fact, equations are the foundation of Harmonic Mode—Equation Mode simply removes the guardrails. This opens the door to experimenting with an effectively infinite range of distortion algorithms.

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Black.Diamond.Distortion.1.0.14  ( 52 MB )

76 MB

An audio plugin for mixing. IR is available for Windows only (there is no compatible impulse loader for MacOS). YS – Strip Hi-Fi allows you to load impulse responses from various microphones, tape recorders, and other equipment to simulate analog instruments.

Impulse responses can be loaded from any directory on your drives. After loading, save the preset for quick access the next time you insert the plugin. If the controls are not displayed due to a weak graphics card, replace the images in the root of the plugin folder with a smaller render from the “Knob to change” Knob 51 archive.

By default, all controls are set to smoothly switch at frame 101. If you have issues with VST3 in some DAWs on Windows, try VST2. For fine-tuning, hold down the Ctrl key.

All IR edge processing modules are available (there is no compatible impulse loading module for MacOs).

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YS_Strip_Hi-Fi_1.0.1_WIN  ( 40 MB )

YS_Strip_Hi-Fi_x_1.0.1_MAC  ( 36 MB )