That struggle to get authentic, warm vintage tones without killing your CPU is real. INVADER Lite fixes that immediately by packing raw, analog-inspired heat into an arcade-style layout that is straight fire to produce with.

Why INVADER Lite is a Game-Changer for Your Mix & Workflow

• Instant Vintage Character – Inject rich analog warmth straight into your session without needing chains of tape emulators and saturators.
• Punchy Basses That Anchor the Low End – Dial in heavy low-end patches that hold down the root notes while leaving plenty of clean space for your kicks to punch through.
• Lush, Wide Pads – Create cinematic depth and silky stereo width that instantly wraps around your vocals and drums.
• Mix-Cutting Leads & Plucks – Cut through dense arrangements with bright, laser-sharp retro leads that never sound harsh or brittle in the high end.
• Intuitive Sound-Sculpting Macros – Tweak tone, filter movement, and space in seconds so you spend more time laying down chords and less time digging through sub-menus.
• Interactive Retro Game UI – Fuel your inspiration with an arcade cabinet display that responds dynamically as you play keys.

Tech Specs (Keep it Light)

• Platforms: macOS & Windows compatible
• File Size: 2.51 GB sample engine library
• Sound Palette: Basses, leads, pads, keys, plucks, and vintage textures
• Interface: Dynamic retro arcade HUD with dedicated macro controls

The Verdict

If your melodies have been sounding sterile lately, this synth is an absolute must-grab. INVADER Lite brings that late-night arcade nostalgia right into your DAW, delivering tones that slap hard across synthwave, trap, R&B, and lofi. It captures the soul of classic analog gear while keeping your workflow fast, modern, and effortless.

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Download  ( 2.5 GB )

2.51 GB

INVADER Lite: A Retro Synthesizer Engine Built for Modern Music

A Retro Analog Instrument Playground For Modern Production
INVADER was designed to capture the excitement of walking into a retro arcade, bright lights, pixel graphics, glowing cabinets, and unforgettable sounds.

Behind the nostalgic visuals is a powerful synthesizer loaded with expressive analog-inspired instruments that fit effortlessly into today’s productions.

From lush pads and dreamy keys to punchy basses, soaring leads, vintage plucks, and atmospheric textures, INVADER delivers timeless sounds with a creative workflow that’s impossible to put down.

Press Start On Your Next Idea
Choose a Game Mode and watch the display respond in real time as you perform, creating an experience that’s as fun to play as it is to listen to.

Fine-tune every sound using intuitive macro controls that make sculpting warm analog tones fast, musical, and addictive.

Explore a massive collection of analog-inspired presets, then twist the macro controls to transform them into basses that punch harder, pads that feel wider, leads that cut through the mix, and textures full of vintage character.

The result is an instrument that’s just as entertaining to play as it is powerful to produce with.

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Download  ( 2.5 GB )

42 MB

The virtual version of this historic Italian synthesizer, created by myself and Marco Molendi, can be downloaded for free.
CRB URANUS 1: for those who saw it and for those who weren’t there
After years and years of video collaboration with the SM Strumenti Musicali YouTube channel, where I dedicated myself to other people’s projects, finally – and with great pride – I present to you a project that sees me as the protagonist in collaboration with a great technician and a very dear friend like Marco Molendi .

This project had been in the air with Marco for some time: it was the emulation of an Italian synthesizer that – as the title of the chapter suggests – few have seen and probably some have only heard of. In SM Strumenti Musicali columns such as Arranger Legacy and Synth Legend , we have often mentioned a long-defunct Italian brand like CRB Elettronica of Ancona , founded in 1948 by Duilio Borsini . The writer had the opportunity to work at CRB in his youth in the mid-1970s, doing the so-called apprenticeship. Like many companies in the Marche region of that period, CRB also mainly built electronic organs , but the company’s research and development laboratories also studied new and ambitious projects aimed at attracting musicians and dealers. Among these projects was the rather “courageous” one for a synthesizer, which at the time was gaining new enthusiasts, thanks to creations arriving from overseas such as those by Moog and ARP.

Today, with modern technology, discussing the idea of ​​building a synth is no longer scary , but believe me, in the mid-seventies, just talking about a project like that made industry insiders turn up their noses . CRB ” got off to a flying start ” with a project that – nowadays – we would define as the fruit of a courageous “vision”. The CRB URANUS 1 was a “Monster” instrument in every respect, both in terms of features and overall dimensions. An instrument born to generate a “Wow!” effect in the enthusiast. Anyone who has read the two books co-written with my friend Riccardo Gerbi ( Volume 1 and Volume 2 ) will have seen the photos where I played it at trade shows and demonstrations of the time. Here I offer you a few nuggets of history and some characteristics of the URANUS 1.

But what are we talking about?
It was the first and only polytimbral (and therefore polyphonic) synth of its time made by an Italian company. Eight oscillators (divided into two pairs split across the keyboard) with a panel full of sliders and buttons for controlling and programming the various sections! An instrument that left an indelible mark on the writer’s memories, until the day my friend Marco Molendi and I decided to create it, to the delight of those who saw it and those who weren’t there.

The Genesis
The CRB Uranus 1 was the forefather of projects that later followed in the Italian company, namely the URANUS 2 , the Oberon and finally the Vega , a mammoth synthesizer that was never released (also due to its cumbersome size and weight). Only five URANUS 1 units were built , of which one remained in the company and four were distributed for demonstrations in Italy and around the world, but which never returned to CRB, due to the subsequent closure of the company for commercial reasons well described in my books.

Reconstructing a memory
I spent hours on the URANUS 1 at the company, preparing various demonstrations for trade shows and events. My experience with that model fueled curiosity , study, and memories. Memories I’ve pursued for years, based on the sonic and technological experiences I’ve experienced throughout my career in this industry. Starting from these very memories, Marco Molendi and I challenged each other with a thousand and one questions: What was it made of ? How did it sound? What was its musical logic?

Marco and I began researching the technical possibilities to make this dream come true, but he, a truly great musician, already knew where to start. I tried to convey to him all my information , my memories, and my passion for that instrument. Marco accompanied me on this quest and, like a true enthusiast, he set out to shape it into software variants day by day, slider by slider, oscillator by oscillator.

Below you can see the graphics of the original from which Marco then extrapolated the layout of the software interface!

True to the original!
Upon startup, the CRB URANUS 1 will appear like this on your computer:
Marco Molendi reproduced all the oscillators as well as the eight VCFs, VCAs, LFOs, and much more! The instrument offers a mirror image of all the features and a few added features typical of modern day utilities. Marco was also more generous than expected, equipping this variant with 10 programmable memories. (Back then, talking about memories was like spotting a UFO!)

Together we refined all the features with tempo sounds (including the Drum Machine), polytimbral priorities and much more.

Today, this pursuit of memory has become an easy-to-install software and… FREE . Yes, you read that right: FREE .

In the installer (currently only for the Windows platform ) you can select your preferred format (Standalone or VST 3 plugin), and you will also find the user manuals describing the various utilities and settings, as well as the 10 presets created by yours truly, with the relative descriptions and audio demos for each. The installer also includes a demonstration video , which you can see below.

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VST.Uranus  ( 42 MB )

17 MB

Littl3-P is here and it has over 100 sounds to kick-start your creativity! Browse through the huge variety of built in presets or take full control of your sound and dive into the many modulation options, effects and parameters with the ability to layer up to 1 waveform!

This synth is inspired by the famous Little Phatty analog synthesizer.

Main features:
Includes over 100 presets
Over 16 waveforms
2 x Oscillators with morph
1 x Oscillators Mix
5 powerful FX modules to bring your sound to life
Unique Unison engine with 8 voices per oscillator
1 Ladder filter with 12 & 24 dB + Vowel Filter
3 LFO’s with over twenty waveforms
1 Filter Envelope
1 Pitch Envelope
1 Amp Envelope
AM Mod to shape your sound
Portamento / Legato for those bendy notes

PC minimum system requirements
Windows 7+
Intel Core 3.2Ghz or equivalent AMD CPU, 4 GB RAM
25 MB free disk space
Runs in 32/64-bit VST
Supported system: Windows 32/64-bit VST

Visit Developer Site

Littl3-P-v3.0.1  ( 16 MB )

6 MB

Make It Fat
Get K-Whooms and squeeze the fattest sounds out of it with just a few turns of the controls.

Note Expression
Modulate Pitch, Volume and Pan or any other parameter on a per note basis.

Parameter Context Menu
Access parameter functions via context menu from within the plug-in e.g. “Show Autmation Track”.

Feature Madness

Multi Oscillators & Noise
Choose between basic waveforms sine, triangle, saw and pulse
Dial in up to 9 phases per oscillator steplessly
Spread phases and detune them
Widen multi oscillators panorama
Adjust from blue over white to pink noise characteristic
Mix multi oscillators and noise

Modulation Matrix & Sources

Assign modulations on up to 8 slotsUpdate modulation targets synced to the host tempo
Choose envelope and two LFOs as modulation sources
Route note expressions

Filter & Amplifier

Choose between 12 filter typesLadder filter type included
Add some extra volume and panning

There is more…

Use Step Sequencer for rythmic patternsScale the GUI from 100% to 125%, 150%, 175% and 200%.
Supported sample rates of 44.1kHz, 48kHz, 88.2kHz and 96kHz.
Apply Simple Distortion & Stereo Delay effects

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K-Whooms-2025.03  ( 6 MB )

79 MB

TyrellN6: Classic racer with u-he engine

TyrellN6 is a compact, sporty synth. Based on concepts and ideas for a hardware synth: a few modules, novel features, analogue sound and low-cost.

History
Tyrell is the name of a project by the German online magazine Amazona.de. A reader survey and follow-up on forum posts provided a pool of ideas for a low-cost hardware analogue synth, which Mic ‘Moogulator’ Irmer collected and used to develop quite a powerful concept. Based on a design similar to Roland’s classic Juno 60, a few modules and novel features could be added without making the product too expensive.

Features:
Virtual analogue with classic architecture plus extras
2 oscillators, noise, ring modulator
2 LFOs with 8 waveforms, host-syncable
Audio source mixer with authentic overdrive and filter feedback
Twin filter related to Diva (early model)
Unison with up to 8 voices
Analogue-type ADSR envelopes, loopable or LFO-triggered
Small modulation matrix with depth modulation from a second source
Chorus effect with 3 modes
MIDI learn / unlearn for hardware control
Resizable UI from 70% to 200%
Skinnable UI
Over 580 factory presets

Requirements
Mac OS X 10.7 or newer
or
Windows 7 or newer
or
Linux

Host software / DAW
1GB RAM, more recommended
1000 × 600 or larger display
15-50 MB free disk space
Modern CPU (Sandy Bridge or newer recommended)

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TyrellN6-v3.0.0-rev.16976  ( 79 MB )

45 MB

Paralogy is a software instrument for Microsoft Windows (VST2/VST3/CLAP/AAX) and Apple macOS (VST2/VST3/CLAP/AU/AAX) simulating the paraphonic Crumar Trilogy and Stratus keyboards from the early 1980s. It is written in native C++ code for high performance and low CPU consumption.

Main features are:
Close simulation of the original hardware
Fully “polyphonic” paraphonic madness
Organ, Synthesizer and String sections
Additional Phaser and Delay effects
Resizable user interface (not “N” version!)
MIDI Learn – all parameters can be controlled by MIDI CC
Plug-in supports Windows and macOS (32 bit and 64 bit)

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paralogy_1_0_0  ( 43 MB )

14 MB

The Ultimate Modular Synth Playground

Unleash your sonic creativity with MODULE-X, a powerful modular synth plugin packed with endless patching potential.

Whether you’re crafting lush textures, raw basslines, or glitchy sequences, MODULE-X gives you full control with:

4 Multi-wave Oscillators
Advanced Envelope + VCA Section
Customizable Math LFOs
24 Precision Sliders for Hands-On Modulation

Patch-Anywhere Routing for Limitless Sound Design

Designed for producers, sound designers, and modular lovers, MODULE-X brings hardware-style experimentation into your DAW—no cables needed.

Retro vibes. Modern sound. Limitless potential.

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MODULE-X  ( 14 MB )

31 MB

Step Modulation Analog Synth
Virtual Analog Synth with retro architecture for vintage and modern sounds.
Features for live performance and multi-instance midi control.
Suitable for arpeggios, bass, pads, atmospheres, solos, leads, noisy sounds, electronic drums, etc.

“Vintager” effect that simulates oldering of oscillators.
Step modulators with 4 scenes for each preset.
Onscreen editable text guide stored in each preset.
Pop-up fast help by hover mouse on all controls.

Available as VSTi and Stand Alone application. Both include a Tutorial Preset Bank to learn all about this synth.

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SuperTrone v6.1  ( 31 MB )

38 MB

Modularis / Analog Style Sequencing Tool / is the next instrument in the 2MGT suite of experimental synthesizers (standalone tool application for Windows).
No installation is necessary, and it works without problems in Windows XP…11.
Modularis is Free/Donate (the Free version has some limitations).
Dual 16 step sequencer with a built in synths that also has the ability to control other softsynths via it’s MIDI out (will need a virtual MIDI cable).
Dual Layer Random Seed Pad Arpeggiator
Modularis has an extensive range of sound creation possibilities especially for Ambient, Berlin School as well as others genre of electronic music.
Modularis has a built-in Recording module.

https://2mgt.st8.ru/Modularis.html

Modularis_VST2_32bit  ( 38 MB )